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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For April 21st, 2005

Review: Hitch!

April 21, 2005 · by sudhishkamath

Basic Principles…

1. Don’t talk excitedly or laugh out loud during the film, just smile.

This way your date has no clue if you all the while knew the tricks of the trade/ the rules of the game or not.

Cuz if you tell her you knew about these tricks all the while, she’s gonna think you did ‘design’ your first few moves on her.

If you pretend like you never knew any of this, it’s worse. She would then use her limited resources (head) and then assume that you took professional help (like asked one of your player friends for tips) to ‘snare’ her or that you are too boring to think of something as exciting as that.

Yes, women are capable of saying exactly the opposite things with equal amount of conviction on two different days! So, even if they ask you if you did do stuff like that ever, stay non-commital on this. Being non-commital is among the best virtues we men have been blessed with. Which means God sure is trying to say something there. Listen to Him!

2. Make mental notes. There is quite a bit you can learn from the movie, whether or not you have a tough time getting the right girl to go out with you. And these happen to be things which ‘Hitch’ does not say/prescribe in the film… the goof-ups, for example, do make women think you are adorable and cute.

3. Don’t get lost in the movie. The key is to SHARE the movie with your date and take a dig here and there about women. Keep a healthy secret conversation going in the course of the film. This way, you won’t notice that the second half of the film does not really live upto the promising first. Besides, men versus women talk can fuel the interest of even the dumbest of dates.

4. Repeat after me. Will Smith is NOT all that hawt. Stick to this if your opinions are asked: “He’s okay.” That way a.You won’t sound gay. b. You won’t start a fight saying he isn’t.

5. And yes, Hitch aint all that smart either. If he WAS, he would’nt come across as such a confused dork in the end. The transformation seems to forced into the script. The scriptwriters need not have really made him a bumbling nervous jackass though it does seem to make the whole thing appear cute.

But hey, he was the same guy who gatecrashed into the speed-dating session in style. How can a man so confident till that point turn into the stereotypical mushy cornball? Making him totally out of character seems to be the intention. But, now that’s bad idea! The movie would’ve worked better without the soppy climax, obviously inspired by Jerry Maguire’s ‘You complete me’ speech!

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