• SUDA MING’S CHANNEL
  • TALKING FILMS
  • Good Night | Good Morning
  • My Talk Show
  • PROFILE

MADRAS INK.

Menu

  • Archives
  • Columns
  • Diary
  • Interviews
  • My Films
  • Reviews
  • Good Night | Good Morning

  • Word thru the bird

    Tweets by SudhishKamath
  • Connect with GNGM

    Connect with GNGM
  • About GNGM

    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

  • Browse: Categories

  • July 2008
    M T W T F S S
     123456
    78910111213
    14151617181920
    21222324252627
    28293031  
    « Jun   Aug »
  • Recent Posts

    • Simmba: A departure from the formula
    • Zero: The hero who wasn’t
    • Protected: AndhaDhun: What did that end mean?
    • Love and other cliches
    • October: Where is Dan?

Archive For July 29th, 2008

The Dark Knight: Don’t bat an eyelid!

July 29, 2008 · by sudhishkamath

Genre: Action
Director: Christopher Nolan
Cast: Christian Bale, Heath Ledger, Aaron Eckhart, Michael Caine, Morgan Freeman
Storyline: Batman wants to retire but Joker wants him to play with
Bottomline: The best superhero movie ever

Heath Ledger probably didn’t care too much about death.

Maybe because he knew he was going to be immortalised as one of the best onscreen villains of all time. Maybe he also knew that the world, at some subconscious level, loved and related to Joker more than Batman.

Because, like Joker observes: “Insanity is a lot like gravity. All it needs is a little… push.” At some level, Joker as “the agent of chaos” is the alter-ego of the common man stifled by the system.

What makes Christopher Nolan and Heath Ledger’s Joker so scary is that they make you realise that this psychopath actually resides in that darkest corner of your heart. Never has a comic book character become someone so real that it could easily be YOU… if put in a situation and asked to make a difficult choice: Like the people of Gotham are asked to, towards the end.

Sacrificing the back-story of Joker’s origin was probably just what Nolan needed to make Joker that enigmatic villain who people, including Batman himself, do not fully understand.

The Dark Knight is Joker’s movie all the way (watch the cinema hall erupt with applause for every single punch line) and Batman just happens to be in it just to remind us that someone’s got to clean up the streets (Batman gets his due too and earns the applause as a matter of right, taking on an adversary as clever and dangerous as the Joker).

Christopher Nolan makes Tim Burton’s 1989 ‘Batman’ (arguably the best Batman film before Nolan took his shot) look like child’s play. Why does Burton’s version seem so amateur now? It was awesome when we watched it as kids. Heath Ledger makes Jack Nicholson’s Joker look like a circus clown. Also, Bale’s certainly a better Batman than Keaton for his ability to play Batman as well as he plays Bruce Wayne.

Here’s why ‘The Dark Knight’ may be the best superhero movie ever.

To begin with, the near-flawless ensemble cast – Apart from the phenomenally talented Heath Ledger and the charming Bale, there’s Michael Caine, Morgan Freeman, Maggie Gyllenhaal (replacing Katie Holmes), Aaron Eckhart (Harvey Dent) with author-backed roles.

Second, though it derives its characters from comics with two-dimensional depth and simplified differentiation of good and evil, Christopher and his brother Jonathan Nolan have fleshed out these characters to an extent that none of them are monotone. They are all complex characters with relatable issues – the superhero just wants to retire and spend time with the girl he loves, the girl herself may just move on with her life, the psychopath does not want to be the only freak in town, the honest guy is unable to deal with the price he’s had to pay to be good (a nice contrast between Harvey Dent and Gordon when people they love are in trouble) and even the loyalists do not approve of all things the superhero does.

Third, the man who was consumed by the dark side of Joker. Heath Ledger plays the role of his lifetime. If Nicholson’s Joker was all cheese, Heath’s is chalk (yeah, we’re talking about the minimalist make-up too). At no point do you see Heath, it’s always Joker. Apparently, Heath improvised quite a bit (especially the part where he starts clapping sarcastically in jail) and absolutely seems to relish the part with his drawling dialogue delivery, smacking his lips at his shot at immortality. He’s lived the role, keeping Joker larger than life yet believably relatable. This is something that could’ve easily gone so over the top, the Nicholson way.

Four, the mix between dialogue and action choreography. There’s enough in there for hardcore action buffs and also plenty for those who like their movies layered and deep. It’s not sitting pretty right on top of IMDB’s top 250 (with a 9.5 rating with over a lakh votes) for nothing.

In the coming months, it would be interesting to see how it fares with The Godfather considered to be the best movie of all time (currently at No.2 with a 9.1 rating with almost three lakh votes).

We could go on talking about it but we need a book. Go watch it, again and again and again.

  • Create a free website or blog at WordPress.com.
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Subscribe Subscribed
    • MADRAS INK.
    • Join 483 other subscribers
    • Already have a WordPress.com account? Log in now.
    • MADRAS INK.
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar