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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For November, 2005

Goa Journal: Days 5 to 10

November 30, 2005 · by sudhishkamath

He he! With the diminishing frequency of updates, I guess you guys already know that I’m not really finding too much time to update.

Me having an absolutely happy hippy time here working hard (ahem ahem) and chilling with buddies from Madras.

Since there’s so much to talk about and little time, I’ll just stick to highlights!

Movies:
1. Olga: Powerful, poetry in motion, Camila as Olga gives one of the best performances ever. Sure to win the competitive section. My money on Olga. It’s another thing that this studio film on the holocaust quite unfairly competes with independent films like Iqbal, made with a budget probably 1/100th of that of Olga.

2. Deewane Hue Paagal: Shame shame puppy shame. Steals shamelessly from There’s Something About Mary. This movie should have been kept farthest away from Goa instead of premiering it at a festival and tell the world what terrible copycats we are.

3. The Wind (Sri Lankan): Brilliantly simple film about the complexity of truth as seen by different characters in the film. Gritty realism and natural performances see it thru. Poor pace though.

4. Tulipany (Tulips, Polish): A very slow feel good movie about a bunch of friends young and old bonding over the homecoming of their veteran racer friend whose favourite car was stolen when he was away. How do they find or replace it? It’s terribly slow and I sat in the hall just cuz I saw Shreya (Thalaivar’s latesht heroine) walk in to the hall.

5. Kings and Queens (French): One moment, it’s super fun and another, it gets orey serious and tragic… But the two parallel lives of the characters one who seems to have lost it but knows to live it up and the other who seems to be lost in life and its intricacies make this a delightful watch… in the tradition of When Harry Met Sally and Hum Tum.

6. Angel’s Fall (Turkish): It was so slow that I walked out half way. Not my sensibility, so it would be wrong for me to review it.

7. The Hangman (English): Why was this film about a poor Indian hangman made in English. The language totally robs the film of its soul. Nevertheless, this is a pretty decent effort in telling the story of a hangman who wants his son to be a police officer. Only that life has other plans.

8. Parzania (English): Imagine if Mani Ratnam’s Bombay was made realistically… And the lost children are not found? Imagine that explosive premise with Gujarat riots as the backdrop… As seen from an outsider’s (American) point of view, the story of a neutral (Parsi) family caught in the middle of saffron-flavoured genocide. Absolutely gripping, moving tale with superlative performances by Naseer and Sarika… Only crib: Rahul Dholakia should’ve been made in Hindi but at least here, most characters speak convincingly natural Indian English. Apparently, he did not make it in Hindi because he never thought it would clear the censors. But it did!

9. Chandramukhi: Ha ha! Of course, whenever there is a thalaivar movie playing, it ought to be watched. Only that it was incredibly weird to watch it without any whistles, dances and subtitles that went: Crane fly fly, Hen fly fly, Myna fly fly… The kite will fly splendidly because it is superstar’s kite.

10. Antar Mahal (Bengali): Disturbing to say the least but it’s a must watch experience. The lesser said the better the watch. I have never ever seen actors like Jackie Shroff, Abhishek Bachchan, Soha Ali Khan and Roopa Ganguly acting in cinema of this genre … formerly known as “Art film.” I do wanna see more of Rituparna Ghosh after this.

11. Blue Umbrella (English/Hindi): This Ruskin Bond tale brought back memories of Malgudi Days. Such a simple story beautifully told. It’s so refreshing to see a movie made for kids with such a refined sensibility.

12. Iqbal: Since I’ve already reviewed this earlier in my blog, it’s enough to say I watched it for the fifth time and still did not get bored. One of the best Indian films ever, even outsmarting ‘Black’ in a lot of departments.

13. Oridam (Malayalam): It does not tell me anything new. It’s a story about the mental agony of a commercial sex worker. It’s too slow to strike a chord, dunno how it won a National award and many state awards. Maybe cuz its not bad really.

