• SUDA MING’S CHANNEL
  • TALKING FILMS
  • Good Night | Good Morning
  • My Talk Show
  • PROFILE

MADRAS INK.

Menu

  • Archives
  • Columns
  • Diary
  • Interviews
  • My Films
  • Reviews
  • Good Night | Good Morning

  • Word thru the bird

    Tweets by SudhishKamath
  • Connect with GNGM

    Connect with GNGM
  • About GNGM

    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

  • Browse: Categories

  • December 2005
    M T W T F S S
     1234
    567891011
    12131415161718
    19202122232425
    262728293031  
    « Nov   Jan »
  • Recent Posts

    • Simmba: A departure from the formula
    • Zero: The hero who wasn’t
    • Protected: AndhaDhun: What did that end mean?
    • Love and other cliches
    • October: Where is Dan?

Archive For December 27th, 2005

Reasons for being away: Nine films, One concert!

December 27, 2005 · by sudhishkamath

Yeah, this is what I’ve been doing as part of work over the last few days… Life can be tough you know… 😀

1. Karkash:
Was wondering what Suchitra Pillai was doing in that movie until the later half of the movie! 😀 Usually, if you’re watching a film about an oppressed rural woman, whose husband abuses and cheats on her, you expect the woman, especially in a festival film to
a. leave him. walk out on him, Astitva types.
b. take revenge on him.
c. cheat on him having an affair
d. kill him.
But this one, ladies and gentlemen, defies all standard rules of Indian parallel cinema and has a rather… er… ahem ahem… over-the-top solution…
e. She f***s his brains out and he becomes a good man! Waah! Just one more point to prove what simple needs men have… ha ha!

But I don’t think any woman in Indian cinema, has had the guts to shoot the lovemaking scene the way Suchitra has… Not even Mallika Sherawat! cuz, this one’s not about nudity as much as it is about passion! Hawt!!

2. Manasarovar:
Anup Kurian won a lot of critical acclaim for this one, including the Gollapudi Srinivas Memorial National award for Best Debutant Director. And you can see why.
It’s a very simple story of unrequited love and rural-urban disconnect shown with great depth and intensity. It can’t get more real than this. But Anup denies that it has anything to do with reality. “Entirely fiction,” he said.

Watch the movie and you’d think he’s lying!
Fantastic performances by Atul Kulkarni and Neha Dubey.

3. Tesis (Thesis):
This Spanish movie I went to watch at the Chennai International Film Festival cuz it’s directed by Alejandro Amenabar, the guy who made ‘Abre Los Ojos’…
And wow! Awesome… What seems like a script one would write in film school is fleshed out with great detail, with the suspense wrapped with reels and reels of mystery. A film student writing a thesis on violence comes across this snuff video (like the 8mm movie) and begins investigating, only to get drawn into the web of psycho killers who film how they torture and kill their victims. Not as good as ‘Abre Los Ojos’ but certainly worth a watch.

4. Well Tempered Corpses (Bosnian):
Can anyone else make films on death with such irreverence? Trust a war-ravaged country to do it. This one begins in a morgue with the docs on duty placing a bet on how many corpses will arrive that nite before 1 a.m. Four of them arrive and the movie cuts back to four parallel stories each of them about one of those brought dead. It cuts back to the morgue for a hilarious climax. All four stories are connected and you can’t help but go Wow!! It’s a commentary on the state of affairs post war… its profound, dark and gives a detailed insight on life and death in Bosnia.

5. Life is a Miracle (Serbian):
This one from the neighbouring country is the exact opposite of the previous film and good I saw them back to back. If the previous one’s is on a bleak post-war near-death scenario, this one celebrates life during war. It’s a classic, which has to go right up there with the likes of Life is Beautiful. The imagery is captivating, the love story is most passionate and director Emir Kusturica is a genious, especially the love scenes — the best you can ever find, outside of a porn film, ha ha!

6. Bluffmaster:
This had the best lines we’ve heard in a Hindi film of late. It’s a story told with refreshing casual coolness and a laidback pace. Where it falters is in the plot. Also, watching Bluffmaster, you can see the numerous nods to his sources of inspiration: Vanilla Sky, Fight Club, Jerry Maguire, Oceans Eleven, The Game and the local ones too: Sholay, Shaan, Do aur Do Paanch. There’s just one reason however to watch this in the theatre: Nana Patekar!! And Abhishek too does a wonderfully underplayed role. Rohan Sippy is a neat director, now he just needs a good script! Shridhar Raghavan is a good screenwriter too, his lines rock… now he just needs a good plot!

7. Kanda Naal Mudhal:
The best romantic comedy I’ve seen in Tamil in recent times.
If ‘Minnale,’ the story about two sworn enemies in love with one girl was any indication of what Gautam is capable of, then ‘Kanda Naal Mudhal,’ the story of two best buddies involved in one girl who is one’s sworn enemy, is ample indication of the phenomenal talent of debutant director Priya. True that she’s been aided by the best technicians in the business and she has a definite Mani Ratnam hangover (she was his associate) but Priya’s original style and sensitivity comes out in the face-offs between the leading pair, who have given mind blowing performances. Prasanna especially delivers the performance of the year with his now-subtle, now-intense casual performance, breathing life and love into a well-etched out role.
Must watch! Just forgive the mandatory heart-attack sentiment, derived from Mani’s movies and you will totally enjoy this film!

8. Vaah! Life Ho To Aisi:
Some one tell Shahid Kapur that he aint Shah Rukh Khan. He seems to be convinced that he IS Shah Rukh Khan trapped inside Shahid’s body.
This movie mixes Mr.India with Koi Mil Gaya and Ghost with Hanuman Chalisa and Indian mythology and thinks people will enjoy it even if it does not have a well-fleshed out plot.
So as a result we have invisible superhero ghosts who protect their family with the help of Yamraaj M.A. (Sanjay Dutt) a cross between Munna Bhai and some failed Brit actor, so much that when Sanjay actually appears at the end of the movie, you can’t tell the difference between the character Yamraaj and the actor!
Dumb kids will love the film… the others wouldn’t mind watching it on TV.

9.Sandaikozhi:
Why did I go for this movie in the first place???
Cuz my friend M took me hostage.
But it wasn’t all that bad BUT for that thing out there which is tall, dark and ugly as hell. He tries hard to act but that certainly aint his department.
But for this producer’s son in the film, Sandaikozhi is a film with wasted potential. The direction is pretty neat, so is the pace and the secondary characters. Now, if only it had someone else in the lead!

10. Zubin Mehta concert:
Echooz me, they said he’s a conductor… but he dint issue tickets for the show..
And he didn’t play any instruments, he just kept swinging his stick, making faces at his orchestra while it tried hard to concentrate on the notes kept in front!
Kuchi-aataruthukku evalo build-up ah? (So much hype for just swinging a stick?)
Lol!
Seriously, awesome show… mind-blowing to say the least… loved every second of the concert!
There is no better high than the one live music provides!

  • Create a free website or blog at WordPress.com.
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Subscribe Subscribed
    • MADRAS INK.
    • Join 483 other subscribers
    • Already have a WordPress.com account? Log in now.
    • MADRAS INK.
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar