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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For March 9th, 2007

Announcing Sudermovies!

March 9, 2007 · by sudhishkamath

I know that an overdose of own film is probably making it boring for a lot of you regular readers. But like I said a few weeks ago, I’ve stopped blogging for readers.

It’s a more personal exercise these days. So if there’s only That Four Letter Word in my mind, that’s all you will find here.

But I do understand that a lot of you come here mainly to read my reviews. To save you the trouble of reading largely self-indulgent posts, I give you Sudermovies, my new blog on movie reviews, opinions and random thoughts.

And for those of you who still haven’t seen TFLW, read the post below. It’s playing at Studio 5, Sathyam Cinemas at 11 a.m. on March 10 and 11. Those who’ve already seen the film, please spread the word and let your friends know.

The Pursuit of Happyness: Mr & Jr. Smith make us happy

March 9, 2007 · by sudhishkamath

The thing about underplaying is that it is under-rated. Will Smith does it so well in ‘The Pursuit of Happyness’ that he makes you wish they did give him that little piece of sculpture after a well-deserved Academy award nomination.

Yes, it’s one of those ‘role-of-a-lifetime’ portrayals. Uplifting. Equally endearing is Smith Junior’s supporting act. The real-life father and son are the perfect foil to each other in this film that somehow seems inconceivable without their chemistry. The Smiths are the pillars of the film.

Though based on the biography of stockbrokerage entrepreneur Chris Gardner, the film takes a few liberties, exaggerates a few facts (Gardner was paid a $1000 stipend during the internship but in the movie he gets none), simplifies some (Gardner’s son was hardly a year old when he takes custody of his son and was secretly homeless for a year but in the movie his son is five and they have to survive homeless only for a few months), but stays true to the undying spirit of the man in his pursuit of happiness, or ‘Happyness’ as the daycare run by Asians teaches his son.

Director Gabriele Muccino makes the most of Steve Conrad’s screenplay to give us one of the most memorable films of the year, working around the predictability of a rags-to-riches narrative (a broke-to-broker story rather) by floating moments of hope in the middle of all that struggle and despair, punctuating the ups and downs with heartwarming moments of father-son bonding.

Even the heavy Bone Density Scanners that Gardner sells in the film, probably metaphorical of his swinging fortunes and times (a madman actually calls it a time-machine) are characters by themselves. Every time he loses one, you can feel his angst. Losing one meant losing a month’s groceries.

Will Smith breathes life and spirit into the role, underplaying it with the right nuances, toning down the histrionics just a little to make it realistic. Watch him break down softly in the restroom, feeling helpless about letting his son sleep there, with people knocking the doors into the night. Simply fantastic.

The finest moment of the film arrives right at the end, the moment the director had kept us waiting for: Happyness. And that’s the moment Will Smith reserves his best for. His face takes you through the increasing levels of happiness in his ultimate moment of triumph. This is kind of stuff that brings cheer to the heart. The kind of stuff that should have won him an award.

If you want to know what happiness is all about, ‘The Pursuit…’ is a must-watch.

http://sudermovies.blogspot.com
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