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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For November 4th, 2004

Why some good films are wrong films!

November 4, 2004 · by sudhishkamath

I finally watched 7/G Rainbow Colony.

It’s a very good movie that surely strikes a chord. It’s very realistic. It connects instantly with the heart. One small problem. It has the wrong morals. Which is why it is a wrong film. Which is why it should have never been made! Before you head for my throat, read on…

There is nothing heroic about the hero… an ordinary middle-class boy next door who does not have any super talent he can boast off. When he likes a girl or thinks he’s in love with the girl, he follows her, he pursues her, tortures her, stalks her, and even sneaks into her window when she’s about to take her T-shirt off… He has no self-esteem even after she slaps him, asks him why he’s begging for her love… He chases her like the Hutch dog…

And finally, the girl gives in!!!???

Come on, Selvaraghavan… do you know what you just did?? You’ve just given all those millions of people in the state HOPE. You’ve given them reason to tease, chase, torture, stalk and pursue a girl, who has no interest, no end, out of the sheer hope that one day she will see your love. Watch the movie and think if you’d like anyone do that to your sister, if you had one. I would kill the bastard! And not sympathise with him.

If you love someone, don’t force yourself on them. Give them their space.

Have some self-respect and have the girl love you for what you are. Think of the consequences of a relationship born out of begging and pleading. Are you ready to continue living with that equation… a master-slave equation? What was Selvaraghavan thinking?

If 7/G was a bad movie, I wouldn’t be complaining cuz people would be able to see through the indulgence of the director while making his autobiography. But here, the guy has made it sooo damn realistically, incorporating every possible thing an average Joe would do to woo the girl and in a way made the people in the audience believe that there is hope for them. If he’s trying to say that ugly losers like Ravi Krishna could bed a girl like Sonia Agarwal by the end, by just chasing the woman no end, it is a very scary proposition considering the impact a powerful film has on society. 7/G is a more than powerful, brilliant film that has raw appeal.

And our society is rich with these middle class lovestruck road romeos who follow women without realising that today’s laws consider this as sexual harassment. One movie like 7/G would make these road romeos believe that they are heroes. One movie like 7/G could give them the courage to chase any pretty woman on the road and continue even after the drubbing they might receive in the process. One movie like 7/G could change a road romeo into a psycho obsessed stalker.

Which is why it is a dangerous film. A wrong film.

Our country isn’t ready to handle realistic cinema yet. Simply, cuz people absorb morals from every film, and sometimes the wrong ones cuz they think they are real.

True, our cinema reflects our morals. But the morals from 7/G aren’t the ones we want our society to have.

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