• SUDA MING’S CHANNEL
  • TALKING FILMS
  • Good Night | Good Morning
  • My Talk Show
  • PROFILE

MADRAS INK.

Menu

  • Archives
  • Columns
  • Diary
  • Interviews
  • My Films
  • Reviews
  • Good Night | Good Morning

  • Word thru the bird

    Tweets by SudhishKamath
  • Connect with GNGM

    Connect with GNGM
  • About GNGM

    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

  • Browse: Categories

  • October 2004
    M T W T F S S
     123
    45678910
    11121314151617
    18192021222324
    25262728293031
    « Sep   Nov »
  • Recent Posts

    • Simmba: A departure from the formula
    • Zero: The hero who wasn’t
    • Protected: AndhaDhun: What did that end mean?
    • Love and other cliches
    • October: Where is Dan?

Archive For October 6th, 2004

Flashback: Year 1999

October 6, 2004 · by sudhishkamath

Funny how embarassing it is to read the first ever version of your first ever feature length script. I will take that version to my grave. Happened to read it as I dug out my diary of year 1999.

As I flip through the pages of my diary of year 1999, I really regret quitting the practice. The only written record I have till now is of what led to us writing the script for this movie.

But that’s great, at least I know when it all started.

August 5, 1999

I woke up at 4 in the evening, as usual.

I say as usual because this was the period between when I passed out of communication school (left Manipal on July 12) and joined The Hindu on September 1.

Fifty days of bliss. No responsibilities, no deadlines. Lazed around, woke up late, met up with Murugan, who was in India, like he always is around August every year.

August was like the month all of us guys in the gang met up and caught up with where life had taken us. Ro was Murugan’s girl then. She used to tell her Mum she was going to NIIT class and land up at his place in the afternoons.

So that fine day, I landed up at Murugan’s house, interrupting their conversation. Ro left soon and another friend showed up. Having nothing else to do, we called Ro again and told her we would drop in at her place. We turned up at eight at her place, made polite conversation, what with her Mum around. And we left in forty minutes, after meeting her aunt who was a classical singer, who for some reason, seemed to be very impressed with Murugan’s good boy behaviour. Poor woman didn’t seem to have the slightest clue what this good boy was capable of.

We then left for dinner. Raghu. Murugan’s best buddy Prashant and Mani joined us at this quaint place called Opal Inn for food, after which, we chilled out the usual joint ‘The Potshot,’ (this was the time when pool was cool) till about 12.30 in the night. We bid Raghu farewell. He was joining the Colorado State University and leaving the next day.

It was a practice for Murugan to drop me home, used to call him ‘driver’ and it was only during these ‘drops’ back home when we actually talked serious stuff. I clearly remember how Raghu’s impending departure set the tone for the conversation. We were a close knit gang and life was taking us different places. Raghu was leaving the next day. Murugan would leave by the end of the month too to Pittsburgh. He was applying to medical school the next year. And that would change his life altogether. He probably might not be able to take the 45 day vacation to India that he had been taking in the last five years. Five years before that was when we passed out of high school. And we had managed to be in touch, catch up with each other and in a way involved in shaping up each others lives. I was all set to start job-hunting if I wasn’t going to get a call from The Hindu, the only place I had applied to, out of sheer arrogance. I had the experience, I had a really offbeat resume and I was sure they would hire me.

So life was all set to take us different places. We were all very different people. Some of us were changing. And some of us weren’t. An otherwise cool and casual Murugan, who lived one day at a time, now was talking about the need for commitment in his life. A smart, clever, planner Prashant was now feeling a little down about missing out on a few things during the pursuit of his goals. And there I was, as confused as ever.

Murugan listened to his heart, every moment. Lived every moment, loved every moment.

Prashant listened to his mind, every time. He followed this five year plan he had for life.

And I just could not figure out if I should listen to my heart or my mind.

We were all different guys in a gang in a phase of life where we had to decide what we were going to do with the rest of our lives. This, we realised, was a universal issue.

It would make great material for a movie, we agreed. We instantly decided we would call it Made In Madras. Hyderabad Blues was a hit, Bombay Boys had done pretty well, earlier that year. And we thought it would be a great tribute to the city we loved. A city we grew up in.

But that was not to be.

Before we could discuss more, we reached my place. I got out of the car and wished him bye.

August 11, 1999

It was a bright day. I woke up earlier than usual. 11 a.m.

Reached Murugan’s place by 3.30, checked email on his computer and what did I see?
An email from Deputy Editor, The Hindu, asking me to appear for an interview at the office on the 14th of the month.

A cyclone of some sort lashed the city that day. We were watching the last solar eclipse of the millenium on TV, when a power cut interrupted the relay. Who says this stuff happens only in the movies?

