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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For September 14th, 2007

Dhamaal: It’s a mad mad mad remake!

September 14, 2007 · by sudhishkamath

Genre: Comedy
Director: Indra Kumar
Cast: Arshad Warsi, Riteish Deshmukh, Javed Jaffery, Sanjay Dutt
Storyline: Four friends and a cop in a Rat Race of a Road Trip to find money buried under the big W.
Bottomline: It’s a mad mad mad mad retake

Dhamaal is one of those movies you so want to hate, right from the minute you hear of the plot of the big W – stolen from ‘It’s a mad mad mad mad world’ with a formulaic line-up of Hindi Cinema’s funny men and plenty of recycled PJs (Phaltu Jokes) and sequences lifted straight out of Road Trip and Rat Race.

Yet, somehow, it all strangely works – at least in the first half of the film. And that’s a good enough reason to watch the film. Ninety minutes of entertainment.

Put off completely by Adnan’s Sami’s dated ‘slipping-on-a-banana-peel’ score – a set of stock comic instrumental cues from the low budget comedies of the seventies, I braced myself for a torturous two and a half hours.

Instead, I found myself laughing at the stupidest of jokes, the lamest and the oldest of them, in spite of the silly score and the stereotyped characterisation of four jobless losers unable to afford rent.

That’s what good actors can do. Arshad, Riteish, Javed, Aashish, Sanjay Dutt, Asrani, Tiku Talsania have probably done these roles many times before but with brilliant comic timing and delivery, they make the stalest of jokes refreshing.

There’s this bit in the early portions when a dying criminal (a hilarious Prem Chopra) kicks the bucket, quite literally. That’s the point you completely surrender to the madness, put your brain on pause mode and decide to smile, forgiving the unapologetic, irreverent lack of originality. The means justify the ends. Entertainment.

The second half tumbles downhill as the friends split up providing you a few laughs along the way, nevertheless.

But by then, your brain’s gone numb to the insanity and you just decide to recover cost of tickets by way of jokes that come your way.

‘Dhamaal’s a mast-watch, goes perfectly well with pop-corn and cheese balls.

http://sudermovies.blogspot.com

Darling: Another grave mistake!

September 14, 2007 · by sudhishkamath

Genre: Thriller
Director: Ram Gopal Varma
Cast: Fardeen Khan, Esha Deol, Isha Koppikar
Storyline: When married man Fardeen accidentally kills his pregnant secretary after an affair, she comes back to haunt him
Bottomline: Blink. It’ll be gone.

When Darling wants to seduce her boss, he warns her “Log Dekh Rahe Hai.” And she asks him to close his eyes so that he can’t see them.

Ram Gopal Varma doesn’t need to worry about the first part. People aren’t watching. Darling is certainly not a word they would want to associate with him. Not after ‘Aag.’

Take a cue from the film and close your eyes. It’ll go away in no time.

The good bit first.

Darling is way better than ‘Aag’ because it does not have decent raw material to begin with. The horror show includes a fat chap hero with a butt-shaped chin, one heroine who looks like a man trapped inside a female’s body and another that looks like woman in a man’s.

No prizes for guessing who’s who. And hey, none of them can act to save their life or Varma’s. Which is what adds a spark of comedy to this grave spooky tale.

In spite of this flush-worthy line-up, Ram Gopal Varma does manage to keep things engaging, thanks to some seriously haunting cinematography in the first half. The bits before the ghost arrives, when all you see are the bhooth’s point of view remind you of the director’s class in setting up the stage for the film to take off.

Smartly crafted because that segment focuses on the psychological after-effects of a man guilty of causing his secretary’s death. This would’ve worked with a better actor. But Fardeen can’t manage close-ups for he does not understand underplaying. He’s Bollywood’s fat answer to Keanu Reeves.

Once the ghost makes an entry, even the cinematography can’t save the film. So what does he do for pay off? Realising he can only do so much with bad actors, he turns the second half into a comedy packing it with laughs. Some you laugh with, many you laugh at.

Like his recent films, Darling at least in a couple of scenes, flickers with the promise of a debutant director with potential.

What’s scary is that Varma has become the ghost of a filmmaker he once was. Sometimes there in the film, sometimes gone.

http://sudermovies.blogspot.com
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