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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For July 4th, 2008

The Incredible Hulk: Cut and Cheated

July 4, 2008 · by sudhishkamath

Genre: Action
Director: Louis Leterrier
Cast: Edward Norton, Liv Tyler, Tim Roth, William Hurt
Storyline: Nearly six months after the ‘incident,’ Bruce is traced to Brazil and the Hulk is wanted dead by the military.
Bottomline: Credible. Incredible. Marvel-ous. Except fraudulently edited by local distributors.

If you’re watching this film in Chennai or Tamil Nadu, you are likely to go green. Angry.

The conmen distributing The Incredible Hulk in this part of the world, Thennandal Films, have chopped down 20 per cent of the 114-minute PG-13 Marvel Studios film. The distributor’s cut is not just stupidly tasteless, it is so random and merciless about dialogue portions that whoever chopped this film down for the distributor needs a kick in the behind from The Hulk himself.

Anyone interested in taking the distributors to court have a willing witness here.

After all, you paid to watch the entire film that Louis Leterrier made for Marvel Studios, not to watch 25 minutes less. Also, Marvel did not make ‘Hulk Part 2,’ as this film is being falsely advertised.

Thenandal Films may not know this but Hulk fans are still quite angry about Ang Lee’s take on the superhero, so passing off a reboot to the franchise as a sequel is not just legally and factually wrong, it is also blasphemous.

We are not sure if the distributors are literate enough to understand because if they were, they wouldn’t brutally cut down a much-awaited superhero film to save Rs.10,000 per print. When you’ve paid 120 bucks, you deserve the full movie. Rental libraries give it for much lesser. The internet gives it for free.

All cinema halls screening the clipped down 90-minute version are party to fraud.

The Incredible Hulk emerges out of the shadows after a nice teasing little build-up with an elaborate long chase across the rooftops and bylanes of Brazil early on in the film, unlike the 2003 version where The Hulk made an appearance 45 minutes later.

Though it maybe unfair to review a film that has been so badly mutilated by the incompetent annachis, one thing we can say about the reboot is that the heart-pounding action sequences will make that destructively childish devil in you grin with glee.

With the intense Edward Norton as Bruce, the gorgeously sensuous Liv Tyler (Marvel seems to have a thing for drenching their superhero girlfriends in transparent clothing in rain) as Betty Ross, an ever reliable William Hurt (as Gen. Ross) and the adequately irritating Tim Roth (Blonsky), the casting seems quite interesting but without having seen 25-minutes of the talking portions of the film, it is difficult to compare it with the complexity that Ang Lee brought to the troubled comic book hero.

The spectacular visual effects in the climax where Hulk takes on Abomination ought to be seen on the big screen.

It won’t be too much fun on DVD. Which is why it is all the more important for the distributors to be honest and give us the whole film on the big screen.

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