Recent Haunts:
1. Lunch with friends on a boat docked beside the venue. To make the experience even more delicious, it was on the house.

2. Dinner with buddies living in Candolim at a place called Taste of China. Out of this world, especially, the potato tossy (dunno how that’s spelt).

3. Dinner at Calangute beach with a candle-lit table set right next to the waves. Yes, imagine sitting back on the chair with the waves three feet away from kissing your feet and nothingness to stare into. Breezer in hand, Gobi Manchurian and the heaven above and paradise at your feet.

4. An evening at Anjuna sitting between 200 hippies, most of them from different parts of the world… Every second person there had a tattoo. With techno music and Goa trance playing as chillums were passed around, it was an experience of a lifetime. A huge monstrous son of a bitch bit me as I stepped on its tail accidentally. But since it bit me thru the jean and it was vaccinnated, I guess I’m safe. Or at least hope so. Washed it away with Dettol and continued chilling.

5. All of Goa is a haunt now since I hired a Red Avenger! Yay! So I just go around all by myself exploring Goa, doing about 30-40 kilometres a day.

Now, tell me, between all this and attending Shyam Benegal’s masters class and filing stories (another 3 stories are yet to be published) where do I have time to blog?

Goa Journal: Days 3 and 4

November 24, 2005 · by sudhishkamath

Three films I got to watch:
1. Swapner Din (Bengali, directed by Buddhdeb Dasgupta): A brilliant plot, a slow yet gripping narrative just a lil messed up towards the end. Wonderful interplay of real characters in real trouble, their dreams and contrasting realities. Only wish someone else but Rimii Sen did that role.
2. Kaal Purush (Bengali, directed by Buddhdeb Dasgupta): A much superior film by the same director, a film you will absolutely love if you have the patience for it. Without giving away much, I can say it combines elements from Sixth Sense, Beautiful Mind and American Beauty in a context which is rooted in the Indian mileu. Your heart goes out to the protagonist. Never has the story of a “loser” been more endearing and make you want to be one. Celebrate life in India, watch this movie. Starring Rahul Bose, Mithun Da, Sameera Reddy.
3. Perumazhakaalam (Malayalam, directed by Kamal): Yes, it is predictable from frame one. The slow pace makes you a lil more restless but guaranteed to have a tear roll down the cheek. A truly wonderful film. Kukunoor today told me that it was his top three films when he was a part of the national award jury. “And now that bloody film is my competition here,” he joked. Yes, it competes with Iqbal at IFFI with 12 other films. Agreed it is melodramatic at times, but isnt melodrama the quintessential element of Indian cinema?

Three feel-good moments:
1. Drooling at Amisha Patel who showed up in her lilac noodle straps and a transparent sari, at the conference today.
2. Finally meeting Nagesh Kukunoor in person yesterday. Had only chatted with him both the times I did interviews with him in Chennai. A truly wonderful down to earth person. And I met him again today.
3. Sitting by the sea at the Goa Mariott watching the party I from the outside.

Three random cribs:
1. No time to get outside the venues of the festival and explore Goa.
2. Dunno too many people here.
3. Transport. Im gonna have to rent out a bike. Hmpf!

Goa Journal: Day 2

November 22, 2005 · by sudhishkamath

Goa wakes up late, goes back to sleep in the afternoons and seems to wake up again just in time to party into the night. I love it.

Yesterday we had the first official press conference that went on for about a couple of hours at the end of which I did a coupla interviews with filmmakers Rahul Dholakia (whose film ‘Parzania’ starring Sarika and Naseeruddin Shah, about a Parsi family caught in the middle of the Gujarat riots is premiering at the festiva) and Mrunalini Patil Dayal (whose Marathi film ‘Manthan – Ek Amrut Pyala’ is showing at the fest too).

The press conference and the interviews were the easiest parts. Condensing them all into 600 words was the near impossible one. After the desk chopped off a coupla quotes from Mrunalini, this is what appeared today.

Since we have an early deadline for the national pages, I had barely an hour to send in the copy. And here I was thinking it’s gonna be a party.

There was a party happening in the night hosted by the organisers and a bus, after a little starting delay that gave the senior invitees ample scope to bitch about the system, left Kala Bhavan, the nerve centre of all activity for IFFI.

By 8.45, we were at Sweet Chilli, a really cool outdoor garden restaurant and bar, a few metres away from Fort Aguada.

After a rather sober start with a band belting out some soft rock, slowly the host of the evening convinced everyone to get on to the dance floor.

Now, I had this really terrible terrible cold, absolutely no friends in Goa and a company I can’t really say much about.

So my best buddies for the night turned out to be Miss Red Wine and Mr. Bacardi who met me with his icy cool date Miss Coca Cola to keep me thoroughly entertained.

There were a coupla Goan girls singing live, a bunch of Kenyan Acrobats who came up with fire-fighting daredevilry, a dance group that came up with Goan and Portuguese dance performances, a Portuguese singer and a host of revellers led by a character who was called King Momo.

King Momo promised everyone freedom. “I give you freedom to do what you want,” he promised. He sure must have regretted that line, for soon enough there was this absolutely drunk stag who snatched King Momo’s crown and wore it himself. The usually fun-loving King Momo was then seen chasing the drunk reveller and mouthing profanities. He he!

But King Momo was effective, he and his party people wearing huge masks, ensured that soon everyone was on the floor. The Goan dancers joined the party and everyone was having a rocking time.

The party had just started, announced the host. But with the hosts having an early morning today, we had to cut it short and get back into the bus.

King Momo’s crown-stealer, predictability, threw up all over the bus.

And he seems to have no clue about last night cuz he seems to be walking around all fresh and charged up, as I sit at the Media Centre typing out the journal. Time for some pics now.

Goa journal: Day 1

November 21, 2005 · by sudhishkamath

Woke up from a cozy simple room at Ashok Plaza by 11. Had checked in and crashed by 6.30 after a terrible bus journey where my cold just got worse.

Basically figured out the essentials: Media Centre, established contacts with publicity officers, place for internet, ATM, locations etc.

Goa is really a lazy place. Half the shops are closed. I thot this was a Sunday, but back there in the metros, it’s probably Manic Monday with traffic on the roads.

It’s beautiful, people just recommend you to walk from place to place. They say: “Five minutes by walk, ten minutes by walk” and it’s actually a nice walk. And there are the bikes that chauffer you around.

A drop to the hotel this morning cost me twenty bucks. But they say that a distance of ten minutes walks is 15 bucks by bike or 20 by auto.

Pretty cool huh?

Got an invite for a dinner tonight and there’s a press conference at three…

Just one problem so far: I don’t know anyone here. Total stranger. Hope this changes tomorrow.
More later.

Goa journal: An attempt from the mobile phone!

November 21, 2005 · by sudhishkamath

This post was made from a mobile phone. (Tried to, but since it didn’t, I’m copy pasting from my email account.)

Hello people.

This is just an obsessive compulsive blog addict trying to scribble thru Reliance MMS. Im doing good. Got stranded at manipal after my train ticket turned out to be waitlisted. My prof Rocky was sweet enough to help me cancel my ticket on time in what has to be among the closest finishes in history.

We made it to the reservation counter two minutes before it shut at two for Sunday. Was plain lucky.

Spent the day with Rocky and family shopping and eating at the good old haunts. For a bonus I also got to watch an Afghani film called Osama. Simply brilliant. Leaves you with a kick on the stomach and a lump in the throat. After a wonderful meal Im finally on the bus to Goa. Should get there by morning. Watch this space.

Off to Goa!

November 18, 2005 · by sudhishkamath

😀

Yeah, that’s right.

Suderman will be outta Madras till December 7.

Suderman covering International Film Festival of India for his paper. So it’s gonna be a tough life for him choosing from some 300 movies in the next two weeks. Phew! 😉

The media screenings start on November 21.

So, he will be off on Saturday morning, probably spend half a day in Manipal before he heads to Goa on Sunday late afternoon.

He’s starting back from there on December 4th night or 5th. In all probability, he would come back via Bangalore. That should be around December 6-7.

Let’s hope he gets enough time to blog and keep you guys updated. Cuz he hates to type long blogs at the end of the trip. Lets see if he can maintain a daily journal.

In any case, he has not yet completed that story. Maybe he can add more romance to it from Goa. How about just bumping off Ganga soap opera style and ending the story right there. Ganga runs into a bus or something, what say?

Okay, to kill time till he updates the story, Suderman welcomes people to complete the story. Yes, absolute democracy. Finish it as you like it.

Anyways, anyone else going to Goa?? Mail him.

😀

Freedom Night: Report on the panel discussion.

November 18, 2005 · by sudhishkamath

It was quite ironic that a panel discussion on ‘Freedom of Speech and Expression’ came with reasonable restrictions after organisers from Unwind Centre requested panelists and participants not to rake up “controversial issues” that are still being contested in court.

“Please do not name any person or incident who have been in the news,” the host for the evening, Saroop, appealed to the crowd.

“I feel like a character in Harry Potter,” activist Kanimozhi and co-founder of ‘Karuththu’ said only half in jest. “Like ‘He Who Must Not Be Named a.k.a Voldemort’, we all know He/She Who Must Not Be Named and what she said or must not have said.”

“It is unfortunate that the civil society we live in today has come to a stage where there are restrictions on what we can talk about and what not,” Vijay Nagaswami, psychiatrist, began his argument. “Having dealt with relationships in the last 20 years, I can say that this is primarily a relationship issue. There are not enough spaces for people to be encouraged to discuss relationships. Parents need to be able to talk to their adolescent children about sex and relationships,” he said.

“Today, there is adequate freedom given for music and dance for voyeurism in music videos, but not for speech,” said advocate P.V.S.Giridhar. “Rock music emerged to register protest and rebellion. Today, there is a need to use different art forms to protest against infringement of freedom of speech and expression,” he added.

Theatre artiste Mangai, reading out a poem said that it was time for the silent majority to speak and appealed to the youth to make themselves heard.

When students expressed their fear of being victimised for speaking up against moral policing, the speakers gave them a crash course in activism. “If you stand up alone, you will be targeted. If your entire group speaks up, they can do you no harm,” said Dr. Kanimozhi.

“There is always an element of risk involved in activism. But the freedom you enjoy today is because some people took a risk years ago. So, it is your duty as youth to pass on that freedom for the future generation,” Mr.Giridhar said.

“We are from the land of the Kamasutra. So why can’t we talk of sex and sexuality,” Dr.Nagaswami asked.

The panel discussion was organised to create awareness among the general public about the fundamental rights of provided by the constitution in the wake of incidents of moral policing and attacks on freedom of speech and expression on the rise.

“The civil society is getting increasingly polarised. There are those who believe that there is a need to regulate what people wear, what they talk and what they do in people. And there are those who believe that freedom is the quintessential trait of any democracy. Till these differences are bridged, incidents of policing, infringement on civil rights and invasion of privacy will continue. The idea of a forum for a saner Chennai is to build bridges between the two extremes,” a press release issued by the Campaign for Saner Chennai said.

The Campaign for Saner Chennai convened by Dr.Vijay Nagaswami and Mr. Giridhar looks at involving different segments of the society to play an active role in celebrating freedom of speech and expression.

Email sanerchennai@yahoo.com to be a part of the campaign.

Music for freedom
The panel discussion was neatly sandwiched between two performances. Girl bands Flabbergasted Tequilas and Mantra came up with half a dozen covers on the theme of freedom. Ranjini and Kavita Thomas from Mantra singing ‘I will survive’ was THE highlight of the rock show. And very appropriate too.

Freedom night @ Unwind Centre!

November 16, 2005 · by sudhishkamath

People,
We’ve all felt strongly about the issue. So now, it’s time to show up and be counted. Especially, if you are in Chennai.

With incidents of moral policing and attacks on freedom of speech and expression on the rise, there is a need to create awareness among the general public about the fundamental rights of provided by the constitution.

The civil society is getting increasingly polarised. There are those who believe that there is a need to regulate what people wear, what they talk and what they do in people. And there are those who believe that freedom is the quintessential trait of any democracy.

Till these differences are bridged, incidents of policing, infringement on civil rights and invasion of privacy will continue. The idea of a forum for a saner Chennai is to build bridges between the two extremes.

This campaign for saner Chennai convened by Dr.Vijay Nagaswami and Advocate P.V.S. Giridhar looks at involving different segments of the society to play an active role in celebrating freedom of speech and expression.

The first in the series will be a panel discussion to be held in association with Unwind Centre. Panelists Dr.Vijay Nagaswami, advocate Giridhar, theatre personality Mangai and activist Dr. Kanimozhi will discuss the impact of moral policing on the civil society and interact with the youth to formulate an action plan for the celebration of freedom.

The panel discussion will be held on November 18, Friday, at 8 p.m., as a part of this week’s Live 1o1 series at the Unwind Centre, Nelson Manickam Road.

There will also be a band from MCC jamming on the theme of freedom.

Donor Passes in aid of the Acts of Mercy projects of Unwind Centre are priced at Rs.50.

For more details, email sanerchennai@yahoo.com.

Maja and the politics of stardom!

November 12, 2005 · by sudhishkamath

This post was born out of the comments section of my post on Sivakaasi, so regulars may skip it. And five continous posts on a weekend is an unprecedented high, but I just felt the need to put all strands of thought under one essay.

‘Maja’ has opened to a mixed response, according to trade reports.

In spite of Vikram’s neat performance in the film, ‘Maja’ has come in for criticism.
What was possibly wrong?

The burden of Vikram being a matinee idol and the fallout of the image trap.

Traditionally, stars in Tamil Cinema have been classified into two broad categories: the actors and the superheroes.

People saw Sivaji as an actor, MGR as a superhero. They saw Kamal as an actor, Rajni as a superhero. Now they see Vikram as an actor and Vijay as a superhero.

And people have different set of expectations when they go to watch an actor and when they go to watch a superhero.

There is a rigid dichotomy between the function of a versatile actor and that of a matinee idol superhero.

While superhero matinee idols are about maintaining that consistency of character, mannerisms and living up to the stylisation created for themselves film after film, actors are all about the inconsistency of their screen behaviour and unpredictability of roles with which they keep the audience guessing on what they will do next.

In simpler terms, actors need to “act as somebody else” to be watched, superheroes just need to be themselves.

Which is why Batman, Superman, Spiderman, James Bond or Superstar (and now Vijay) remain consistent in what they stand for — fighting evil — and how they do that.

Which is why Sivaji, Kamal Hassan, Naseeruddin Shah, Boman Irani, Om Puri, Paresh Rawal keep reinventing themselves with every film, taking on a new personality.

Thanks to Dharani’s reinvention of the “angry young man” prototype, Vikram became a matinee idol with ‘Dhil,’ ‘Dhool’ and Hari’s ‘Saamy.’ But the talented actor consciously chose to break the mould, a very dangerous proposition at the box-office, by doing ‘Kasi,’ ‘Pitamagan’ and even an ‘Anniyan,’ all of which were met with a lukewarm response.

‘Anniyan’ was the most dangerous of them all, considering that the actor took on multiple roles, not all of them fitting a matinee idol’s reputation. People cannot watch a matinee idol be a frustrated weakling who cries helplessly. Even at his lowest, they expect a hero to maintain dignity. Ambi did not have it.

They see him as a superhero, not as one of them who cannot do anything about the system. People cannot watch a superhero be a pseudo stud, they in fact hate the stereotype. Remo was a wannabe.

But thanks to the vigilante, an off-shoot of the matinee idol prototype, ‘Anniyan’ went on to score better than ‘Kasi’ or ‘Pitamagan’.

But here in ‘Maja,’ the actor plays a village bumpkin who does the socially unacceptable: Halfway into the movie, he forcibly ties a ‘thaali’ around the village headman’s daughter out of rivalry and soon enough contradicts himself by bringing up the rich-poor differences between them to explain why the marriage will not work.

The protagonist is not an ideal hero, he in no way reflects the aspirations of the common man nor does he represent their problems. A superhero is supposed to do that. An actor is not required. While Vikram took the actor’s liberty to take on the role, the packaging of the protagonist was all wrong: It tried to package him as the superhero: the stylisation, the finger-gimmicks which lesser actors like Simbu resort to, the designer clothes, the song-dance-fight elements completely out of place in a family drama.

So as a result, we have a ‘Vaanatheypola’ movie trying to wear shades of ‘Dhool,’ a mismatch of genres that further compounds the confusion created by the actor-superhero dichotomy.
Who is a matinee idol? A matinee idol is a prototype for the hero of a society in his era. He is the ideal protagonist who emerges out of the collective conscious of the society. When a victimised society gets disillusioned with powerful rowdies, scheming politicians and corrupt politicians and becomes scared of taking them on, it likes to cheer for anyone who does that… be it in reality or on screen.

The angry young man prototype of the seventies did exactly that. While Superstar Rajnikant’s movies echoed the collective conscious of the society of his times, Vijay movies reflect the collective conscious of the society of our times.

Who is the hero? The hero is always a common man, one from the masses: a mechanic in ‘Thirumalai,’ a vegetable vendor in ‘Madurae,’ a college dropout in ‘Gilli,’ a village bumpkin in ‘Tirupaachi’ and a neighbourhood welder in ‘Sivakaasi.’

What is he fighting?
A nexus of powerful corrupt politicians and rowdies who come in the way of
a. his love (‘Thirumalai,’ ‘Madurae’)
b. his sister’s future (‘Tirupaachi’)
c. his family (‘Sivakaasi’)

What is a common man’s life all about? Earning a livelihood for his family, his daily struggle for money, a need to find a good husband for sister/daughter, to fight for what’s theirs (usurped property taken away by scheming relatives) and random injustice meted out to them by a corrupt system of politicans, rowdies and sometimes the police.

So when you borrow out of their world of the common man and create a superhero who would kick the bad guys, you get a matinee idol.

Vikram was it during ‘Dhil,’ fighting a corrupt policeman. He was it in ‘Dhool’ when he fought rowdies, politicians and corrupt politicians in the city. In ‘Saamy,’ he fought a corrupt kingmaker.

But in ‘Anniyan,’ he fought the common man.

A huge shift from who people perceived as modern day villains. But Shankar’s extravagant dose of special effects, stylised gimmicks to suit the vigilante prototype, and an Indian hangover saw the film through.

It is quintessential for a superhero or a matinee idol to know the values he stands for.
So, Vijay in spite of having beginner directors, has managed to carry his superhero image on, from film to film and has grown from strength to strength.

Vikram needs to get that clarity right, package himself according to the nature of the protagonist. There is no place for gimmicks and stylisation for an actor. That’s only when you are playing a superhero.

People can go on arguing whether Sivaji is better than MGR, or Kamal is better than Rajni or if Vikram is better than Vijay but truth remains that people’s idea of a hero is much simpler.

It’s not always someone who acts, it is someone who stands up for them.

He Says She Says: Episode 9

November 12, 2005 · by sudhishkamath

Yes, the fortnightly column has been updated at its home on the web.
Catch Shonali play troubled housewife here.
Women always have it easy, says He.
She, of course, comes up with a dramatic rebuttal.
😉

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