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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For August 25th, 2007

The Host: GobbledlyGook Monster

August 25, 2007 · by sudhishkamath


The Host makes you miss Johnny Sokko

Cast: Kang-Ho Song, Hie-Bong Byeon, Hae-il Park, Du-Na Bae, Ah-Sung Ko
Director: Joon Ho Bong
Genre: Thriller
Storyline: Gobbledygook monster plays hide and seek in the sea before gobbling down the gooks.
Bottomline: Dubbed a disaster. Subtitles, please.

How you wish they hadn’t messed with the original and not dubbed this Korean visual effects masterpiece into English!

It is rather difficult to take this monster film seriously with the flippant, often distracting, dubbing. It’s almost like the dubbing artistes decided to have their bit of fun, taking digs at the film, the dialogue delivery sounding rather tongue-in-cheek.

Had it been subtitled and retained in Korean, ‘The Host’ (‘Gwoemul’ in Korean) would’ve been immensely watchable. In English, it sounds like a sequel to the Hong Kong-made madcap entertainer Kung Fu Hustle.

The story isn’t new to us Asians, especially to those of us who grew up watching Godzilla on the big screen or Johnny Sokko and his Flying Robot on the small. We’ve seen creatures of all shapes and sizes on a rampage; assorted monsters on a munch-fest umpteen number of times. So why should we warm to ‘The Host’ today when it sounds like a spoof on the Grindhouse cinema of the seventies?

One, it works as a throwback to a bygone era, a homage made richer by state-of-the-art visual effects. Two, there seems to be some sort of poetry to the visuals with director opting for silence and quietness to add drama to the horror usually represented by characters shrieking loudly and running away. Here, they stand rooted in fear, terrified to even scream. Sometimes, the narrative distances itself from the thick of action and strives for objectivity and realism, even at the risk of making the sequences appear ridiculous. Sample a bunch of tourists on a bus who are briefed by their guide about the Han River look out only to witness a giant reptile chase scores of people all around the bank. Within moments, we are back in the middle of the bloody chase where a helpless father clutches the hands of his daughter and flees, only to turn back and look he has got hold of the wrong girl. The music goes quiet again and we feel for the character in the middle of all that comedy.

That’s the kind of movie ‘The Host’ is. Funny, unpredictable, moody, spectacular, cheesy and poignant.

http://sudermovies.blogspot.com

Rush Hour 3: Same old traffic, different road

August 25, 2007 · by sudhishkamath

Cast: Jackie Chan, Chris Tucker, Noémie Lenoir
Director: Brett Ratner
Genre: Action
Storyline: Inspector Lee and Detective Carter go to Paris to take on the dangerous Chinese Triad.
Bottomline: Rush Hour is Rush Hour in any part of the world – only the ambience changes, the action is just the same.

The funniest part of Rush Hour 3 was the slide at the beginning that showed the local distributor’s corny title card that read more like an obituary ad, with the mug shot and all. If only the rest of the movie was as hilarious and not as cheesy.

What we get instead is another dose of the race stereotypes, borrowed jokes and stale situations, which you will only enjoy if you go with an open mind and an empty head.

It is surprising that Rush Hour 3, in spite of being helmed by Brett ‘Prison Break’ Ratner, who directed the first part, is in no hurry to get to the plot. This is assembly line cinema at its laziest.

The script for Rush Hour and its sequels were probably made up during a quick drive down an empty street: Two cops, an East-meets-West version of Lethal Weapon or Bad Boys, kick it (like the poster says) yet again, crack some jokes about each other’s race before showing off their respective talents – Chan with his gravity defying stunts with other Asian stuntmen/women and Tucker with his loud-mouthed black American stand-up act.

Hence, the only plot point that differentiates the third part from the first two is the location: Paris. The location dictates that the duo has to check out women at the cabaret, make friends with at least one French guy and hang out at the Eiffel Tower, literally, for the stunts.

Pretty predictable.

If you’ve seen Dude Where’s My Car and Austin Powers, you would’ve already got bored of the Mi/Me and Yu/You jokes. Else, you have something to laugh about.

So why would you want to watch this?

For Jackie Chan, of course. We love Jackie for the guy he is, for his never-say-die spirit and love for action.

Who wants a plot when you can see Jackie still kicking it, right?

http://sudermovies.blogspot.com

ECR: Chennai-Pondicherry

August 25, 2007 · by sudhishkamath

Click the pic to read stories behind those moments.

One day in the life of East Coast Road

I had been meaning to do this ever since I bought a cruiser after watching ‘Motorcycle Diaries.’ To hit the road and ride far away from the everyday mechanics of urban life.

So when a chance came by for this story, I jumped right on to the bike.

Just the previous week, I had postponed a road trip with a friend because my bike was due was service. I still hadn’t fixed the chain noise that was bothering me. But hey! What’s a road trip without any real adventure?

The fact that I had never done 300 kilometres by bike in a day (to Pondicherry and back) only added to the excitement.

The East Coast Road had earned the reputation of being one of the deadliest roads in the State with high accident rates year after year, after being developed as a more scenic alternative route to Mahabalipuram in the late-nineties.

On December 22, 2000, the Tamil Nadu Government and Tamil Nadu Road Development Company (TNRDC) signed up for the improvement of 113.2 km of ECR from Kudimiyandithoppu near Chennai to Koonimedu on the outskirts of Pondicherry, entrusting the task to TNRDC on a long-term basis.

Thanks to a friend who had once worked with TNRDC, I knew a little about the challenges faced by the authorities in maintaining that stretch.

I set out from Anna Nagar at five a.m., picked up Darshan, a friend who’s always game for adventure, from T.Nagar. By 5.45 a.m., we were already cruising down the I.T. corridor, the quickest access route to Thiruvanmiyur – where ECR begins.

The good thing about taking a bike down that road is that you don’t need to shell out the toll fee at the plaza (the ECR scenic beachway route begins a kilometer before the toll gate) that monitors (with surveillance cameras) every car that passes that way.

The East Coast Road, last year, recorded an average traffic of about 10,830 passenger car units every day. According to my insider friend, the volume of traffic has been growing by about 20 per cent every year.

The scenic part of the ride actually begins only a few kilometres after Mayajaal, a little before Muttukadu as casuarina groves hide the sea from the road, showing us occasional glimpses of virgin beaches – only that there is no visible access route to the stretch but through the paper-plate infested groves with boards that warn you of thieves in the area.

The backwaters at Muttukadu reflecting the early morning hues in the sky made for a perfect canvas. We had plenty of photo opportunities every few kilometres thereon.

The bevy of dancers at a local temple festival en route to Mahabs were only too happy to pose for Darshan, as the drummer got into a head-banging trance, encouraged by the presence of the camera.

After a quick meal at Mamalla Bhavan at seven a.m., we clicked a few more pictures at the rock carvings at Mahabalipuram, lured by the sight of goats lending the sculptures a touch of modern art as they scattered themselves strategically all around the caves, striking poses for the camera.

Intrigued by the sight of the number of saffron-clad travellers we had noticed in the course of the last 20 kilometres, we stopped to enquire. Sathish Kumar, part of the faculty at Jeppiar Engineering College, said that he along with his mates Vadivel and Karthikeyan were on their pilgrimage by foot to Velankanni. “We started on Sunday evening. We will reach only on the 27th,” said Sathish.

The traffic had increased since Mahabalipuram and we realised that the best time to hit the road was early morning. There were many buses and share autos hogging road space during the day. Besides, riding in the night is dangerous given that it is near impossible to spot a restless animal darting across the road. Besides, what if the bike broke down?

The only time the bike made that annoying chain noise was when I slowed down and changed to first gear. Maybe I shouldn’t stop too often, I decided, to ensure we weren’t stranded in the middle of nowhere – especially now, that we were halfway between Mahabalipuram and Marakkanam, the town closest to Pondicherry.

That’s when Darshan pointed out to the TNRDC Helpline posts that we had seen every few kilometres all along. He got down to study how they worked, just in case we needed help. The instructions were pretty simple. All you had to do was press the button three times and speak into box.

With just another 50 kilometres to go before Pondicherry and not all that tired, we decided to find out more about the ruins of the Alambarai Fort and backwaters, about five kilometres off ECR.

It was only on those bumpy roads that we realised what a smooth journey it had been till then.
A brief stopover later, we were back on ECR. The Highway Patrol cars shuttle between the toll-gates outside Chennai and Pondicherry throughout the day and it is rather safe road to drive. Closer to sunset, the traffic peaks with people trying to get home before dark. ECR is a beautiful sight in the night indeed with the glowing neon road markings with thermoplastic reflective paints and cats eye delineators. But it’s the stray animals that could kill with their surprise entry.

Once we got to Pondicherry incident-free, we decided to spend the day there and head back early in the morning. With the rains unleashing their fury on the roads late in the evening, we were glad we were indoors.

But as luck would have it, it rained all night. The roads were wet, a light drizzle accompanied us till Mahabalipuram in the morning. But then, we had asked for adventure, right?

Post Script:
The same night I got back, I hit the road again to head to my office. Ten metres later, the bike chain slipped. Took me a while to fix it and 100 metres later, it slipped again. It was close to midnight and I had no option but to ride at 10 km per hour to get to work and sign in before 1 a.m. I asked for this, didn’t I? I’m glad I got away riding at that speed for 10 kms when it could’ve been worse.

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