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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For June 13th, 2008

Dasavatharam: Say Cheese

June 13, 2008 · by sudhishkamath

I’ll review the film after a second watch because I missed the first few minutes tonight. But here are a few thoughts:

Dasavatharam is the most entertaining B-movie made in recent times with a classy, intelligent subtext for those who care. I couldn’t help wonder if such an intelligent script needed to be made with a spelling-it-out-for-the-mass sort of sensibility. But then, budgets dictate sensibility, I guess. He hasn’t made this for the Oscars. He made it for Aascar Ravichandran who needs lakhs of people to watch the film to recover the crores he spent.

With not a single dull moment, Kamal Hassan’s screenplay moves at breakneck speed, with some of the best action scenes we’ve seen in Indian cinema. It is extra-ordinary effort as Kamal Haasan brings alive every single of the ten characters from under all that prosthetic make-up.

The accents may be a little unsettling and difficult to follow if you’re watching it in Rohini complex and it is tough to keep up with the Tamil subtitles… but the man’s face speaks volumes.

The film plays out through a series of adventures and like any good chase movie, the story is told and the conflicts unfold while the characters are on the run… with each character representing a type. There’s Govind Ramasamy who is a man of science while Andal (Asin) is the face of faith. Then, there’s the peace-loving Afghani, a daft American President, an old school Jap who could’ve been a Samurai, an ex-CIA agent who’s a meticulous killing machine, a contrastingly tame RAW agent, an entertaining Sardar, a senile Paati, a dark-skinned son of the soil and the Vaishnavite priest. Through these types, science meets religion, biological warfare meets martial arts, action meets comedy, conspiracy meets destiny and good meets evil… all seamlessly and at a scale that will make Indian cinema proud.

Most of the parallel-running narratives are tied up quite neatly towards the end while some are just tied up conveniently for the sake of the statement – that everything happens for a reason.

Yes, it’s a little cheesy but that’s the way we like it, don’t we?

Watch it with a bag of NaCl, minus all that hype and you are sure to have one hell of a ride. Get yourself a darshan of the demi-god’s dashavatar, at the price of a movie ticket.

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