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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For March 16th, 2006

Review: Just Like Heaven

March 16, 2006 · by sudhishkamath

Cast: Reese Witherspoon, Mark Ruffalo
Director: Mark Waters
Genre: Romantic comedy
Storyline: A landscape architect moves into a new apartment haunted by a spirit of a pretty workaholic doctor and before they know it, they are in love.
Bottomline: Well-written chick flic
k.

Just Like Heaven is a very pleasant surprise.

Despite its obviously fairytale premise of a workaholic doctor driving into a truck after a 26-hour shift coming back from the dead to find a new occupant in her apartment, it is neatly-written romantic comedy, with a few good lines here and fun moments throughout.

The greater your suspension of disbelief, the greater you will enjoy this movie.

Reese Witherspoon is Elizabeth, who is in so much love with her job, that’s she’s not really had a serious relationship. Just the evening she’s supposed to be set up with a guy, she meets with an accident.

As she goes home to find David (Mark Ruffalo), an alcoholic inhabitant who turns her neat apartment into a mess, she cannot figure out if he’s a homeless intruder or why she can’t remember who she is. Together, they try to find out all about her life and what happened to her after it.

And like it happens it all romantic comedies, they fall in love.

What makes ‘Just Like Heaven’ worth watching are the performances by the lead pair and the way they make the most corniest of lines sound absolutely convincing.

The scenes where David talks to Elizabeth in public spaces, when only he can see her, evoke a few laughs as Mark Ruffalo steals the scenes away from the talented talkative young actress.

Like most romantic comedies, the guy is always this most charming, eligible, funny, caring and sensitive man and the girl is this pretty, talkative blonde who can be moony-eyed, waiting for her love. But, that does not stop you from not enjoying the movie.

There’s also Donal Logue, who plays David’s shrink and friend, with some genuinely funny lines in the movie, especially around the climax.

Screenwriters Peter Tolan and Leslie Dixon deserve mention for equipping the characters with lines that are the right mix of restraint and romance.

It might never be in the league of ‘Notting Hill’ or remembered long after, but ‘Just Like Heaven’ is certainly worth your time when you are in the hall. Perfect for the date.

Trying to make sense: taste, sight, mind, heart and soul

March 16, 2006 · by sudhishkamath

Today:
I got a tooth removed, another operated on for root canal treatment of cavity and another cavity filled in my wisdom tooth, all within two hours. Still dealing with post operation blues… but Yay! All my dental problems are fixed.. Except for one pending tooth implant and one cosmetic touch up, both of which can wait. Can’t eat anything hot or spicy. Ice-creams, here I come.

Yesterday:
Watched Crash yet again, this time in the movie hall. I’m tired of reviews, no mood to do that and suddenly, it seems like work. But Crash hits you like no movie ever has simply because it’s about something which all of us, at some level indulge in, knowingly or subconsciously… put people into boxes, on the basis of their race. One of the most awesomest screenplays to have ever been pulled off with great political correctness, razor-sharp lines and a no-holds barred approach in the narrative with an attitude. Super cool. Personal favourite: The Invisible Cloak episode.

Day Before:
Was in Kerala. Had been back visiting folks, bonding with cousins. Never realised I have 15 cousins. I’m the oldest at 29 and the youngest is hardly a year old. One of them is getting who is 22, is getting married. I met the young couple at her place for dinner the previous night and had a ball shooting them together on video. The funny thing for the rest of the folks was that all of us (me, him and her were speaking in English though we all spoke Konkani at home!). There you go, another bit to prove that culture is not always what you get from family. It’s what you get from people around you. Which is why by nature, change is inevitable.

A few days before that:
Watched Sudesi with bloggers Ravages,(it was his budday!) Prabhu, Harish and Incognito. Not sure how many of you read this bit I wrote on how the movie is his election manifesto. I was quite surprised by the political content in it. Despite the inherent trappings of a Captain movie, you couldn’t help noticing the good intentions of a simple well-meaning man with a poor technical team. It wasn’t as classy as ‘Muthalvan’ but the movie seemed to have its heart in the right place. Somewhat metaphorical of the real life situation. Captain might be a good man with good intentions. But is that alone enough to be a winner?

Now:
This one goes out to all my buddies:
Wrong person + Wrong time = Wake up, now! Move your ass outta there.
Right person + Right time = Live the dream, baby. May God bless you guys.
Right person + Wrong time = Wrong person. Move your ass outta there.
Wrong person + Right time = Fling. No comments. To each his own.
Whatever person + Whatever time = Friend.

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