• SUDA MING’S CHANNEL
  • TALKING FILMS
  • Good Night | Good Morning
  • My Talk Show
  • PROFILE

MADRAS INK.

Menu

  • Archives
  • Columns
  • Diary
  • Interviews
  • My Films
  • Reviews
  • Good Night | Good Morning

  • Word thru the bird

    Tweets by SudhishKamath
  • Connect with GNGM

    Connect with GNGM
  • About GNGM

    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

  • Browse: Categories

  • June 2007
    M T W T F S S
     123
    45678910
    11121314151617
    18192021222324
    252627282930  
    « May   Jul »
  • Recent Posts

    • Simmba: A departure from the formula
    • Zero: The hero who wasn’t
    • Protected: AndhaDhun: What did that end mean?
    • Love and other cliches
    • October: Where is Dan?

Archive For June 14th, 2007

Sivaji Premiere: Live updates: Spoiler-fest!

June 14, 2007 · by sudhishkamath

Click on the title to listen to the interview that Superstar gave ahead of the premiere on Times Now.

I’m messaging from the premiere of Sivaji. These updates shall continue for as long as my girlfriend is awake and can type them in.

9.45 – Spotted- Aishwarya Rajnikanth, Parthipan, Dharani, Priyadarshan, Thotta Tharani. I realise everyone I know is alloted different theatres. My photographer is alloted Santham, Baradwaj Rangan has got seats in Seasons, Sreedhar Pillai has the seats for Sathyam Balcony.

10:08 – Inside six degrees. Everyone has been given party poppers. Movie yet to start.

10.20 – Trisha is sitting right behind me. Great, I can get at least one quote for my story on Saturday morning.

10.30 – Sultan is Rajnikant’s next film. It’s an animation film directed by Soundarya Rajnikant produced by Ocher Studios. It has music by A.R.Rahman. Thalaivar is animated but Superstar has lent his voice himself. Releasing 2008. The trailer began with showing shoes of a warrior and then goes to reveal Thalaivar with a sword.

10.32 – People burst party poppers spouting out confetti, supplied by Sathyam, as the alphabets S-U-P-E-R-S-T-A-R followed by R-A-J-N-I appear.

10.35 – Thalaivar with a mask over his face gets out of the police van to be escorted to prison as thousands of people watch in horror. His first soundbyte however is inside the van when a police officer politely suggests that he wears the mask lest people get emotional seeing him and we hear: “Um”

10.40 – Superstar plays a software systems architect NRI who has saved up for 25 years before returning to India with noble intentions. Flashback begins with the eligible bachelor sporting an orange tie with a beige suit and jeans, being recieved by his parents and Vivek, his maama, at the airport. With dreams of starting a free medical college and hospital for students. Adiseshan (Suman in Ray Ban) is his adversary, a Jeppiar-like character, who lives of capitation fee collected from students.

10.45 – Nayantara has never looked hotter before. She’s skinny and pretty, two things we didn’t even imagine she could be. She does the opening intro song ‘Ballelaka’ as Thalaivar dances with extras who have their tummies painted with tigers and Thalaivar’s face of course.

11.00 – Bubble gum is the cigarette replacement. Vivek interrupts Thalaivar before he delivers a punchline saying that he shouldn’t bother because every other boy on screen is unable to control his finger movements. And then, Vivek comes up with some cheeky ones that rhyme Katpadi with Deadbody and Pogo with Go Go! (Something like Kozhaindaga Paakurathu Pogo, Sivajiya paathu nee go go). The best one however is “Sixukku Aparam Sevenu, Sivajikku aparam Yevenu?”

11.15 – Shriya sizzled in that ‘Vaaji Vaaji’ song. She is sooo hawt!! And thalaivar’s comedy doesn’t seem to work much, at least not in that scene where he’s washing his mouth after eating a plate full of chillis! Please cut this scene out, Shankar. Not good for his stature.

11.35 – Thalaivar turns white!! That’s a well concealed suprise considering the lyrics are such a giveaway. Listen to the ‘Style’ song again! After seeing the blonde stills we were prepared for the worst but it’s not that bad, trust me. Shriya is well… yummy!

11.55 – Riches to rags. All he is left with is one buck, given to him by Adi who completely ruins him and recommends begging for a future. Thalaivar has tried doing good the right way. That didn’t work. So now he tosses up that coin to let it decide his fate: Heads (Singha vazhi) or Tails (Poo vazhi). No prizes for guessing what it spells out.

12 Midnight – Interval. Interesting interval block setting up stage for a rocking second half but the first half alone, seen in isolation, is just about ok that shines through a few sparklers here and there.

Talking points during interval: The wooing segment is clearly the downer. Thalaivar has often advocated that ‘Thou Shalt Choose One Who Loves You Over The One You Love.’ Now, he does a volte face. Clearly, the one defining quality about all successful films has been that he does not chase the girl. Shankar turns that on its head this time. Like Suresh Krissna did earlier (and unsuccessfully) in Baba.
Also, Shankar knows that colour (or lack of it) is a huge part of the Tamil psyche. He exploits it to create a feel good mood.
The other thing that Shankar totally understands is the impact of corruption on the middle-class. This time instead of focussing on how the middle class are affected, he shows us how difficult it is even for the rich and those willing to do good are impaired by the complexities of bureaucracy and red tape.

12.30 – That coin flipping style is a class act. Thalaivaaaa!!! Only he can reinvent himself like this!

12.40 – Another super punchline when this bunch of goons catch hold of him and say: Thaniya maatikittae paathiya? And Superstar says: “Panningathaan kootama varum…” He then dislodges five of them with one single kick sending them flying all around him before completing: “Singham… single ah varum” *Whistle Whistle*

1.00 – Adhiradi is awesome!! The best picturised Rajni song I’ve ever seen… A Robert Rodriguez guns and guitars tribute. And Thalaivar looks smashing as never before! And Shriya… Slurp!! Trisha behind me surely must be envying her buddy there. Shriya’s simply the single sexiest siren since Simran scorched our screens.

1.15 – There’s also this Peter Jackson visual effects tribute as fx-crazy Shankar sends a Superstar’s car crashing into King Kong’s mouth! Whoa!! I’ve never felt younger before… Thalaivaaaaah once again! I forgot to mention Thalaivar earlier did some wonderful imitations of MGR, Sivaji and yes… Kamal Hasan… Check him out doing Nethu Raathri… 😀

1.25 – Okay, there’s this really corny twist coming up… as cheeseball as it gets in our movies… In fact I saw this coming in the first half of the film when Raghuvaran brings back to life a boy who was electrocuted and soon explains to Thalaivar how that is possible. Lotsa folks out there are gonna roll their eyes when this happens and the biggest critics will call this film trash just because of this twist. But for us willing believers, this is a splendid excuse for Shankar to unleash yet another new look: the mottai boss who’s called not Sivaji but… find out for yourself! *clap clap*

1.45 – Mottai Boss rocks! And the style associated with the character… I can’t stop grinning and I realise I’ve been grinning for the last one hour.

1.50 – Trisha tells me she loved the film. “He’s so hot,” she says. Great, I have my quote.

2.00 – I wait for Baddy till the show at Seasons gets over. Turns out that he didn’t like it much. In fact he called the first half “excruciatingly boring”. For me, I can’t wait to watch it again. And I’m doing exactly that in five hours from now.

*This post was updated only by 5 a.m. because I realised pretty late that my girlfriend did put up a Live Update on the blog before she went off to sleep and hence didnt get a chance to update my messages. Review will be up in 24 hours. Though to be honest, Superstar films shouldn’t be reviewed. Only idiots will look for logic and contest plausibility in a superhero tale. But do come back, ill give it a shot anyway*

  • Create a free website or blog at WordPress.com.
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Subscribe Subscribed
    • MADRAS INK.
    • Join 483 other subscribers
    • Already have a WordPress.com account? Log in now.
    • MADRAS INK.
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar