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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For June 29th, 2008

21: Chemistry works better than math

June 29, 2008 · by sudhishkamath

Genre: Thriller
Director: Robert Luketic
Cast: Jim Sturgess, Kate Bosworth, Kevin Spacey, Laurence Fishburne
Storyline: A bunch of kids from MIT are trained by their math professor to count cards (cheat systematically) and make millions in Vegas casinos.
Bottomline: Worth the gamble even if you don’t know the game

If you know how Blackjack is played, you are in to learn a few cool ways to cheat, applying a little mathematics.

Unlike the casino heists that Danny Ocean and Co would pull off, this one is more believable because Robert Luketic’s 21 is inspired from ‘Bringing down the house,’ the bestseller that documented real life stories of students who made millions employing math-based techniques.

Here, a phenomenally talented geeky good-looker Ben Campbell (Jim Sturgess) needs $3,00,000 to pay for his medical school fees at Harvard, especially since he only has a long shot at the scholarship reserved for the one student who can jump out of the page and dazzle the jury. Heading a team of nerds who are building a car that can drive by itself isn’t going to cut it. Nor is a promotion that pays eight dollars per hour.

Prof. Micky Rosa (Kevin Spacey) finds the young man to have the perfect temperament for cheating at Blackjack and makes him join the team that usually scores at the casinos at Vegas.

But what gets the movie really going, in the middle of all that inspired con, is the sexual tension and volatile chemistry between Jim Sturgess (Jude from Across The Universe) and the incredible attractive Kate Bosworth, who plays that girl every guy in college wants to date and one of the team-members.

21 hardly deviates from the regular campus movie formula. There are socially ill-equipped geeks and there is the circle of ‘cool,’ the hero of the story jumps camp and gets the girl, becomes so cool that he forgets his fat beer buddies until life reminds him all about friends, love and who he really is… Yet, to director Robert Luketic’s credit, it feels like a hardcore heist flick – the music, cinematography and editing constantly providing the tension and a sense of adventure.

With the veteran Kevin Spacey and the menacing Lawrence Fishburne around to intimidate them, you know the kids are only puppets and thankfully, the film at no point tries to make the pros look like fools. So even if you don’t understand how Blackjack is played, you still have a lot to character equations to keep you hooked.

In the end, though it is quite entertaining, you are left wondering what 21 could’ve been had this material been given to the guys who made Knocked Up or Superbad.

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