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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For May 28th, 2005

Review: Bunty aur Babli!

May 28, 2005 · by sudhishkamath

Minty and Bubbly!

Yeh world hai na world… (This world)
Isme do tarah ke log hotey hai… (has two kinds of people)

Ek jo har fillum main logic-wogic doondthey rehtey hai… (a. Nitpicking Losers!)
Aur doosrey, jo har fillum ke magic ka maza lootthey hai… (b. Picnicking Revellers!)
Bunty aur Babli yeh doosre type ke logon liye bani hai.

Yes, this comic rollercoaster of a caper is wonly for those blessed with a generous sense of humour. You can’t help but like this film, simply because of the colourful characters and the casual air with which the charismatic actors carry off the roles.

Abhishek Bachchan rocks.
Rani rules.
And, Biggie B shows us yet again why he’s still the BAAP of Bollywood!

The film starts off on a realistic note with the central characters stuck in sticky sentimental family situations. Vimmi’s (Rani) Dad wants her married and Rakesh’s (Abhishek) Dad wants him to become a ticket collector, just like him. Thus, Shaad Ali Sahgal sets the perfect stage for the characters to escape the claustrophoby and the monotone of the routine, regular everyday life.

Escape is what the film provides from the minute the characters run away from home and decide to take the easy way out: Con the world to fame.

Soon, the emotional sentimentality paves way for comicbook stylisation as Vimmi and Rakesh become Bunty aur Babli, the consters who have fun-on-the-run, one adventure after another, and one laugh-riot after the other. The one where they sell the Taj Mahal to the seventh richest man in the world is their crowning glory!

“I can’t believe that someone is selling the Taj Mahal,” says the phirang excitedly. “I can’t believe that someone is actually buying,” laughs Bunty.

As they play ‘Catch Me if You Can’ with Deputy Commissioner Dashrath (Amitabh Bachchan), they find the chase getting too close for their own comfort.

The chemistry between the lead pair is a delight. The romance is very understated, but Shaad Ali has also picturised one of the most beautiful kisses in Hindi cinema! If you’re already familiar with the songs, you are simply gonna love them more once you watch them!

Oh, the tributes are there in plenty. Shaadi Ali pays tributes to his mentor Mani Ratnam (Bombay, Alai Payuthey) and even old Bachchan fillums (Sholay, Don). Watch out for these brief lines, situations and choregraphy that work as fine salutes.

On the flip side, Bunty aur Babli is not clever. It totally banks on charm!

And it ends before you want it to, so much that it is almost an anti-climax. After a series of adventures, you would expect the action to snowball and end with the biggest con-job. Instead, the plot just fizzles out and turns politically correct.

Bunty aur Babli might not be a great film but it’s fun. Minty and bubbly it is!

Total timepass! Have a blast!

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