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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For May 14th, 2006

To all my buddies: The importance of closure!

May 14, 2006 · by sudhishkamath

The single most important part of any love story is not the courting period, not the definitive honeymoon phase or the actual relationship itself, but how it all ends.

It is how a relationship ends that determines your next and subsequent relationships and of course, the rest of your life. Without it, the person carries this into the next relationship, complicating that in the process with adequate speculation on “was this a rebound thing?” or “was it a transitional fling?” or “how can you still love someone when you are not over the other?”

So, before you get into another relationship: Lay the ghosts to rest.

To draw a parallel with death, we bury the dead, have a mourning period, get it all out and then have a 13th day function (or whatever applicable according to your faith) and then you continue to live, remembering the person once in a while, cherishing the good things and forgetting the bad because the bad does not matter any more. The person is dead.

That is exactly what we need to do during closure in a relationship.

First, does not matter whose fault it was. Forgive and forget. Or if it was your fault, apologise and forget. Forget the bad things because they don’t matter in a relationship that is dead.

To look at it objectively, look back at your whole love story like it were a movie. There were the good scenes, how you met each other, how you fell in love, things you did that built the love (storing each others messages, gifts, letters or things you promised you wont do or will do, just for that one person… a friend had vowed he would eat watermelon only with the girl he loved because it was their special bonding thing) and also the way it ended. The way it ended was just the climax… which means you had 7 good scenes and 3 bad scenes or five good scenes and five bad. Which means you still had a fairly good relationship but for the way it ended.

If there were 9 bad scenes and 1 good scene, you must have been an idiot to be in it. Just be glad it is over.

We’re talking about long strong intense relationships where two people loved each other so madly once upon a time that they couldn’t see themselves without the other.

So closure is difficult but not impossible if you did truly love the person and it wasn’t your fault at all. It is also difficult when you do realise it was your fault but it cannot be repaired. So how do you go about it?

First, post mortem. Separate the good things from the bad things. Think of it as the baggage you have to carry for the rest of your journey. Remove the heavy parts of the baggage which you cannot share with your next companion. Discard them, throw it away.

For which, you need to resolve the incomplete questions: Why did it happen to me? or Why did I mess it up? or Does moving on mean I didn’t truly love him/her?

To resolve these questions, you could meet up with each other, remind him/her about the good things, thank him/her for it, do not bring up the bad and agree on one thing: That it was good till it lasted. And now it was time to move on. Agree to be friends who will smile at each other when you do bump in to each other.

If the person has caused you so much hurt that you cannot possibly meet them face to face. Email it to them. Get it out of your system. But make sure you find three good things to say before you think of one bad thing.

If you cannot, like I said before: You were the idiot to be in the relationship. Now live with it. If you think you wasted 3 years of your life, don’t make it four or five. Or even 3 years 1 day. Stop now. Because, sometimes all it really takes is one moment to take that call. To turn the corner.

But the most effective way for closure lies within you. Forgive. Unconditionally. Because, it does not matter whose fault it was. Death is death, heart attack or kidney failure or murder or suicide does not matter. The fact is you have to live without the other. You might meet each other someday and the ghosts would come back if not exorcised.

So perform the final rites. Delete the messages that weigh you down and remind you about the great tragedy. Take the gifts out of the cupboard and keep them out with your other stuff. Eat that watermelon on Chocolate Vertigo you promised you wont eat without the other. And do this slowly and steadily, take your time. There is a good enough reason why there’s a feast at the end of 13 days after a funeral.

After which, date people with an open mind.

Forget the scars of the previous relationship. If you do keep talking about the scars, you stand a good chance to sratch them or open them up while discussing those scars. No person you date will appreciate you talking so much about the previous relationship. It could either ruin your current relationship or worse, make your date support the other and argue with you on who was right and who was wrong. Forgetting is possible only if you forgive.

A friend of mine freaked me out recently sending me a 19K mail on who was right and who was wrong, nearly two years since we broke up. While I’m glad she’s getting her closure, I don’t find it even remotely interesting to read that email because it was so long ago that it does not matter. I forgave her ages ago and replying to it now only reminds me of a scar I had forgotten long ago. May God bless her and every person who is still recovering from their previous relationship.

May they lose their excess baggage, travel light, have a fun journey ahead. And may they have the wisdom to realise that the key to closure lies in forgiving. Unconditionally. Just like the key to relationship lies in giving. Unconditionally.

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