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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For November 4th, 2005

Diwali releases: Mixed fare!

November 4, 2005 · by sudhishkamath

My internet is down at home. So not been online much.

Wanted to post reviews of Sivakasi, Maja, Shaadi No.1. But due to time constraints and the fact that my Sivakasi story has to appear on print first, here’s the gist of it till I get a chance to update in detail.

Sivakasi: Super-duper fun. Just a coupla cribs though: Sentiment overdone, just too many sexist lines (We have to blame Superstar for showing the way!). But for that, I think Sivakasi packs more punches and punchlines than Tirupaachi or any Ilaya Thalapathy movie. Ilaya Thalapathy is brilliant in doing a Superstar act, it’s like watching a 90s Thalaivar superhit movie… the build-up song, the comedy, the savaal and the rise to power of the simpleton… all told with plenty of tributes to Superstar. What’s good about Vijay is he doesn’t merely copy, he takes it one step forward with his own charm and interpretation of style, punch-lines and even manifests it in his dance and costumes… More superstar than superstar himself. He’s surely the prince! I only wish Perarasu had made this with Superstar 10 years ago, it wud’ve run 500 days! Now, it will probably run 250!
Watched it again last night. The movie is a blast. Entertainment guaranteed. Almost lost my throat screaming during the first day first show.

Maja: Vikram does a Simbu. I totally hated the finger-gimmicks. He says: “Maja pannu” about 254 times in the movie that after a point of time, you really wanna ask him to shove it up. I know he did a similar finger stunt in Gemini too but here it’s sooo wannabe Little Superstar. I soooo wish Vikram goes back to Dharani and does a coupla films. He seems to be losing it. Nothing wrong with his acting at all just that the movie just doesn’t make sense.
‘Maja’ tries to fuse a ‘Vanathapolae’ sentiment-laden story with a ‘Dhool’ sensibility, and in the process gets confused between the genres. So as a result, we have a very inconsistent, yawn-inducing narrative alternating between Visu-movie ‘thaali’ sentiment scenes and a rustic rowdy stunts. The first half is tolerable thanks to a delightful Pasupathy doing comedy in tandem with Manivannan (his comic timing rocks) and Vadivelu (who totally rocks in that one scene where he walks in slow motion after Vikram challenges the village headman, almost spoofing the movie itself). Staying on during the second half is suicide. I really hope he regains his lost form signing up with Dharani, probably the only director apart from Hari (in Saamy) who has been able to mould him into a macho hero. It’s also Asin’s weakest role till date. She gets totally wasted in this movie and watching Vikram feel her up in ‘Chi chi’ doesn’t really help you feel better either.

Shaadi No.1: I love David Dhawan. Even liked his last movie Maine Pyaar Kyun Kiya. Then imagine how bad the movie would be if I say Shaadi No.1 sucked. It’s Sanjay Dutt silliest role with him getting to mouth the saddest lines to be ever written in the most terrible Punjabi accent heard on screen off late. He comes up with over two dozen (yes! About 24) limericks and most of them barring one or two make you squirm.
Here’s another one about three married men with beautiful wives uninterested in sex trying to find extra-marital entertainment (Yawn!) Inspite of the movie having over half a dozen drool-worthy babes, you really can’t watch this beyond the first 20 minutes. The only time I laughed was watching Zayed Khan dressed as Spiderman rescuing damsel in distress. But like Abhishek Bachchan (Yuva) / Madhavan (Aayitha Ezhuthu) says: Why buy the whole wine shop for want of a bottle?

To be updated…

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