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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For October 28th, 2006

He says She says Episode 29 update

October 28, 2006 · by sudhishkamath

The penultimate episode of the He Says She Says column has been uploaded. As Shonali is leaving to the UK for her Chevening scholarship this week, we are wrapping up the first season with just one more episode.

Do let us know what you want us to fight over. One last time.

Episode 29: Boys don’t cry

October 28, 2006 · by sudhishkamath

He says:

Why are women always the delicate darlings? The cry-babies.

Think about it, women display grief like it’s a work of art.

Haven’t you seen many an argument automatically swing in favour of the woman simply because the poor baby cried?

The audience vote always is in favour of the woman who is crying, irrespective of whether she’s right or wrong.

Why does this happen? Because, men don’t cry or break down. Instead, the more upset they are, the more they frown or the angrier they appear. Now, we all know women are more attractive than most men. And, nobody feels sorry for an angry man. In fact, the angrier he gets, the uglier he looks, the more despicable he appears. What choice does he have really? If he cries, they’ll call him sissy. They’ll say he’s wuss. And it’s not really macho. So he does what he has to. Pretend he’s got buffalo-skin.

Women, aided with a few drops of tears, have no problems appearing convincingly victimised.

The way men and women handle grief is very different. Women think of grief management by getting it out of their system, indulging in self-pity and then rationalising that now that they have been victimised, they have to think of emerging out of the whole situation stronger.

Female bonding and such self-help groups help them achieve liberation.

Men, take the easiest way out. The ‘escape’ route. A boys night out.

They laugh out the blues over a couple of drinks by poking fun at the situation. Or just Movies. Games. Work. Or just other girls to take their mind of the current problem. They probably cry secretly in the privacy of their bedrooms if need be, but largely, they find ways to escape the situation. They let something else occupy their mind-space.

And before they know it, the tragedy of epic proportions is forgotten or looked at objectively, with a new perspective.

That’s because Men don’t take their lives as seriously as women do.

Which is why they travel light. They don’t think ‘Once bitten, twice shy’. In fact, they like the adventure, they don’t hesitate to visit old ghosts. They face life with new confidence and optimism.

The scars remain as a mark of the courage they displayed under grave circumstances. The scars that remind him that he’s a warrior in this world sympathetic to the female of the species. And he will survive.

She says:

Saying all women sniffle sadly into delicate lace handkerchiefs every time things go wrong, is like saying all men hate to ask for directions. (Oh. Wait a second. All men DO hate to ask for directions. So lets just say you can’t generalise with women.)

Just because everyone knows a couple of wet mop women turn on the waterworks at the slightest provocation, that doesn’t mean every woman you ever meet is going to be that soppy.

The truth is that most women are far tougher than men. Take their thresholds for pain, for example. Whether it’s enduring a waxing session at the parlour, or having a baby, women just grit their teeth and get it done with without complaining.

On the other hand, have you ever seen a man with a cold? He’ll bring the house down, shuffle around groaning mournfully and sniffle sadly over hot soup as he mentally draws out his last will and testament. For men are the ultimate Drama Queens. The whole ‘I’m so macho I open beer bottles with my teeth’ image is just a front.

In fact the last time I saw a man open a beer bottle with his teeth (to impress some young thing in too much lipstick of course), our hero bit through the bottle, cut his mouth and spend the rest of the evening holding a hanky over it and shrieking like a just-crowned Miss World.

And why do people always assume it’s the women who cry at movies?

I’ll never forget watching Titanic at a movie theatre in Mumbai. As the ship went down, its brave band began to play. But I was looking elsewhere. Because on either side of me there were men crying so hard they could have probably re launched the Titanic.

When a friend of mine got pinched at a mall, she turned around and walloped the guy who did it, though he was twice her size. Another petite friend charged at four whistling morons to shut them up, brandishing her helmet and scared them half to death. At a party, I heard a pretty young thing tell her friends how she ran after and kicked down the bicycle of a man who was kept following her.

None of them cried. It wasn’t even an option.

For women realise that collapsing into a teary heap doesn’t help anyone, least of all themselves. So they pull themselves together and work out ways to survive. Besides tears can really mess up your mascara!

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