• SUDA MING’S CHANNEL
  • TALKING FILMS
  • Good Night | Good Morning
  • My Talk Show
  • PROFILE

MADRAS INK.

Menu

  • Archives
  • Columns
  • Diary
  • Interviews
  • My Films
  • Reviews
  • Good Night | Good Morning

  • Word thru the bird

    Tweets by SudhishKamath
  • Connect with GNGM

    Connect with GNGM
  • About GNGM

    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

  • Browse: Categories

  • October 2004
    M T W T F S S
     123
    45678910
    11121314151617
    18192021222324
    25262728293031
    « Sep   Nov »
  • Recent Posts

    • Simmba: A departure from the formula
    • Zero: The hero who wasn’t
    • Protected: AndhaDhun: What did that end mean?
    • Love and other cliches
    • October: Where is Dan?

Archive For October 14th, 2004

Suderman on Spiderman… Again!

October 14, 2004 · by sudhishkamath

Hey People!

I finally finally watched this brilliant follow-up to Spider-Man last night! Now, I just feel like kicking myself for having missed out watching Spider-Man 2 on the big screen.

Superheroes are best seen on the big screen, after all.

It’s late for a review but what really hit me about the movie was that it didn’t make treat Spiderman as a superhero. It just treated Spiderman like Peter Parker, with all the problems any kid of his age would have. This thesis, his classes that require attention, a girl he likes, a pizza delivery job he’s finding tough to keep, a part-time assignment of taking pictures of Spiderman for the Daily Bugle, paying his rent, being there for his Aunt… all in addition to the responsibility of saving the world, while his Spiderpower and glue seems to be running out.

If Spiderman really existed, I’m pretty sure this is how his life would have been.

Ah, I think I said I’m not reviewing it… But I want to run you through some of the lines in the movie… Awesome!

I loved the gyaan in the lines:

Dr. Octavious gyaan on love (to Peter):

Peter, love should never be a secret.
If you keep something as complicated as love stored up inside, it’d make you sick.

Uncle Ben’s ghost’s gyaan on the need for balls (to Peter):

All the things we talked of honesty, fairness, justice…
all those times I counted on you to have the courage to take those dreams ahead…

Aunt May’s gyaan on why heroes are important (to Peter):

Kids like Henry need a hero…
courageous, self-sacrificing people, setting examples for all of us.
Everybody loves a hero…
People line up for em, cheer them, scream their names and
years later they’ll tell how they stood in the rain for hours just to get a glimpse of the one…

I believe there is a hero in all of us
that keeps us honest, gives us strength, makes us noble …
who finally allows us to die with pride…
Even though sometimes
we have to be steady and give up the things we want the most…
even our dreams..
Spiderman did that for Henry
And he wonders where he’s gone. He needs him.

MJ’s gyaan on the responsibilities of love to Spidey:

I know you think we can’t be together.
But can’t you respect my decision?
I know there will be risks, but I want to face them with you.
It’s wrong that we should be half alive, half of our selves…
I love you… So here I am standing in the doorway…
and I’ll always be standing in your doorway.
It’s about time somebody saved your life.
Say something.
Now think. Is this what you would call comic book stuff?
Which is why I think Spider-Man 2 rocks as a movie, it goes beyond the comic book juvenilia, it uses a language which is so real, situations which a superhero of that age would have faced if he really existed in the 21st century.
Great stuff. I’m just hoping for a re-release!
Off Topic:
I finally created links to other bloggers sites ALL BY MYSELF!! I’m so excited about it, cuz I don’t quite understand HTML code and stuff, I just cut and pasted bits and pieces and put them together. And I’m super happy! It took me an hour though! Now Karthik and Ramya are just gonna copy it from me! Hmph! He he!
And I also brought AdSense in though I doubt if

a. I’m gonna drive that kinda traffic at all?

b. Even if I do, are they really gonna pay?

But hey, I got nothing to lose!

To my air-conditioner, with love!

October 14, 2004 · by sudhishkamath

This one goes out to a little girl who sent me the sweetest piece of writing I’ve ever read.

(Ha! Who doesn’t like nice things said about them?)