So we happened to discuss Made in Madras yet again.

My life was all set to change. There was a good reason I came back to Madras leaving an advertising job offer I had with FCB-ULKA in Bombay.

I had always wanted to do advertising, so much that my only email account then, had adwala for an ID… In memory of that dream, I have still retained my adwala@hotmail.com address.

Advertising, in Madras, was dead around that time, a profession with not much scope because all the best brands and most of advertising happened in Bombay. So there was no way I could pursue advertising in Madras.

And I had decided I wanted to be in Madras because after two years of living by myself in Manipal, I wanted to be closer home. Closer to people I loved. Closer to friends. Closer to Di.

Yes, Di.
The girl for whom I came back to Madras.
The girl for whom I had given up advertising.
The girl I had last spoken to in February that year.
The girl for whom I was now all set to make a movie.

‘Mast’ about Rashmi: The next Pop iCon?

October 6, 2004 · by sudhishkamath

Rashmi Nigam is my latest crush.

Well, she’s the babe from that music video who went on to become the star of Popcorn Khao Mast Ho Jao. Yeah, the one in the satin saree who makes that biting gesture in that ‘Ja Re Ja’-‘Stayin Alive’ mix.

Sigh!

Every passing day, I am more than convinced that life can really be larger than a movie. Less than 16 hours after I saw the movie, I met her. Rashmi Nigam. In flesh and blood.

🙂

Well, as a journalist I’ve come across plenty of stars and starlets in the last five years. But only a few of them really had ‘it’. “It,” if you’ve seen Bowfinger, you will know is that quality a person should possess to be a star… you shouldn’t be able to take your eyes of that person, every single thing she does should keep your eyes glued to them and your body tuned to her existence.

Amisha Patel, when I met her about four and a half years, had it. I didn’t want to wash my hand after shaking hands with her. But my Mom wouldn’t serve me dinner! 😦 So I finally gave in and washed my hands.

Then Trisha. Even when she became Miss Chennai, I knew that this babe had “it”. In fact, I think I must have been the first person to have taken her autograph (much before she became popular as an actress). Yeah, it sure was embarassing for a journalist of some repute to ask for an autograph from a star (I’ve never ever done it with anybody else but her) but I was completely in awe of this wonderful girl. I clearly remember, we were at Hell Freezes Over, the disco which has now been shut down. It was Valentine’s Day eve. There she was looking absolutely gorgeous as I walked up, scribbled a note and passed it on.

The note said: Hi, I’m Sudhish. From The Hindu. Two things. 1. An Autograph 2. An Interview.

This babe was not even a star. She was just Miss Chennai when I did that ridiculous thing. And No, I wasn’t drunk or anything. It was a very impulsive thing to do and I was just four months into the job then.

She smiled. She was floored, I think (Or maybe behind that smile, she thought: “What a lech!”). She said “Forget the autograph. This is my number and we can meet up anytime.”

So, that was that.

Then, Priyanka Chopra. I always thought she was dumb until I finally met her. We would have chatted for a couple of hours. She surely had “it.” She was in a bright red tight top and she told me I looked like Manish Malhotra! 😛

And now… Rashmi Nigam. It happened two days ago.

Here’s what I wrote out of that for the paper. It’s yet to be published.

‘Mast’ about Rashmi – The next Pop icon?

It was certainly love at first bite. Yes, she stole my heart (and of many others like Pritish Nandy) the minute she made that ‘biting’ gesture in that music video of the ‘Ja Re Ja O Harjai’ remix.

Pritish Nandy said, “If a girl can wear a saree like that, dance likethat and bite like that!” before running out of words to describe his discovery.

He signed her on for Popcorn Khao Mast Ho Jao, a movie whose otherwise painfully long length I did not mind at all, because of the presence of this absolutely gorgeous young woman. Yes, Kajol’s sisterTanishaa also happens to star in the movie, but this one is Rashmi’s film. Her portfolio.

If Kabir Sadanand, the director, got anything right in the movie, it was casting Rashmi as Sonia. Don’t get me wrong, the movie isn’tentirely bad. It’s great in parts, it has some wonderful moments (yes, excluding the parts where Rashmi lights up the screen with her presence), it has about 15 genuinely funny jokes, a brilliantly funnyYash Tonk as Goldie and a charming, talented, grey-eyed bloke in Akshay Kapoor to keep the women in the audience happy. With a little editing … like, you know, with an hour less (the movie is over two and a half hours long), it would be a decent movie.

In its current form however, ‘Popcorn’ is just any other half-fresh yet not-that-corny film you can expect out of a promising debutant director, a flick which falls short of a ‘Mast’ watch tag.

