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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For May 28th, 2006

Review: Fu… Naa!

May 28, 2006 · by sudhishkamath

F***! Naaaa!!

It can’t be true.

It’s like someone pissed all over the RDX and the explosive potential simply goes down the drain.

Agreed Aamir and Kajol are really good but unfortunately, there are more things to cinema than what two actors can do even when you wake them up in the middle of the night.

I just came back from the movie with a very uneasy feeling in my stomach: Whatta huge fuckin waste of a plot!

What could’ve been an intense quirky love story on the scale of ‘Dil Se’ is blinded by a blizzard called The Complete Works of Aditya Chopra and Karan Johar, replete with Antakshari, the annoying cute kid who stops just short of saying ‘Tussi Mat Jao,’ the moment in the rain, Shah Rukh…ooops Aamir thrusting his blessed nose in Kajol’s bosom, the tree that dropped leaves in ‘Mohabattien,’ Farida Jalal… ooops Kiron Kher doing a DDLJ moment, mush, corn and a sack of salt.

‘Fanaa’ was destroyed not in love but right from its inception, in fact right from the title
(You can’t make a film like ‘Fanaa’ unforgettable by just making sure the word ‘Fanaa’ appears 352 times in the film), incredibly unconvincing screenplay (maybe the writer bunked the plausibility and logic class in her screenwriting course), clueless direction (Either Kunal Kohli was smart enough to put the cockroach as a metaphor or was THAT what Anti-Terrorist Squad officer Tabu was after for nearly half an hour after that scene while the terrorist goes singing in the snow and tongue-twisters at that) and even worse editing (agreed Ravi K Chandran comes up with beautiful haunting frames but if you’re gonna keep all that he shoots, your next film will be 10 hours long).

Despite its hurried, slightly flawed ending ‘Dil Se’ was infinitely superior cinema. In fact, it was almost a classic. Hell, it was a classic. ‘Fanaa’ just gives ‘Dil Se’ to new heights.

I don’t want to ruin the only good thing about the movie in this review: The plot, cursed to rot in hell.

So find out for yourself.

Before some psycho/good samaritan smses it to you. I’m switching on comment moderation for this post to avoid spoilers.

P.S: The best part of the experience for me was getting to see the promo of ‘Kabhi Alvida Na Kehna’ and what can I say? It looks like Closer doused with the Karan Johar-Aditya Chopra treatment.

P.S 2: Aamir Khan should retire playing young loverboy (‘Rang De Basanti’ seemed to be a nice swan song to such roles) or get rid of that double chin and the excess fat on his face. The two and a half years he spent on ‘Mangal Pandey’ could have surely been more useful. But I have to say this much: Aamir has balls of steel to play a role like this, that too right after ‘Rang De Basanti.’

Blank Noise Project @ Besant Nagar Beach Today!

May 28, 2006 · by sudhishkamath


Sorry about this late an update, been a little busy.

There is a Blank Noise Project intervention this evening at Besant Nagar Beach. We meet at 5 p.m. at Planet Yumm before the performance.

About eight to ten women will participate in the intervention by hanging out at the beach doing nothing, staring back at people and handing them testimonials (accounts of sexual harassment taken from the blank noise blogs). The guys will distribute pamphlets.

We need volunteers. The more the merrier. This is a nationwide event. More details here.

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