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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For February, 2007

Wednesday morning 10.15 a.m.

February 19, 2007 · by sudhishkamath

That image, at Six Degrees on February 21, will be followed by 91 minutes 13 seconds of the movie that’s been part of about 25 per cent of my entire lifetime and probably all my youth.

It is a special preview show for the media and opinion leaders. Do give me a call at 9382118103 and book yourself a seat if you feel left out.

Else, we have the commercial release on February 23. And, you can contribute to the cause of independent cinema and buy your own tickets. 😀

Wednesday morning 10.15 a.m.

February 19, 2007 · by sudhishkamath

That image, at Six Degrees on February 21, will be followed by 91 minutes 13 seconds of the movie that’s been part of about 25 per cent of my entire lifetime and probably all my youth.

It is a special preview show for the media and opinion leaders. Do give me a call at 9382118103 and book yourself a seat if you feel left out. Else, we have the commercial release on February 23. And, you can contribute to the cause of independent cinema and buy your own tickets.

😀

The girls on SS Music

February 13, 2007 · by sudhishkamath

This clip is from Southern Spice Music. The SS Music team was there to cover the premiere at the Chennai International Film Festival. Here’s what Usha, Paloma, Suriya and Srikanth had to say to them.

Bytes from the premiere – 1

February 10, 2007 · by sudhishkamath

This was at the premiere of my film at the Chennai International Film Festival on December 21. A quick look at what Suriya had to say along with my bytes on the film. Thank you, Times Now, for the footage.

Will post clips acquired from Galatta and SS Music during the week.

Another Evam play this weekend!

February 9, 2007 · by sudhishkamath

If you haven’t seen Oh God yet, this is your chance. This hilarious farce comes alive at Sivagami Pethachi auditorium on Saturday (7.15) and Sunday (3.15 and 7.15).

Here’s a review I wrote when it last played a coupla weeks ago.

One of my favourite actors from That Four Letter Word has come up with such an adorable performance in this play, you guys just got to watch it.

And if you are God-fearing and don’t like the idea of a spoof on the Holy book, father, son or spirit, stay home.

Babel: Watch closely

February 8, 2007 · by sudhishkamath

If you watched Babel and came out feeling indifferent to the film, chances are that you probably just lost the plot.

Alejandro Gonzalez Inarritu comes up with a cleverly crafted complex ensemble, layering his paradoxical portrait of mankind with the kind of diversity and the sameness that divides and brings together people across continents.

Yes, just like the complex construction of that sentence takes away from what it tries to say, Babel too, could do with a second reading.

Especially, when the tag-line goes: If you want to understand, listen.

The filmmaker who made ‘Amores Perros’ and ‘21 Grams,’ uses his trademark non-linear episodic narrative connected by one incident, this time around, to explore the politics of communication and the factors that keep the human race divided in an increasingly volatile world.

Yes, it helps to understand the Biblical context before you head to the hall. In fact, it is that context that ties everything up in a film that’s subject to varied interpretation.

At the surface, Babel merely seems to be the story of an American couple holidaying in Morocco, whose world is shattered, moments after a goatherd kid pulls the trigger to prove to his brother that the rifle (originally belonging to a hunter in Japan) given to them, could hit distant targets. In a remote village called Tazarine where surgeries and anesthesia are unheard of, the couple awaits medical aid.

With the parents stuck in Morocco, the Mexican nanny taking care of the American kids, is left with no choice but to take them along to her son’s wedding across the border with an eccentric, reckless nephew.

And far away in Tokyo, the Japanese hunter has a deaf-mute daughter who has a difficult time making the boys understand her quest for love.

But, as you catch and connect instances of weapons, lust/love (it once used to be the same thing as the director implies) sometimes manifested through incest (the censoring of a critical portion towards the end does take away a significant layer from the film) and the most primal needs of man (to hunt, to love, to endure and survive) scattered across the four stories, and, traces of all the needs in each of the stories (watch closely), you see the larger picture emerging.

The characters in the film suffer because they cannot understand each other. They have to deal with barriers of language, borders, moral codes, attitudinal differences and technological disparities to understand that in spite of the differences of how they live, they still are the same.

Characters in each of the four stories are primal at some level, they all get violent at some point, they are all animals looking to mate or looking out for their mates and children, they all are fiercely territorial and guarded about people of other races and yet, at some level, they are all still capable of survival, bonding and in understanding each other, if they tried.

The fact that Brad Pitt stars in the film is rendered irrelevant by uniformly first-rate performances by the entire ensemble, especially the raw talent from Morocco. Technically, the film, though not as stylised as his earlier works, is heart-wrenchingly credible in its portrayal of people with the docu-style cinematography and minimalist background score.

Pure cinema, it is.

http://sudermovies.blogspot.com

That Four Letter Word from February 23

February 6, 2007 · by sudhishkamath

I had been postponing putting up the trailer because we didn’t know when the exact date of release was going to be. And, to be honest, my editor’s been busy as hell trying to make his film and I didn’t want to bother him.