So, I got this five-page long diabetically sweet handwritten letter by this 17-year old girl who said I was her “favourite journalist” and that she has been reading “my stories for years.” She even listed all her favourite stories, some of them so long ago that I don’t really remember writing some of them.

I really have no words to explain how touched I am reading what she called “fan mail.” So much that I must say that she’s not just being a fan, she’s an air-conditioner to me… She’s that cool. He he!

Like I what I told her in my mail back to her, yesterday I really felt like this guy who’s just suddenly been given the Oscar without any nomination, only that I didn’t have my acceptance speech ready.

I don’t know if I am overreacting because I really haven’t got this sort of a letter ever before.

Actually, I’ve got a handful of postcards which had a few nice words to say about specific stories but then I also have the dubious record of receiving about a 150 mails for a sooper blooper of a story where I had quite foolishly mentioned Shravanabelagola as a Buddhist shrine (:P yeah, Jain shrine as the letters reminded me later). Then, there have been nasty stinkers from organizations, complaining about bad reviews, all of which I really didn’t/don’t really give a damn about. We journos see stinkers all the time and we put them right where they belong, the bin, of course!

But this one is not about stinkers. This one’s about this girl who taught me at least a coupla timely lessons.

In this era, when MBAs walk out of B-schools to command 5 lakh per annum salaries, when BPOs have ensured even people with two years of work experience make double that amount, journalists still get paid what they used to, a decade ago.

Lightmen and Spot boys in the film industry today get paid more than us. That’s no exaggeration. [Aside: Did you know these blokes get paid Rs.450-700 per shift (depending on language) and work double shifts every day?]

In this distressing, depressing situation, when you are really wondering if you really want to continue with the job, a letter like that surely comes as a the blast of fresh air. Hence, the air-conditioner analogy.

And suddenly, the job doesn’t seem that bad at all. It’s okay if they pay me peanuts. It’s okay if people with MBAs and in IT sectors get paid more. It’s okay if your juniors are starting out with better paid jobs … because they are never going to get the kind of satisfaction you get out of yourjob!

Abraham Maslow can go f*** himself, I get more gratification with this kind of response than the money I could earn with an MBA or by burying myself in IT.

People. The one thing I want from life. I’m gonna be super happy if I can win more people than money. Only a rare few like Superstar Rajnikant are able to do that.

This girl studying architecture yesterday said she wants to pass out of college, do journalism at Asian College of Journalism and then join The Hindu and do one story with me!

And I had to

a. Check if it’s a prank by my colleagues

b. Find out: am I dead or what and am I in heaven?

c. Read my stories again and see what’s so good ‘bout them!

I just completely understood the meaning of the word overwhelming. I suddenly feel charged again. Yes, I want to be a filmmaker but I don’t want to give up journalism. The expression of part-disbelief, part-jealousy on the face of a very senior colleague told me everything: Not every journalist gets letters like this.

Not that I’m proclaiming myself as some super journalist. To be honest, I’ve never ever seen myself or ever taken myself too seriously as a journalist. I’ve always believed I’m a filmmaker at heart just using this job as a temporary and steady source of bread and butter.

I can write, yes. But journalist… no… I got a long way to go before I become one. Having said that, it is not my intention or ambition to be one. I want to be a filmmaker. A good one.

But I’m not gonna give up what I’ve built and collected over the years, especially, because these include people. Even if it is just one girl and her family. The letter was also an indication that maybe I have it in me to do this to more people. Now that I’ve seen blood now, I’m gonna try turning into man-eater from just being a paper-tiger. He he!

Thank you, my air-conditioner, for helping me keep my cool. For changing the very air I’ve been breathing and to help me make up mind about a thing or two.

I want to retain my place among people because I’m loving it. I don’t want to be greedy and say I want more out of this job but I want to retain this base. I want to keep this thing going and still make my movie, which, is only going to be another way to reach people. Even if it means not being paid for this job.

There surely must be a way out to do both – to pursue journalism and films, fact and fiction, reality and dreams.

Or at least, I hope.

  • Blog at WordPress.com.
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Subscribe Subscribed
    • MADRAS INK.
    • Join 483 other subscribers
    • Already have a WordPress.com account? Log in now.
    • MADRAS INK.
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar