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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For August 7th, 2005

To break the silence… A ‘pointless’ conversation!

August 7, 2005 · by sudhishkamath

It’s been a while since I said something.

The truth is I didn’t have anything to say.

I’ve been listening.
I’ve been thinking.
I’ve been chilling.
I’ve been editing.
I’ve been putting extra hours at work.
And extra hours at sleep as well.

Leading a pretty regular normal life.

It’s been a really weird fortnight, chasing deadlines.

About ten days ago, an unexpected vacation came by… a feel-good trip to Bangalore. Thanks to A who took me to a couple of super romantic spots in the pub city. A chilly evening, breeze, booze and a little drizzle just to give it a touch of perfection. God must’ve been in a good mood.

The flip side of it was that it wasn’t intended to be a vacation. I had gone there on work, on a specific mission of finding the right actors for the rest of the shoot. That quite didn’t work out.

The whole week passed in trying to fix the shoot, in between tight work and editing schedules. And there was an excuse to unwind when my office threw a party at Aqua @ The Park for the Metroplus Theatre Festival.

Last night, I chatted into the night with a friend. “It’s a pointless life. Here I am in this room thinking I make a difference to the world. Then you zoom out and see there are 10 different houses and many people like us who think they actually make a difference. Zoom out further, you see this city and then country and the world and the universe and you realise you are not even a speck on the face of the planet. We are nothing in the larger picture. Education has fooled us into believing that we mean something,” said V.

And no, neither of us were drunk. Though we wished we were. We were listening to some rocking music (Requiem for a dream, Tambourine Man, Doors, Dylan) and continuing our debate.

“There is a point,” I said, trying my best to brush up my feel-good rhetoric that had been gathering dust over the past fortnight. “And we define what we mean and who we want to be. Are you happy being inside in this room or do you want to make yourself heard in this colony, in this city, in this country… Do you want to be seen even when someone zooms out of this country? Or are you happy sitting in a corner and complaining about how insignificant we really are? We all come into this world with a purpose. We spend half a lifetime finding it. And the rest trying to accomplish it. There is a reason. And the reason is life itself, the journey of finding answers.”

He saw through all the lines influenced by half a dozen movies (including my own) and said, “It all sounds good. But in reality, we are just a mass of flesh. You could find your purpose today, become a millionaire and the very next day, you could get run over by a car. We don’t control anything.”

“We can’t control death. But we can control life. And how we are going to live it as long as we have it,” I said.

We were both probably having an argument for the heck of it, but the debate was reinforcing something very basic — We are all so similar, we just believe we are different because of our influences. V did have a point when he said education had fooled us into believing we know it all.

These influences had made us believe we are cool. Made us judge people on the basis of what we believe we know. Made us look down at some, look up towards some.

Our lives indeed centred around ourselves.

“Maybe that’s even more reason to make a difference to the world. Be selfless, like Gandhi. You’ll be remembered even after your death. Maybe someday they will put your face like they have his face imprinted on every single currency note,” I said.

“Gandhi is dead,” said V. “What difference does it make to him that we’ve put his face on the note?”

Ah! Life is pointless indeed! He he!

Let’s not take it too seriously!

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