Now, that it is official, what you see above is a trailer I cut, with my limited editing skills and resources (on my laptop). Working on a low budget film, you really can’t always afford the luxury of a studio.

So yes, please go ahead, feel free to post it in your blog and organise mass spamming through email, groups and communities across networking portals. I just checked Orkut and realised: That Four Letter Word community already has 98 members. If you are not yet part of it, you can join the gang here.

I don’t care if you rubbish it but do let people know that there’s a movie called That Four Letter Word that will release in Studio 5, slotted for the daily Four O Clock show.

If you are new to this blog, you can read some of the early reviews and reactions to the film here.

If you are a regular here, well, this is the first in the series of videos and posts that I had saved up for the pre-release buzz. So do come back for more. I will be posting videos including scenes from the film, celebrity responses and also resume blogging on the making of the film, something that I had to suspend to complete the making.

Now that it’s all done and set, I finally have the time (barely, given that the release is just two weeks away) to make some noise on the film.

Given that it is a low-budget independent film, That Four Letter Word, solely relies on the word of mouth generated by people like you. So please watch the movie. You should be able to book tickets from the blog shortly, I’m talking to Sathyam Cinemas to see how we can work that out. Else, please head to http://www.thecinema.in anytime around Valentines to book your seats.

I’m nervous and excited. Too many things, too little time. Not found time to work on the website yet. Just finished trailer after a non-stop marathon 15 hour editing session that started at ten last night and ended at 2.30 this afternoon. Hardly got three hours of sleep.

After numerous attempts trying to upload the trailer on to Youtube, finally some luck.

Next, I have to sit on getting posters and publicity materials ready. Then, the website and then if I have the time, the book on the Making of TFLW.

In between all this, I need to generate some sort of media buzz. So if you do know journalists or are one, please make them consider/consider writing about a movie made with four lakhs, after seven years of effort and two and a half attempts. After all, it’s not everyday that an independent film gets made in India, shot with a digital MiniDV camera, without the backing of studios or stars and actually makes it to the theatres. The film will release in most metros in the country after finishing the rounds in Studio 5. Else, you can catch it on the internet this summer or on TV shortly after that.

If this works, anybody will be able to make a movie and find an audience. For a market to emerge, we need to cultivate it. Support indie cinema. Support fresh thought.

This Valentine’s season, spread the word.

That Four Letter Word.

Evam’s Odd Couple

February 3, 2007 · by sudhishkamath

A HILARIOUS COMEDY about 2 OPPOSITES!

Directed by evam

Written By: Neil Simon

Produced and designed by: evam

LAST 3 SHOWS at Sivagami pethachi auditorium , Luz Church Rd , Alwarpet
(near isabella hospital, near old lifestyle)

On 03 FEB 2007- 7.15 PM
On 04 Feb 2007- 3.30 pm and 7.15 pm

BOOK TICKETS simply at http://www.evam.in or call 9840222363 / 9840612333 or Call 42244224 for door delivery

Starring: Karthik Srinivasan, Karthik Kumar, Anuradha Ananth, Kalyani Kumar, Sarvesh Sridhar, Navin Balalacahnder,Shankar Ramachandran and Sunil Vishnu K

Duration: 110 minutes

The Plot

Two divorced men decide to share a New York apartment. That’s the premise of The Odd Couple by evam……
Felix and Oscar are an extremely odd couple: Felix is neurotic, precise, and fastidiously clean. Oscar, on the other hand, is the exact opposite: sloppy and casual. What happens when the two friends are forced to share an apartment, and their differing lifestyles inevitably lead to conflicts- a full laugh riot for the audiences. Add to that their Saturday night poker gang friends: Vinnie- the dutiful husband, Murray- the cop, Roy-Oscar’s accountant and the sarcastic Speed , and the possibility of a date with the Cuckoo Pigeon sisters who live in the same apartment- you’ve got a chaotic entertainer for sure!

This Neil Simon situational comedy on one hand is about two opposite people (out of their marriages) deciding to stay together and the chaos and humour which is generated as a result, while on the other hand the story is about friendship, and loneliness — it gives us a glimpse into what makes us cling on to our friends even when they are so opposite to us and can drive us over the wall with their antics — the uncanny bond, which makes friendship such an odd-even relationship! Somewhere it also touches about how easy it is to lose people and how difficult to stay on and make things work — and sometimes you don’t get a choice at all!

A perfect Stress Buster for THE AUDIENCE-hilarious fun!


Reviews:

“In evam’s hands it was two hours of mirthful laughter for the audience. The play’s success goes beyond even the direction to the two main characters. Their timing was perfect and they played with changing the pace, with pauses, with sulks and silences. they presented an interesting variety, a group made up of very different individuals…
– The Hindu

No, that was not my review.
I’m yet to watch it and hope to catch it during the weekend.

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