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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For January 5th, 2006

Statement of Purpose 2006

January 5, 2006 · by sudhishkamath

Having skateboarded through life all these years, today I stand at this point where I have less than 400 days to go before I turn 30.

Year-ends make for great introspection. That time of the year when you get nostalgic. You get together with buddies, think about the New years you spent together, things you resolved about and the hyper-enthusiasm with which you fondly once used to welcome the New Year with.

This year, when we saw two drunk men on a motorcycle scream “Happy New Year” to each other, we couldn’t understand what the revelry and happiness was all about. That, clearly, was a sign. We were getting old. We were asking questions, questioning the very purpose of celebration.

Because, there are no answers to such questions. You just celebrate. It’s that simple.

These men were happy about something. Happy about nothing in particular, but life in general. For them, it was the beginning of a new chapter of their lives. They, like most of us, truly believed that life had something beautiful in store for them. It was that psychological device that helped them put their past behind and start afresh.

As a kid, you never questioned that. You never questioned your existence. Never questioned purpose. It was all as simple as: I want to be a pilot and fly planes. Or I want to be a doctor and save lives. Or I want to be an engineer and build homes. Or I want to join the army. Or be a journalist. Or, to speak for the current generation, be a CEO or a COO of a software/IT/BPO multi-national company.

But is succeeding in being what you choose to be the very purpose of existence?

I’m not sure.

Because, from where I stand today, I have done reasonably well for myself as a journalist and not bad for a struggling filmmaker, managing to shoot my first film, twice, irrespective of the limitations and challenges it faced. I also know have a rough roadmap of what I want to do, what I call a vision statement. But is that “vision statement” the purpose of my life?

I really do not know.

Though it may sound too early to talk about a “vision statement” when I’m still hardly famous and have a long way to go, I do like to dream aloud, just to give it some shape and clarity.

I want to finish That Four Letter Word this year and sell it for what it’s worth. I want to pay and repay every single person who has been a part of this project the first time and the second.

I want to market it good enough to produce my second film. I want to begin work on a Hindi film though I already have my second film script ready to shoot. That would help avoid being slotted as a low-budget/independent/English/ digital/ filmmaker. Also to break predictability.

But the biggest reason behind my Hindi film is to say something that I have always wanted to say: A statement of purpose for movies. My love-letter to movies. It has to be on film, it needs to have that larger than life feel and a story that will hopefully move and encourage people to dream. It is my tribute to movies, a call for fresh thought, an effort to bring honesty onto celluloid and an experiment that hopes to prove exactly what the movie will try to say. Bringing honesty into films. On and off the screen.

If that experiment works, as I hope it to, I want to build that non-profit organisation that will produce every original filmmaker’s first movie. Anyone who has a script with a story never ever told before can walk in and get his movie funded and also avail the pool of actors, scriptwriters and technicians enrolled with the foundation — people committed to doing good cinema, even if they are going to be paid peanuts.

I just want to make one film every year or two, just making films that really are screaming to be made. I’m sure I would be happier spending the rest of my life doing that part that inspires what movies are made of: Life, itself.

At this point, let me “cut back” from the vision statement to the original idea behind the post: the purpose. So is a vision statement good enough to be the statement of purpose for life?

Again, I do not think so. Because, it is rather difficult to determine the purpose. But I intend to find it.

And the only way to find it, I guess, is to live it. Though space, through time and with people who occupy that time and space with you.

Given that we explore time by default, I want to explore space. I want to travel around the world, learn a little more about it, understand people but more than all that, I just want someone to share it all with.

This year, I intend to find a companion for that exciting journey, however long or short, happy or sad, sober or adventurous, it may be. I want someone to fight with, someone to talk to, someone to sleep with, someone to wake up with every morning and be truly happy that THAT someone is just the same person. I want that someone who would stick through this little adventure and I figure the only way I would find her would be by willing to stick myself. I have always been commitment-phobic, I have always wanted to be free.

But this year, I do not want to be free anymore. I want to share. Because, now I figure, life becomes larger when you share it with someone you really love. I’m right here, right now, waiting for her.

Actually, I can’t wait to be with her anymore.

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