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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For December 13th, 2004

REVIEW: Ocean’s Twelve

December 13, 2004 · by sudhishkamath

I laughed quite a bit in the hall.

It was so much fun, no doubt.

And as I walked out, I could hear a bunch of guys discussing: “Looks like nobody got it… What was it all about? Maybe we should wait for Ocean’s 13.”

I share the sentiment.

I think you need to watch this a second time to get what actually happens, more like Mission Impossible 1 or let’s say Vanilla Sky. But then, from what I understood from the film, even if you watch it the second time, I don’t think you’ll buy the plot… the plot is a bit of a let down.

In his pursuit of doing a fitting sequel to Ocean’s 11, Soderberg seems to have lost the plot literally but thanks to some awesome camera angles, slick cuts, howlarious moments, especially, the bonding scenes and the some great twists and some odd turns, the movie certainly lives up to the promise of an exciting team out to do yet another job, if you just forgive the conveniently simple way the guys pull off the job!

Ocean’s 11 was about a robbery that happens, but not in the way the director sets it up. True to that knot, Oceans 12 is also about a robbery which is not executed the way the director initially wants you to believe but the only difference here: The way they finally rob, somehow does not sound even half as exciting as the other plans the team comes up with. Why have a plan that can be done with a handful of freshers executed by a team of Ocean’s calibre?? If the simplicity in plot was the intention, then why not something even more ridiculously simpler? The simplicity if intended was probably to highlight the irony involved by comparing it with the complexity with which the world’s best thief steals the same thing. But still, that’s a big let down after the super build up and all that planning shown!

That ignored, the movie’s a blast. Rocking music, slick visuals — Soderberg once again blends the documentary-style filmmaking with hand-held cameras and classical old-film feel camerwork with plenty of supers (super imposed text)and uses new-age MTV inspired jump cuts to provide a very stylish retro feel. There are plenty of smart lines, expressions which women are likely to find super-cute. What with Brad Pitt and Clooney around!

The Europol Catherine Zeta Jones intro scene where she talks about the most popular thief Night Fox reminded me of our desi cop flicks where commissioners of all districts sit around to bitch about the most wanted criminal and his past record. I almost saw Captain Vijayakanth rise and say: “Night Faax nari ah irakalaam, ana intha Captain minadi verum ordinary” before he walks away out of the hall in slow motion and Deva’s score to elevate the impact.

(For the benefit of those who don’t know Tamil: Nari in Tamil means Fox… So, “He mite be Night Nari, but in front of Captain, he’s just Ordinary!”)

ha ha! Anyway, the movie is full of surprises, some convincing and some completely out of our Hindi fillums… the Chinky dude hiding in a suitcase is a bit too much to digest even by Captain film standards… but help yourself! Ocean’s Twelve is great company, join the party, drop in with a pinch of salt and lemon and you have a classic Tequila shot ready!

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