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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For May 30th, 2007

Sivaji: Swades meets Nayakan?

May 30, 2007 · by sudhishkamath

I’m sure most of you have already seen this trailer (thanks Ramya), and I hate the fact that I now have to wait for at least two and a half weeks before getting to see THE BOSS – Bachelor Of Sosial Servees.

Thalaivaa!!

Got to admit that the release of the trailer today did steal the thunder from all that excitement of getting to watch the Pirates 3 premiere on Thursday night at Sathyam Cinemas. Had planned to watch Dead Man’s Chest for the fifth time and now, I can’t help but watch the two and a half minute trailer back-to-back, over and over again.

Here are a few thoughts on The Boss.

1. In spite of the shocker of a movie that Anniyan was (though it did exceedingly well, I didn’t like it much personally), I’m pretty sure Shankar is gonna rock this one. He’s got a formula that can’t go wrong. Let’s see now:

Style: Check (Baba was him at his worst without the moustache and all, this one has power dressing from Manish Malhotra… Let’s just erase the memory of Thalaivar in that blonde wig. We know it’s just intended to shock and he won’t be doing more than one para of a song with that on!)

Babe: Check (Certainly better than Nagma, Soundarya, Meena, Manisha Koirala or Nayantara. Thalaivar’s rarely got his choice of babe right! The best of the lot, Ramya Krishnan had to settle for vamp, so did chubby Jo!)

Comedy: Check (Vivek rocked Shankar’s last and if the jokes in the trailer are any indication, the comedy has to do with Thalaivar’s attempts to become fair. How lovely! Every dark man’s fantasy becomes a feel good joke.)

Action: Double Check (Shankar’s always given us an overdose, so nothing to worry about in that department. And with Thalaivar around, there’s so much more potential to kick butt.)

Sentiment: Check (From the promo we figure that though his intentions are noble, his family and lover do have a problem with the means he uses for reform. Seems like a decent enough premise for family sentiment.)

Punchlines: Check-mate (Looks like he doesn’t need them here. When he takes that phone and says “BOSS,” it is more than a punchline. It is knock-out line.)

* * *

After watching Swades, I couldn’t help thinking: What if the same movie was made with Thalaivar in the lead but in the six-song six-fight comedy-track format.

Noble intentions (a film on reform) served with formula seemed to be an ideal potion to work magic with the masses. Not that arriving at that formula is an easy task. For a director like Shankar though, that is the easy part.

He already has mastered the formula, what he didn’t have was a noble subject with a hero of demi-god status. Which he now has.

The script he had last written for Superstar went to Arjun. We know the film went on to be a super hit. Had Superstar done that movie, we wouldn’t have had to wait till Chandramukhi to prove to all of India that even in this day and his age, there is only one sun, one moon and one SUPERSTAR!

* * *

Shankar has played the Robinhood card before with Gentleman.

After one vigilante outing in Indian and an ordinary-man-turned-chief minister in Mudhalvan, (I’m skipping all his light hearted films) I thought that the master of formula tried too hard with Anniyan. Any hero who cries, even if he’s Spider-Man, is plain sissy. And we had two sissies and a psycho in Anniyan. Vikram as a sissy common-man (Ambi), then as the wannabe model wanting to do “the yoyo” (Rampwalk Remo: Complete Wuss again!) and as then as the psychotic over-actor who quoted mumbo-jumbo from Garudapuranam was not my idea of a superhero.

It’s good that he’s going back to the Robinhood story. Nayakan was classic Robinhood. So when the boss says, “The rich get richer, the poor get poorer,” we can feel the credible angst of athe angry young reformer. We don’t care he makes those phone calls. As long as he can transform stones to homes. And it only gives us more reason to cheer that this 21st century reformer is our very own SUPERSTAR.

* * *

If I go nuts (In case I already haven’t) in the next 16 days, you know who to blame.

P.S: Regular movie programming continues on Sudermovies. Just posted Cheeni Kum.
Update: Also up: Ek Chalis Ki Last Local, Shootout at Lokhandwala, Shrek 3 and Pirates 3: At World’s End.

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