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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For March 8th, 2005

Chandramukhi: Thalaivaaaaaaaaaaaaaaaaaah!

March 8, 2005 · by sudhishkamath

Like every true devotee of Superstar, I too bought CD of Chandramukhi.

And I think the album rocks! It is bound to grow on people and the songs will soon turn into an obsession.

All throughout the city, at every traffic junction today, I heard at least one car playing the songs from the movie full-blast!

My Top 6 from the album (Yes, the album has only six songs):

1. Annanoda Paatu… (Sure fire super duper hit, likeable from the first time you hear it!)

2. Kokku Para Para… (Just because it has the word Superstar in it!)

3. Devuda Devuda… (It’s not the best of Thalaivar intro songs but it will pick up once u see Superstar dancing to this!)

4. Konja Neram… (For Asha Bhonsle!)

5. Raa Raa… (This Telugu song that to me confirms that this film has lifted the plot from Manichitrathazhu, the best ever thriller made in India. Watch out for a review of that, me got VCD! So I promise to do it soon… The Malayalam version used a Tamil song as the theme song! But having said that, I’m pretty much convinced that the movie will have an entirely different feel and screenplay because it has Superstar in it! Even if you cast Superstar in Godfather, it will still come out looking like ‘Baasha’ and make Coppola want to remake Baasha!)

6. Athithom… (cuz a song with SPB singing for thalaivar just cannot go wrong!)

I’ve just put the CD cover back in the pooja room four times after it was removed from there! And my Mom’s now given up on me!

Thalaivaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaah, Devuda!

Now I feel good, off to sleep!

Resetting the biological clock!

March 8, 2005 · by sudhishkamath

I’m used to staying online till 4 or 5 a.m. and wake up by noon.

But with shoot only a few days away, I decided to try and reset my clock.

I woke up today at 8.30 a.m, in spite of going to bed only by three last night.

The whole day I’ve been feeling so damn drowsy. But the good news is that I got quite a bit of work done. Fixed up at least four locations which cover about 40 per cent of the movie. Another 10-15 per cent needs to be fixed up. The rest? We are not taking permission.

It’s a technique we picked up from Bowfinger! 🙂

Today, we caught up with a friend from the film industry, to show him our first version of That Four Letter Word. What we shot three years ago. Though it was embarassing enought to make me cringe in my seat, I think it was good to feel that way because it just meant that I know what was wrong with it. Hopefully, it should be better the second time around.

With increasing workload, I have sworn to go to bed by midnight. But for the fact that I got home and finished dinner only by then. Had a couple of emails to send and a quick daily update on the film to type and it’s already 1.20 a.m.

But that’s because my favourite people from around the world get online at this hour!!

Sigh! I want everything!!

But first, let me finish and crash. That’s the only way I won’t crash into another vehicle tomorrow, riding around like a zombie, like I nearly did today!

Good night!

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