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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For July 13th, 2005

Heart Attack: A disconnect with the roots!

July 13, 2005 · by sudhishkamath

Going back to your roots usually brings with a certain amount of feel-good and a sense of belonging to a place.

I went back to my native place Kochi after a while. And though I did feel good in the warm company of affectionate relatives and caring folks, I somehow felt a disconnect between my roots and what I had become.

Maybe education is a bad thing.

Cuz it takes you away from the beliefs that have been blindly and fanatically followed over the years.

Technically, I belong to this community called Goud/Gowda Saraswat Brahmins.

To cut a long story short, centuries ago, my ancestors were apes.

Then many years later, they became the nomadic Aryans who worshipped natural elements (Fire, Water, Wind etc) as recorded in the Vedas.

Many more years later, they settled on the banks of the now extinct Saraswati river and were called Saraswat Brahmins. This was the era when kings ruled and sadhus smoked up some good stuff to come up with what is today called Indian Mythology. Superhero Gods were thus born as their writers with a fertile imagination fuelled by ganja, to get into the good books of their kings, endowed them with supernatural powers, more like how director Suresh Krissna gave some gravity defying stunts to Thalaivar Superstar Rajnikant in ‘Baasha’ and ‘Baba.’

Many more years later, some of them who lived in the state of Goud wanted their own identity and called themselves Goud Saraswath Brahmins. The nomads they are, some of them reached Goa and during the Portuguese invasion when they were being forced to convert to Christanity, they fled further south. Thus, the entire Western belt was called the Konkan coast cuz of the scattered settlement of Konkani speaking people in Mangalore and surrounding Kanara districts to Kochi. Some of them went up North and scattered around Maharashtra. This was when they to compete with their Dravidian counterparts started building temples and worshipped stone idols, something which their Aryan ancestors were strictly against. The literature available to them, told them about Gods with fancy names and superpowers. These images and artist’s impressions of Gods gave these people adequate scope to create idols. The Dravidians of course had giant sized idols in their village… the Ayyanar, that they turned to for protecting their village. To paint these Dravidian Gods as evil, some Brahmin artistes used that imagery to represent evil Rakshasas in their temples. As the rivalry grew, there were cultural exchanges as they got into a game of one-upmanship!

Many more years later, further subsects where born in the already fragmented Goud-Saraswath-Brahmins-settled-around-the-Konkan-coast. Then, they were divided on the basis of region… Kochi and Mangalore and further by the religious heads or spiritual gurus they turned to.

So my folks in Kochi are the ones who follow a particular guru, someone the majority of the entire community hero-worships. They have a trust in his name and the Tirumala Devaswom temple in Kochi run by that trust is one of the biggest temples and the hub of religious activity in Kochi.

I have gone there over years. In fact, my sacred thread ceremony was there too. But those were days, when I blindly followed the rituals.

Today, as someone blessed with knowledge of history and science, I know about the influences over the years in defining what is today considered as culture. I understand the need to demystify myths. As a journalist, I have been always fascinated to go in search of truth and to question practices and rituals that do not make sense.

This time when I went there, I saw something I had never questioned. Even in this day and age, the entry into the temple’s sanctum sanctorum is restricted to “pure Brahmins.” To ensure that, only Brahmins displaying their sacred threads are let in. My uncle proudly told me it was to conserve the sanctity of our temple.


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He went on to tell me stories about the revered Swami. I’ll just narrate one of these stories.

A senior Christian leader once sought an appointment with the Swami. He’s said to have initially agreed. And when the date came closer, he called it off. Reason? “What happens if I reach first and he comes late? It will be reported as “Swami waited for Father to arrive.” And what happens if I go late? It will be reported as “Swami went to meet Father.” Both of which, I’m not comfortable with.”

Well… I wouldn’t be exactly proud of this sort of a religious head. He gave me another anecdote about the Swami similarly not showing up for a screening of Adi Sankaracharya because the ideology was very different.

I for one do not understand this. Religions are supposed to bring people together, not divide them.

Like our Prez said once: Religions are like islands. Unless bridges are built between them, people are going to stay marooned in their own worlds believing that their island is the world. I think religions are just a way of life … like food, like clothes.

If we have the freedom to choose what food to eat and what to wear, shouldn’t we broaden our minds to choose what to take from what religion and help ourselves to our own food for thought?

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