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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For September 27th, 2005

Sport greater than stats!

September 27, 2005 · by sudhishkamath

It’s becoming a cliche to hate Ganguly and scream for his blood.

I’m not gonna do that.

I truly believe he should continue as captain, at least for another six months.

I also think it’s only fair that India’s most aggressive captain gets a chance to sign off in style, when he’s among runs.

Also, that the next six months will be a true test of character. If he CAN really perform in the next few months, not only will he silence all those people who think they know more than the man in the middle but he will also get himself the platform to exit in style: lead the team for the World Cup and an opportunity to win it.

The pressure on Sourav when he next goes in to bat will be more than that of a No.11 player going in to bat chasing six of the last over of a World Cup final. Because, Sourav will know he’s being watched. He will know he’s being evaluated, he will know that there are critics waiting to jump up in delight screaming: “I told ya” as he walks back to the pavilion. He knows there will be Greg Chappell waiting with a smirk, a VVS Laxman and a Kaif waiting to replace him in the very next season.

If he can handle this kind of pressure and come out of it with his head held high, I think he deserves to stay.

I think it’s only natural for a successful captain to turn complacent. To take his position in the team for granted. Sourav may have been guilty on that front in the last few years. He no longer can do that, and that’s the good news.

I think it’s wonderful that he has not been sacked. I’m also glad that the BCCI has not let the coach down either.

Sack Ganguly and you instantly can see morale of half the team go down, after all he has been backing his set of faithfuls. Sack Chappell and you can see the morale of the other half of the team collapse. The truth is we cannot afford to lose either half. Not the regulars. Not the hopefuls.

So, I really like the idea of putting two people who don’t like each other into a same room and say: “You got no choice, guys. Live with it. Perform or find yourself out. We’ll be watching.”

There are no more secrets. Ganguly knows Chappell thinks he’s a misfit. Chappell knows Ganguly hates him. What more needs to be said? They’ve exchanged it all or will do so in the next few weeks. But soon, they will realise that they REALLY have no choice but to work together. Because, there is a sense of purpose that binds them. That purpose is victory for the team.

As a filmmaker and a scriptwriter, I know that a crisis is a point of transformation. It is the lowest you can hit in the span of a story.

Also, what many people forget while baying for Ganguly’s blood is that statistics and current form alone cannot determine a person’s future in a team. Which is why I think it’s okay to make Ganguly sit out for not being in form but you cannot sack him as captain for good, which is usually what the case is in Indian cricket when someone over 30 sits out.

Because, cricket is a game. Numbers are important but not everything.

But a captain is everything, and not just important.

Sport is played not through statistics, but through raw passion, ungirdled emotion and pure unadulterated spirit. It’s played with aggression, for God’s sake. And Sourav personifies that very essence of sport. Agreed that Dravid is too much of a gentleman cricketer, a diplomat liked by all members of the team. That’s great if you were leading a delegation of managers but not when you want to intimidate your opposition. Not when you want to whip up the adrenaline. Not when you want to override convention. This is where Sourav scores.

Sport is about a team and the interplay of personal relationships in it. The ability to manipulate efforts and emotions of individuals into the objective of the team: Victory. To instil, to bind and create spirit out of interactions and personal relationships. No amount of talent can replace team spirit.

Sourav is an emotional guy. And that’s why he will make a great leader for a sports team. He’s demonstrated this before. He’s one of the few Indian captains who has been successful in putting opposition under pressure with aggressive unconventional field placements. He’s a risk taker. Dravid’s field placements as we’ve seen are way too safe to produce a victory.

It is this emotional quotient that gives sport its character. It is this emotional quotient that will give Sourav the perspective to make amends with coach Chappell. It is this emotional quotient that will help him stage a comeback. And help him resolve the differences in the team. If he still has it intact, that is.

The only way to resolve differences in a team is to resolve the differences between the power centres and not introduce new power centres and give it that much more time for the interplay of characters result in new unpredictable power equations. If the two can resolve their differences and share from each other’s ideologies… Sourav being all heart and Chappell being all mind, between the two of them, they can create a potent lethal team that is sound in both its heart (emotional department run by Ganguly) and head (rational scientific thinking supplied by Chappell).

It is media speculation and analysis that is the prime reason that every one today thinks he’s an authority on the subject. Regular everyday sport conflicts suddenly have come under the microscope. Conflicts have always been around. It does not mean we stick our noses into the dressing room, sitting so far away from it and take sides.

Let them be, they (the captain and the coach) will figure it out. They know the game more than you or me do.

It’s best for Indian cricket that they are made to live together. That’s how Indian marriages have worked over centuries. The in-laws (selectors) are watching. Neither the bride nor the groom can afford to screw-up.

For Sourav, the test of his life begins now. He alone is responsible for his fate from now on. Not you, not me, not Chappell.

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