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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For May 11th, 2008

Bhoothnath: When the ghost became a dost

May 11, 2008 · by sudhishkamath

Genre: Fantasy
Director: Vivek Sharma
Cast: Amitabh Bachchan, Aman Siddiqui, Juhi Chawla, Shah Rukh Khan
Storyline: Boy befriends ghost and they learn a thing or two from each other.
Bottomline: A delightful start to a kiddie-movie franchise

Dear kids who grew up on Jaadoo – the alien,

Of course, you need re-orientation.

After all, you possibly can’t tell your kids the ‘When-we-were-little’ story with ‘Koi Mil Gaya’ in it without having them laugh at you at the end of that sentence.

If ‘Koi Mil Gaya’ was a life sentence, ‘Krissh’ was death.

So quick, thank God, the B.R.Chopra clan and Vivek Sharma for giving us ‘Bhoothnath,’ the only decent mainstream attempt at fantasy fare for kids from Bollywood in recent times.

Here’s a ghost who does not have to use his superpowers to fight evil Mogambos and save the world.
Hell, he does not even use it to help the kid cheat in sports.

And though there are plenty of visual effects in the film, thankfully there is no abuse of computer-generated animation as Sharma keeps it effectively brief and uses effects only when extremely necessary.
Vivek Sharma’s Bhoothnath, the friendly ghost, is the kind your parents would approve of because he says exactly the same things they would want to tell you… And, he also happens to be the kind kids like you would love because he is like you.

The cool thing about Bhoothnath is that the ghost with superpowers is not a superhero. One moment, he’s as flawed and mischievous as the boy and the next, he’s the loving, caring, grandfather-figure who helps him understand right from wrong.

This is the kind of stuff that could’ve become outright preachy but thanks to Sharma’s maturity and sensitivity in handling the narrative, the film works beautifully well with the right dose of mischief and moral instructions.

Grown-ups are likely to groan at the melodrama towards the end but if you are a child and/or a sucker for sentiment, you will love the way Sharma employs drama to touch upon lessons of unconditional forgiveness, understanding the place you call home and what it stands for.

Traditionally, the young have always most connected to the old, sharing an impulse and innocence they completely relate to each other. With nuclear families becoming the norm in recent times, the link between generations seems to have broken and kids are growing up lonelier than ever before.

Here’s a film that once again builds that bridge and celebrates the old-world charm.

Bhoothnath has everything going for it as a franchise for sugarcoated moral science for kids.

Aman Siddiqui is a natural, immensely likeable (Admittedly, I find 95 per cent of all child actors annoying). Bachchan churns out one of his best ever, one that will haunt. Even the support cast of comic characters is incredibly memorable… a drunk (Rajpal Yadav) who’s often the target of Bhoothnath’s pranks, a best friend-rival for the kid, a Principal (Satish Shah) who steals lunch from the kids, an adorable Mommy (Juhi Chawla makes a super comeback) who makes cooking look like a workout and there’s Shah Rukh Khan in an extended cameo.

Can’t wait for Bhoothnath and Co to come back and remind us what ‘Jaadoo’ really used to mean before Hrithik Roshan happened.

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