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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For June, 2007

Clips from the TFLW Premiere

June 3, 2007 · by sudhishkamath

For those who missed the World Premiere of That Four Letter Word at the 4th Chennai International Film Festival in December 2006, here’s a quick look.

Finally managed to compile the posts on That Four Letter Word from the personal blog and have posted them back here just so that you can easily access on posts on the film in one blog and also be able to keep track of our journey.

We intend taking the film places, so do keep reading for more updates.

P.S: You can access your comments pertaining to these posts by looking up the same date on the personal blog. I have not deleted any of your comments and you will be able to access them there.

Pirates of the Carribean – At World’s End: What was I drinking?

June 1, 2007 · by sudhishkamath

I’m not sure if I watched the movie after an excruciatingly long hectic day or if the latest installment should be taken with a pinch of salt, lemon and Tequila shots.

Remember those Santhoshi Maa/ Kali Maa/ Amman films where devotees in need of a miracle pray to the Goddess and she obliges, striking down the bad guys with lightning and thunder. Pirates 3 actually gets into that league, only on a multi-million dollar scale. Only that here Kali Maa becomes Calypso, the Amman for the pirates.

Now, I’m reasonably savvy Pirates fan. I was sure I would like this film. I even had my list of predictions after watching the second part closely for about four times. I had predicted that Will Turner was gonna die trying to keep his vow, clearing the way for Jack Sparrow to get Elizabeth, especially because Will has nothing much to do in the first two parts apart from brandishing his sword every ten minutes. Killing him would give his character some dignity, I thought. I thought that the magic dust or the ring he steals from Tia would’ve saved Jack Sparrow and the Black Pearl from the Cracken.

No surprise then that I’m really disappointed with this lets-make-it-up-as-we-go narrative written under the influence of barrels of stale rum. Because this version doesn’t bother connecting the second part with the third except for basic facts like Jack Sparrow is dead, Will Turner has made a promise to free his Dad from Davy Jones and the East India Company is cracking down on pirates.

What about the questions we want answers for? What happens to Jack Sparrow after he marches towards the Cracken with a sword in hand and gets swallowed? How did he end up in what looked like Wachowski Brothers’s Matrix set, with the animation department testing out the Agent Smith multiplicity trick on Jack Sparrow going nuts? Why was he carrying that jar of dust in the last episode when it served no purpose?

After all that build-up towards the end of the second part when the pirate’s friends team up to bring Jack back, all we get is a anytime check-in/check-out Davy Jones Locker that can be accessed by winners of a primary school combination puzzle contest.

If people who die can come back alive anytime with no problems at all, why all that sword-fighting and double crossing?

And where’s all the fun gone, mate? But for one ‘That’s my peanut’ joke, the first half takes itself so seriously that I found myself dozing off, at least twice. Calypso? What? Is there a Chosen one too? Council of pirates?? What was that again? Was that welcome drink at the premiere laced? Was I drunk? Or was the second half going to feature Jedi knights fighting with light-sabers? And, why is Jack Sparrow swinging around so much like Spider-Man?

Or maybe it would’ve been more interesting to watch Karibbean Kallarai Theevu that would’ve opened with the mass execution scene where a little boy probably sang “Paapa Paadum Paatu” with the crowd of prisoners joining in the chorus as sidekicks run up to Beckett to give him the news, “Baas, avanga paatu paaduraanga” as Beckett replies: “Molam naa Adikiren.”

Or when the pirates pray to Calypso saying “Aatha, Suyaroopathey kaatu aathu” as Tia Dalma grows up like Gulliver… And No, I’m quite sure I wasn’t watching ‘Dude, Where’s My Car’. (Remember this scene in that whacko movie when a bystander father makes sure his son doesn’t get to see the giant woman’s panties?)

Okay, I reserve further comments until I watch it the second time on Sunday afternoon. I still find it difficult to believe the disaster it was, especially since the last half an hour was so good.

http://sudermovies.blogspot.com

Shrek The Third: Bring it on

June 1, 2007 · by sudhishkamath

Cast: Mike Myers, Cameron Diaz, Eddie Murphy, Antonio Banderas, Justin Timberlake, Julie Andrews, John Cleese, Rupert Everett
Directors: Chris Miller, Raman Hui
Genre: Animation/Adventure
Storyline: Shrek has to convince a reluctant high schooler to be King, after King Harold passes away.
Bottomline: A perfect hat-trick!

Not many movies make you want to be an animated character, just so that you could enter their world and be part of all the action. The Shrek franchise is now officially no more like a trip to the movies where a meaty plot is mandatory. It’s more like a party you go to catch up with old buddies. You end up having a good time anyway. You not only get to meet characters you have always liked, you meet some that you met last time around and some new admissions.

The anti-thesis to classic fairytale stereotypes, in its third installment, continues to be a celebration of the uncool. For the benefits of those who have never been to the party, this is the world where the ogre is the great guy and Prince Charming is actually the chap harming innocents.

A little similar to ‘Asterix and the Vikings’ plot-wise, Shrek 3, is about the journey Shrek (Mike Myers) makes along with Donkey (Eddie Murphy) and Puss in Boots (Antonio Banderas) to convince Artie (Justin Timberlake joins the voice-cast), the butt of all jokes in high school, to be the King of Far, Far Away after Fiona’s father King Harold passes away. If it was Sean Austin as the metrosexual Justforkix playing reluctant warrior in ‘Asterix…’ here it is Justin Timberlake as Artie who seems to under-prepared for his new role as King. The boy has a confidence problem.

So, to the cue of feel-good music (the film surely knows to take a dig at itself), Shrek delivers the “You-know-who-you-really-are, who-cares-what-people-think” speech that has now become a tradition of the franchise, just to remind you about the core values the films stand for.

With that formality done, Shrek sets out to do some good old fairytale hero-bashing with all help from the bra-burning brigade of Fiona, Cinderella, Sleeping Beauty, Snow White and Queen Lillian (doing a nice little Charlie’s Angels reprise), the underdogs Artie, Gingerbread Man and Pinocchio, and the regulars, Donkey and Puss in Boots.

To add to that motley, there’s the wizard Merlin who creates a little confusion between the rival “annoying talking animals,” the three little pigs, the big bad wolf, talking trees, blind mice, Mrs. Dragon Donkey and her kids (part Donkey, part dragon), Prince Charming, Rapunzel, sidekicks Captain Hook, Lancelot and Cyclops and a whole bunch of Artie’s high-school bullies and cheerleaders. Whoa!

In spite of this huge a cast, director Chris Miller (who had been a part of the story department of Shrek and had headed it in Shrek 2) seems to have no problem in harnessing the characters together with a clear-cut sense of purpose, as he mixes contemporary pop culture references with fairytale mythology to keep the punchlines coming in at regular intervals with an extended climax to accommodate everyone.

If the franchise continues getting bigger with every episode, with Shrek 4 announced and slated for 2010, we know what to expect. Less story. More fun.

Bring it on.

http://sudermovies.blogspot.com
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