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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For April, 2007

Update: Maayakkannadi on Sudermovies!

April 16, 2007 · by sudhishkamath

Read complete review here.

Maayakkannadi: A Spell Cast Wrong

April 15, 2007 · by sudhishkamath

What to expect:
1. Cheran as urban youth. Who wants to go boling and eat pissa with his gaerlfrend. But they are ‘yezhai’ lovers unable to afford pissa after bike gets punture and maama takes mamool.

2. Cheran changing before the camera, revealing his diaper-like underpants. Though this scene happens in the background, the sheer imagery shocks you with its lucid irony. Though he’s urban youth, he still wears lungi tied up as diaper inside his pants. Whatta statement: You can take villager to the city but you can’t take him outside his pants.

3. Cheran as style icon. He plays a hair-stylist at upmarket salon. See pics for proof. His yezhai lover/gaerlfrend is also hair-stylist and together, they make-out in changing rooms at Shoppers Stop. If you spot him wearing sleeveless, beware of gross sights… or what he has up his (missing) sleeve.

4. Cheran as Superstar wannabe. Yes, he borders on blasphemy insinuating that to become Superstar you just need to learn to chuck the cigarette into your mouth. Just because Boobman Sarath Kumar (not seen Pachaikili Muthucharam yet?) tells him anyone, including him, can become an actor.

5. Cheran as break-dancer. Oh, there’s this one minute long shot of Cheran dancing that’s supposedly choreographed to bring the roof down. It surely does. God bless Ilaiyaraja. It is a kickass track nonetheless.

6. Cheran indulging in more obscenities in the pretext of duets. The comic above is self-explanatory in that regard. Also, Cheran doing kaamedy. Intentionally and otherwise.

7. If you are going for the night show at Rohini complex like I did, the interval break happens at 12.20 a.m. And Cheran finally decides to get to the point around 2 a.m.

8. Radha Ravi’s two minute long monologue in the end that delivers the message of the movie. Very effective. Saving grace of the film. Oh yes, even the actor playing Cheran’s workaholic roomie is quite good. One of the rare credible performances in the film.

9. Anti-rich propaganda: All rich people are evil rapists or ganja smugglers. All good rich people call themselves poor because they struggled to make it.

10. Guest appearances: Malavika, Sarath Kumar, Arya, Director Raj Kapur, Balachander’s office, Cheran’s armpit…

What went wrong:
1. Cheran as actor. What was he thinking when he cast himself? There are so many scenes with the mirror in the film. Did he bother looking into it just once?
No doubt he did a decent job in Autograph as an actor but here he should’ve gone in for a younger actor like Bharath. The movie would’ve at least been watchable and probably even effective.

2. Cheran as director. It is time he stopped being indulgent and realised economy of scenes. With merciless editing, this might have been a fine film, with a different actor in the lead, of course.

3. Cheran as casting director. It is not essential to pack your film with ugly people just to give it a realistic feel. I wouldn’t mind unattractive actors as long as they are effective in their roles. The guy playing wannabe rapist couldn’t even act to save his balls. And did you really direct that scene, Cheran? Ham-fest!

4. Cheran as dialogue writer. There are some very good lines in the film no doubt but there are some equally corny ones too borrowed from Nayakan-rejects. And that actor playing Nayakan, I assume, is the producer. Can’t imagine any other reason he was cast for the role.

5. Navya working overtime. She seems to be a talented actress but here, she goes way over the top. Or maybe it was Cheran pushing her for an award-winning performance.

What works:
1. Ilaiyaraja.

2. Ilaiyaraja.

3. Ilaiyaraja.

(Even if he insists on singing most of the songs himself these days)

http://sudermovies.blogspot.com

Propaganda in The Pursuit of Happyness?

April 15, 2007 · by sudhishkamath

Recently, I had this long argument with my Professor and friend, Rakesh Katarey, about The Pursuit of Happyness. He suggested that I blog about it to generate discussion.

The Cinema Club of Coimbatore had organised a screening of the film which was followed by a discussion. This story sort of sums up the key observations.

The Prof. is convinced that the Will Smith film, like most Hollywood products, has a hidden agenda: To re-inforce faith in the system.

“Though filmmakers claim to make films about blacks, the objective is to let the black community know that whites are not bad.”

I did point out that it was Chris Gardner himself who produced the film along with Will Smith but then his argument was that it was the studios that run Hollywood.

In this age of ‘Syriana,’ ‘Borat’ and ‘Fahrenheit 911,’ I refuse to believe in conspiracy theories about the system using popular culture as a vehicle of propaganda.

Showbiz has been, is and will always be about what Rod Tidwell famously told Jerry Maguire. “Show me the money.” And that translates to any content/story that many people around the world would buy.

The politics of business transcends the business of politics. What say?

Update: Provoked on Sudermovies!

April 11, 2007 · by sudhishkamath

Read the review here.

Interview

April 10, 2007 · by sudhishkamath

A reader recently had mailed me a few questions on filmmaking for an article he wanted to do for his site.

Since I haven’t found time to post much, thought I’ll just link.

Have been watching a lot of films. So I guess it is time to update the reviews on Sudermovies. Do watch that space.

Chai@Tranquilitea

April 6, 2007 · by sudhishkamath

If you happen to be around Coonoor, do drop in at Tranquilitea, run by this enterprising 25-year-old called Sandeep Subramani. It’s a must-do for tea-lovers. I had the best chai in the Nilgiris out here. And it totally lives upto its name.

Wish I lived here!

April 6, 2007 · by sudhishkamath

The Red Hill Nature Resort on Emerald Valley, a little away from Ooty. It’s in the middle of nowhere. The place belongs to this very hospitable gentleman called Vijay Kumar. Thank you for the tea. I love your place.

The view from there!

April 6, 2007 · by sudhishkamath

This is the view from Red Hill Nature Resort. With food, home-stay and guest-house facilities, they charge Rs.3000 off-season and Rs.4000 during peak season.

For reservations, email Vijay Kumar at vijayredhill [at] yahoo [dot] co [dot] in

Vijay Kumar has spent all his life in this heritage bungalow.

How does he feel? He cannot imagine living anywhere else, he says. He travels 28 kilometres to Ooty to do grocery shopping.

Lost in the hills!

April 6, 2007 · by sudhishkamath

Just got back from a weeklong tour of the Nilgiris. Had absolutely no access to the internet or newspapers for five days. And most of the time the phone was out of range too.

I took this pic from a makeshift lookout point from the Korakundah forest. To the right is the Silent Valley in Kerala and what is left is Tamil Nadu.

I love these Road Less Travelled trips. I love my space.

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