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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For December 28th, 2004

The role of conscience!

December 28, 2004 · by sudhishkamath

All wasn’t merry after christmas after all. 😦

But I guess the positive way to look at it is:

THAT since it was the night after christmas, many fishermen din’t venture out into the sea. God saved them!

(But why did He have the others for breakfast?)

THAT it wasn’t New Year’s Eve when the Tsunami struck. Wouldn’t have been happy new year with all those beach parties.

(But since it dint, people are gonna blow thousands on new year celebrations!)

THAT life has its ways of bringing people together in the times of crisis. It’s so heartening to see relief work happen before your eyes, I’m truly touched. I compiled a list of contact numbers today and spent some time attending the co-ordination meeting organised by AID-Bhoomika Trust and half a dozen other NGOs. Must be out in the paper tomorrow, those interested in helping but didn’t know how to, can call any of those 25 contact numbers around the State.

(But do we have the resources and volunteers to cater to 10 lakh affected people and build homes in 2000 villages?)

THAT it’s incidents like these that make you sit up and feel sorry, socially responsible and angry, you wanna do something. It brings a tear to the eye like it did for Madhavan in Anbe Sivam or Shah Rukh Khan in Swades, and makes you want to be a better person.

(But just for a moment or few because most of us are busy and caught in our own world – work, responsibilities, problems. Like Sudhon said somewhere in his comment in an earlier blog, we just see a movie like Swades, feel bad about the state of affairs and then what? Move on with our lives?)

THAT even indifferent people like that do not seem to mind donating one day’s pay to the relief fund. It at least reduces income tax. If five crore people from Tamil Nadu who can afford to see Baba or Virumandi give 100 rupees each, we have Rs.500 crore…

(But we don’t have a mechanism to collect this money from these people. However, there’s gonna be much much more money than that coming in from all around the country and the world through assorted relief funds. The question is: How is it going to trickle down to help the poorest?)

THAT even politicians are working day and night to make realistic assessments of the number of deaths so mobilise huge relief funds from the Centre.

(But then, they also have the con-science to pocket it.)

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