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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For October 2nd, 2004

The Baasha hangover continues…

October 2, 2004 · by sudhishkamath

After all that serious talk about movies, thought I’ll take a breather.

I saw ‘Madurae’ last night and that makes it two of a kind in a week. What else did I see?

I also saw Gaja… Captain’s ‘Gajendra’. Ahem Ahem!

Who says bad movies are an occupational hazard? They’re good. For the simple reason that these are the kind of movies which make me appreciate the good movies.

I liked ‘Baasha.’ Thalaivar movie. So obviously loved it. But I never thought it would be a great movie, a classic. But last night, ‘Madurae’ made me change my mind.

‘Baasha’ is a classic. Yeah, despite its letdown of a climax, it is a great film. Just look at the number of imitations it has spurned. The ‘Baasha’ format has proven to provide the fodder for the film industry over the last decade. In the last six months alone, we’ve seen three. Ajit remade it as ‘Jana,’ Vijay, of course, as ‘Madurae,’ and Captain got together with ‘Baasha’ director Suresh Krissna just to make him repeat the film with ‘Gajendra’.

Now, ‘Baasha,’ certainly among Rajni’s best, wasn’t an original itself. It was inspired by Mukul Anand’s ‘Hum,’ the multi-starrer with Amitabh Bachchan, Rajnikant and Govinda.

As ‘Baasha,’ Superstar was an all-powerful don, the protector of the masses, the hero of Mumbai, who gave it all up to fulfil his family responsibilities. He took to violence only when it was truly warranted, only when it was for the greater good of the society. And as Manickam, he changed himself so dramatically, that you could see the difference.

Manickam was a peace loving autodriver, one-among-the-masses, who in spite of the nastiest of provocation, does not hit back. And mind you, it was Thalaivar doing that role… every time Thalaivar as Manickam, does not hit back, the more expectant it made you for the moment when he actually would and curious about what held him back. So finally when he did hit back, you felt gratified. When you finally knew about his history, you felt satisfied.

That gratification and satisfication made the film the super duper hit it was. The imitations, however, lack that punch for one basic reason — both ‘Madurae’ and ‘Gajendra,’ even in their undercover avatars are superheroes, who can beat the shit outta the bad guys. So there wasn’t too much difference in the two shades of the same character. Which is why I think that these remakes will never create that euphoria which ‘Baasha’ created.

But yeah, seeing Vijay do that role does remind you of Superstar. The ‘Ilaya Thalapathy’ sure seems set to get into Thalaivar’s shoes. (To digress a little, The villain KTR, for his ingenious, should have been director of IIT or something. Or at least the IIM. Consider that he sells 5.4 lakh mobile phones for Rs.20 OVER NIGHT, all with a chip-bomb, which will get activated when his automated system calls the subscribers at eleven the next morning. And Madurae should of course, be made director of RAW for cracking it and preventing that many bombs from going off. What does he do? Watch the movie, dodo! I don’t want to be the only one laughing my ass off!)

As for ‘Gajendra’, er… no comments. He he!

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