Before we start the interview, Rashmi pops the question that any journalist would want to avoid after watching a movie like ‘Popcorn’: So, how did you like the movie?

“Well, I think you are one of the reason why anyone should watch this film,” I tell her quickly before giving her my opinion on the length.

How did it all begin?

(Seriously, how many questions can you ask a starlet who is one film old?)

Rashmi was at a restaurant with her friends when a gentleman from Sony auditioning for the role. Hmmm, he must have noticed her biting. “I almost forgot about it,” Rashmi recalls. A week later, she landed up at the audition, danced for a Beyonce number, and she was in.

“I was trained in Manipuri and Kuchipudi,” the starlet explains, before going into her Flashback. Approximately 18 years, 95 days, 13 minutes and 5 seconds before (that’s how the movie’s narrator takes the audience back and forth in time), Rashmi Nigam was born in Goa. Rashmi was then raised in Delhi, studied abroad for a bit and approximately one year, 79 days, 58 minutes and 13 seconds ago, worked as a graduate trainee in the petroleum division of a multi-national company. Her photographer friend persuaded her to get her portfolio done.

Her school experience in dance theatre gave her enough confidence to do ads, then the ‘Ja Re Ja’ music video happened. Before she knew it, Daler Mehndi signed her on for his latest video ‘Bolo Sha Ra Ra Ra.’

And now, one-film-old Rashmi is already familiar with the standard cliches that well established stars belt out confidently. “I’m here for good,” “I’ve found my calling,” “I want to do different roles. I don’t want to be slotted.” “I’m doing a totally different role in my next film.” Of course. Only that the script isn’t ready. Yes, Rashmi will start shooting for another film with her producer Pritish Nandy Communications, by the end of the year.

Meanwhile? “I’m taking a nice Popcorn break,” she smiles. “In this industry, there are either lulls or so much happening that you can’t even breathe … so much excitement. So, now I get back to spend time with my friends. I’m starting to watch movies in DVDs to update myself.”

About 10 minutes, 5 seconds and .36 nanoseconds after she said that, I shook hands with my latest crush.

Blessed are those, who become journalists.

He he!

Ooops!

October 6, 2004 · by sudhishkamath

I mean how can I forget Andaz Apna Apna.

But maybe I’ll rank it right on top of best comedies. So here goes.

Top Five — Hindi Comedies

1. Andaz Apna Apna

Rajkumar Santoshi is a great filmmaker, the most consistent, the most varied and also the most under-rated director. Andaz Apna Apna is really a tribute to Bollywood.

2. Jaane Bhi Do Yaaron

I remember how I rolled on the floor laughing watching it when we just had good old DD for entertainment. The problem with growing up is that I don’t find it as funny now but yes, considering I still remember how entertaining a movie it was, I must put it here.

3. The Hero

Sunny Paaji, I owe this one to you. And Anil Sharmaji, I know you laughed all the way to the bank with a bakwaas movie like Gadar, and I’m glad you gave us a chance to with this hilarious piece of cinema. It didn’t run well because you didn’t promote it as a spoof. What next? Amitabh Bachchan ko Sardar bana diya? Hope you don’t replace this slot with Ab Hamara Watan Tumhare Hawale Saathiyon.

3. Awrite, seriously, Munna Bhai MBBS

That’s the last best genuine comedy Bollywood has produced. A brilliant script. Super funny characters. Circuit is my favourite too. And the lingo, bole toh ek dum solid, kya!

It wasn’t just a comedy, beneath all the humour, Rajkumar Hirani did have something to say. It spurned sequels in every South Indian language, including Tamil. Imagine, it was one of the rare films to be reviewed by the British Medical Journal!

4. Deewana Mastana

This certainly has to be David Dhawan’s best. It’s classy, spoofy and the comic timing of Govinda and Anil Kapoor in roles reversed (for once, it is Govinda who dresses sober and it is Anil Kapoor wearing colourful jhatak clothes). Total timepass.

5. Jodi No.1 and Bade Miyaan Chotte Miyaan (Joint winners)

Again, Govinda and Sanjay Dutt’s comic timing save the spoof on Sholay from mediocrity. It is outrageously funny.

And Bade Miyaan Chotte Miyaan because I love the climax. Hilarious. It’s Bad Boys 1 and 2 rolled into one, David Dhawan style!

Post Script:

I hate to admit it, but I also liked Daud, in parts… Really silly movie but I simply loved Paresh Rawal as the villain Pinky, one of his best roles!

  • Blog at WordPress.com.
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Subscribe Subscribed
    • MADRAS INK.
    • Join 483 other subscribers
    • Already have a WordPress.com account? Log in now.
    • MADRAS INK.
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar