• SUDA MING’S CHANNEL
  • TALKING FILMS
  • Good Night | Good Morning
  • My Talk Show
  • PROFILE

MADRAS INK.

Menu

  • Archives
  • Columns
  • Diary
  • Interviews
  • My Films
  • Reviews
  • Good Night | Good Morning

  • Word thru the bird

    Tweets by SudhishKamath
  • Connect with GNGM

    Connect with GNGM
  • About GNGM

    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

  • Browse: Categories

  • January 2005
    M T W T F S S
     12
    3456789
    10111213141516
    17181920212223
    24252627282930
    31  
    « Dec   Feb »
  • Recent Posts

    • Simmba: A departure from the formula
    • Zero: The hero who wasn’t
    • Protected: AndhaDhun: What did that end mean?
    • Love and other cliches
    • October: Where is Dan?

Archive For January 18th, 2005

When I refused to do ‘Field work’!

January 18, 2005 · by sudhishkamath

Yeah, shit happens. So does scatological humour in this blog. So don’t say you weren’t warned. This blog might not be in good taste but taste is the last thing on your mind when you see shit.

Well, the funny thing about it at the grassroots level is that they actually want you to do it in the fields.

Yeah, I didn’t have the luxury of staying at a hotel cuz the villages I went to work in were all kinda remote. We stayed at a construction site in Killai, which is exactly half way between Cuddalore and Nagapattinam. Killai is supposed to be among the neglected areas and there are about 15 villages around the place I stayed at, volunteering for AID India.

So this construction site was like home to all of us volunteers – some 30 of us and all the men (two thirds of the population) slept in one room in the first floor. No fans but then, there were no windows either. So it was as good as an air-conditioned room with the chill of the night keeping us adequately warm under the thick blankets and straw mats played the role of mattresses that we from the city are so used to.

The mobile phone signal was weak and one had to go to the terrace (which we called the communication tower) to make a call and send messages. We had to pick plates from the backyard, get our food and then wash the plates ourselves and put them back in the backyard for others to do the same.

The water tank (thotti) in the backyard doubled up as a wash-basin and a bath-tub as volunteers merrily jumped in to have a bath in the open. So far so good. It was fun indeed.

So what was the problem?

There was no unload area for the stock consumed during the day. Yeah, no pot. No toilets. “Do it in the field,” a helpful volunteer suggested. “I went early in the morning when not many people are around,” said another. My friend who was down from his film school in Kolkata to help with the video said: “When in Rome…” Later, he came back and said it was all good but for a few “logistical issues” which he didn’t want to explain. But it was a task well executed thanks to toilet paper donated by a woman friend, who, of course had the privilege of being taken to the only house in the area which had a western style commode. The rest of the womenfolk too had access to it.

I was half ready for this situation and was pretty confident that my system would co-operate.

So I declined the offer to do it in the fields. That’s when I realised that work at the grassroots meant that shit only happens in the field. Also realised why city-based volunteers don’t stay long enough. They just come for a day or two, talk to victims, stay in hotels (if available around) and then go back to their luxuries of designer bathrooms and comfy commodes.

Then on, we had nothing else to talk about but this. Should we steal one of those pots used to fetch water and use it as a commode? Or should we sit at the edge of the terrace parapet in the middle of the night and download into the garden below and “fertilise the soil” as my film-school friend described the functionality of the ritual in Indian villages.

Day One passed peacefully. Day Two was good too. So was Day Three. But my friend was sceptical about my system. “Nature has been calling you for a while now and you aren’t picking up her calls. She’s been sending smses till now. If you don’t respond there’s soon going to be a Tsunami after lunch.”

He was right. Day three was stretching it a bit too long. But my system hadn’t actually started protesting, so I was still confident. But then after dinner I figured that they locked the gates of the place we were staying in. So I can’t really rush out to the fields even if I had to.

That was a day we had another half a dozen volunteers landing up and there was no place to sleep but outside the house. I was glad in a way. At least there was an escape route, just in case I felt the dormant volcano erupting.

Fortune favours the brave they say and yes, it did. There were other sort of disturbances that night though. A cat jumped on a friend sleeping next to me and he got up shit scared. Wasn’t I glad it didn’t pounce on me.

Day Four afternoon, we reached Pondicherry on our way back home. My system told me it could hold on till I got to Madras but then once I got into the loo. The lovely sight of a commode made me compassionate towards my co-operative system. I’ll spare you the details of what happened next but yeah!

For me, relief work happened four days after I did relief work for the villages around Killai.

We celebrated with a late lunch at Sea Gulls Pondicherry, which is right next to the sea. An Orange Bacardi Breezer, heavenly Chilly Gobi, Egg Biryani…. A holiday, finally.

Never mind the irony of the situation – the plight of those we went to help along the coast, just a few kilometres south.

Strange alright, but hey, it all went down well cuz we knew we did our bit.

What did we exactly do? Well, I might blog about that later. Just wanted to break the monotony of the last few serious posts. He he!

  • Blog at WordPress.com.
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Subscribe Subscribed
    • MADRAS INK.
    • Join 483 other subscribers
    • Already have a WordPress.com account? Log in now.
    • MADRAS INK.
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar