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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For March 27th, 2008

Race: Twists in the stale

March 27, 2008 · by sudhishkamath

Genre: Action
Director: Abbas-Mustan
Cast: Saif Ali Khan, Anil Kapoor, Akshaye Khanna, Bipasha Basu, Katrina Kaif, Sameera Reddy
Storyline: Two brothers try to outsmart each other
Bottomline: Run!

Curiosity, they say and it did, killed those who went for Race wondering how bad can it really get.

The power of good looking people can never be under-estimated.

Come on, with a cast like Katrina, Bipasha and Sameera, all for the price of a ticket, which guy would want to miss out on the drool fest. Or which girl would give a Saif Ali Khan film a pass?

Dhoom, Cash and now Race are all from the same stable – the pin-up movies where the idea is just to let these good looking people wear awesome clothes and later find excuses to get them to take it off. First let them jump into bed with one, and then mix and match, and invent reasons for them to swap partners. And hey, you get the storyline for Race.

It couldn’t have been written any other way. About 80 per cent of it was shot on the basis of who was available for shoot. Here are excerpts from the production notes.

Schedule 1:
Actors available: Saif Ali Khan, Akshaye Khanna, Bipasha Basu, Katrina Kaif.
There’s a delay in Abbas-Mustan arriving at the set and Bipasha who came first is getting restless. The spot boy calls Abbas Bhai.
Abbas: Shoot something with her. We are there in four hours.
Spotboy: But what do we shoot?
Mustan: Ask her to walk up and down the ramp. Tell her she’s playing a model. Tell the costume designer to give her shortest possible skirts.
Bipasha is thrilled.
By lunch, the director-duo arrives.
Saif: You are late. You haven’t told us what the script is yet. Half a day of our commitment is already over.
Akshaye: Saif and me are cool, we don’t have hang-ups. We’re like brothers but we still need to know what role we’re playing.
Abbas: Very good. You’re brothers in the film.
Mustan: You love each other very much.
Abbas: So much that you are willing to donate your girlfriend Bipasha to your younger brother.
Saif: What will I do if I donate Bipasha?
Mustan: You have Katrina, your secretary.
Akshaye and Saif both shake hands. What a brilliant start.

Schedule 2:
Actors available: Akshaye, Bipasha
Saif had to go out with Kareena. Akshaye waiting at the set, has had a few rounds after getting increasingly frustrated with the work ethic.
Akshaye: Hic! How are we supposed to shoot without my brother?
Abbas: We don’t need Saif today. It’s about how you plot against your brother.
Akshaye: But yesterday, you said we love each other.
Mustan: But he’s not your real brother. He’s soutela. He has all property. All you have is a bottle.
Abbas: Start shoot. Just keep drinking. Roll Camera.

Around lunch, Saif walks in.
Saif: What’s going on, you started shoot without me?
Mustan: Your brother’s an alcoholic and you just walk in and find out.

Schedule 3:
Actors available: Saif, Bipasha
Akshaye couldn’t make it because he was shooting for another film.
Knowing the directors are capable of shooting without him, Saif confronts them.
Saif: I want to know what is the script. What is my role.
Abbas: Yes, you just found out your brother is plotting against you.
Mustan: So you shift from Bipasha to Katrina. Let’s shoot song.

Schedule 4:
Actors available: Akshaye, Katrina.
Bipasha is tired of being overworked and decides to spend quality time with John. Akshaye reports to shoot to find only Katrina.
Akshaye: But isn’t Bipasha my girl?
Abbas: But your brother found out about you and Bipasha plotting.
Mustan: So we are going to pair you up with Katrina. Shoot song.
Akshaye: Great, I get both the women.
Akshaye couldn’t have been more happier.

Schedule 5:
Bipasha and Saif show up demanding an explanation for this betrayal.
Bipasha: Fuckers, Katrina is getting more songs than me. What am I doing in the film?
Abbas: Well, she has only songs, you have scenes.
Saif: Sorry I got wet in the rain, I don’t have the continuity costume.
Mustan: It’s okay, we are going to shoot a rain scene today.
Abbas: A hot lovemaking scene with the horses.
Bipasha: Cool, what should I do?
Mustan: You bite him and do your Jism thing all over again… It’s your movie.

Schedule 6:
Katrina: I’m walking out of this movie. I thought I had equal role and I am getting only songs?
So Abbas Mustan come up with a new plan.
Abbas: Change location. Insert flashback. We are going to say you and Saif got married in Cape Town.
Mustan: Tomorrow, we leave for Cape Town.
Katrina: So I get the guy??
Mustan: Which guy?
Katrina: Saif.
Mustan: Of course.
Katrina: But we shot a song with me and Akshaye.
Abbas: We will figure that out, don’t worry.

Schedule 7:
Akshaye and Saif finally make it to the same schedule.
Saif: What’s the scene?
Abbas: The same scene from Baazigar, you are talking when one of you pushes the other.
Bipasha walks in.
Bipasha: So what do I do?
Mustan: You push Saif. Because you plotted against Saif with Akshaye.
Saif: So I die in the movie?
Abbas: Arrey, it’s only interval, we’ll bring you back.
Akshaye: I don’t understand what’s going on. I’m just going to drink some more and watch yesterday’s rushes.
As he’s sitting and watching rushes of Saif-Bipasha lovemaking scene.
Akshaye: What has the world come to. My brother doing my wife.
Abbas-Mustan hear this.
Abbas: What a brilliant line. We have to use this in the movie.
Mustan: Audience will clap.
Akshaye: As long as you know what’s going on.

And just as they sat to tie up all the loose ends, the producer tells them Anil Kapoor and Sameera have given dates for the film too.

Schedule 8:
Anil Kapoor walks in with his breakfast basket from the hotel with Sameera.
Abbas: This is brilliant. Like Karamchand. You keep eating fruits through out the movie.
Mustan: You solve this mystery.
Sameera: And what do I do?
Abbas: You are going to play someone who does not understand what’s happening and keep asking silly questions.
Anil Kapoor: If you don’t mind Sameera, hold my banana, I have to take a leak.
Mustan: Wah! Kya dialogue hai Sir. Roll Camera.

After eight schedules of shoot, Abbas-Mustan went back to the table and sat with the Editor and cinematographer and brainstormed for the next 30 minutes on what are the other scenes they needed to shoot.

Race was written in that 30 minutes.

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