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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For September 4th, 2005

What will you buy?

September 4, 2005 · by sudhishkamath
Or

this?

I have already taken the call. But I just wanna know if it was the right thing. Start voting. Meanwhile, I’m off to Australia tonight. Going via Malaysia and returning via Bangkok. No Singapore as planned earlier. So I’ll blog from down under if I get easy internet access.

Tata!

And yes, do tell me what you would choose! 🙂

Review: Iqbal

September 4, 2005 · by sudhishkamath

Iqbal bowls you over

Cast: Shreyas Talpade, Naseeruddin Shah, Shweta Prasad, Girish Karnad.
Director: Nagesh Kukunoor.
Genre: Feel-good drama
Storyline: An 18-year old speech and hearing impaired finds an unlikely coach in an alcoholic ex-cricketer to chase his dream of finding a seat in the Indian dressing room.
Bottomline: They don’t make films like this these days.


A movie must move. And this one not just moves you, it transports you right into the canvas.
You can’t help but admire Nagesh Kukunoor.
Like all his other films, ‘Iqbal’ is all heart. But this one packs enough spirit to set the world on fire.
There’s a certain honesty about Kukunoor’s films that makes them instantly likeable.
‘Iqbal’ has to be Kukunoor’s best work till date and one of the best films of all times, and in some departments of storytelling, even superior than ‘Lagaan’ or ‘Black.’
Every frame oozes inspiration, every scene comes alive with candid ingenuity and every character seems to breathe the same air as we do.
‘Iqbal’ is the story of an 18-year old boy who dreams of making it to the Indian cricket team. The fact that he cannot speak or hear is just a matter of academic interest. It’s that attitude with which Kukunoor handles disability without ever making you feel sorry for Iqbal, is where the director goes beyond all set boundaries of filmmaking.
It’s probably the first film that sets an example for an inclusive society, a world where there is no distinction made between the disabled and the abled. It’s with that no-special-treatment sensitivity where Kukunoor scores over Sanjay Leela Bhansali.
And, it’s in the plausibility of the tale about the triumph of human spirit where he scores over Ashutosh Gowarikar.
Right from the very first frame, ‘Iqbal’ is an authentic film about the true-blue son of the soil who never says die.
Shreyas Talpade as ‘Iqbal’ is the find of the year. The young man epitomises innocence, his face speaks volumes, even when he’s not talking at all — from enthusiasm to learn the game to the grit to not give up and the determination to keep going, Shreyas portrays it all with conviction and credibility, with the ease of a veteran.
Shweta Prasad as his bespectacled sister Khadija is super-endearing, as she holds her own against first-rate performers such as Shreyas and Naseeruddin Shah. When she hugs her mother and cries after Iqbal is thrown out of the cricket academy, you have a lump in your heart.
Naseer comes up with yet another brilliant portrayal as Mohit, a disillusioned alcoholic, who transforms into a spirited coach, hesitantly. He provides the laughs with his wry sense of humour as he brings to life a promising bowler now living in anonymity, victimised by the politics of the sport.
It is simply impossible to say which of these is better than the other and their interactions together create magic. Even the supporting cast of Iqbal’s adorable mother (Prateeksha Lonkar) and disapproving, struggling farmer father Anwar (Yatin Karyekar) come up with incredibly credible performances. Only Girish Karnad as Guruji seems a little rigid and unfit for a cricket coach, and the character too remains a little ambiguous as you are left wondering if he’s Mohit’s coach or team-mate or both (given that Mohit and Kapil Dev too calls him Guruji but Iqbal finds both of them in a team photograph).
The lingering moments in the film are one too many. The way the mother, son and daughter hide their passion for the game from the cricket-hating father is adorable just like the bond between Khadija and Mohit after she initially disapproves of his ways.
Technically too, ‘Iqbal’ is well-framed with a pretty neat background score. The KK number ‘Aashayien’ tugs at the heart-strings.
‘Iqbal’ is heart-warming, refreshingly spirited and endearingly inspiring.
Bowls you over.

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