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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For September 6th, 2008

Rock On: Totally Rockin’

September 6, 2008 · by sudhishkamath

Genre: Musical
Director: Abhishek Kapoor
Cast: Farhan Akhtar, Arjun Rampal, Purab Kohli, Luke Kenny, Prachi Desai, Koel Puri
Storyline: Four friends who are part of a rock band called Magik fall apart until one day, ten years later, life offers them a second chance.
Bottomline: A rock-version of Dil Chahta Hai-meets-Jhankaar Beats in an incredibly solid ensemble film.

Rock on is predictable from start to the supers in the end that will tell us what happened to each of the band members and is certainly not the film you ought to watch after the spoof ‘Walk Hard: The Dewey Cox Story.’

Because, Rock On has every single element synonymous with the sub-genre of rock-movies – a band that has fallen apart must get together to redeem itself.

But it’s not the What that matters in a movie like Rock On, it’s the How.

And How it works!

Gloriously at that, hitting the right notes with the restraint and understatement, a sensibility we are now attuned to expect from the Farhan Akhtar brand of cinema. Director Abhishek Kapoor is completely in control, backed by Farhan Akhtar’s effectively incisive dialogues that take us right into the mind of the characters, not to forget the powerhouse performances from the entire ensemble.

The film does get indulgently slow down towards in the middle when it delves into what went wrong with the band, but by then you’re already in love with the mood and the feel of Rock On. Cinematographer Jason West, take a bow.

With the classic golden sephia tones and the saturated colours created in a sea of swaying arms, the flashbacks feel like a Woodstock documentary set in Mumbai.

You can completely relate to the boys, their dilemmas and where the conflict stems from, through the nuances and body language of the characters, with the filmmaker rarely ever resorting to theatrics, melodrama or cinematic exaggeration.

Rock On is a nostalgic ode to an era when rock musicians could be spotted with their long hair. Yes, they did smoke up, they had their groupies but that wasn’t all they did.

It maybe a little unfair to compare this with Cameron Crowe’s ‘Almost Famous’ that went behind the scenes and deep into the minds of pig-headed power-drunk rockstars because rockstars in India are anything but that.

Because Rock On is the definitive film on the state of Indian rock. Rockstars in India are small-time survivors, consumed by the angst of their struggle against odds, playing for what they believe in and bound together by friendship and music, more than anything else. And Rock On is spot on when it comes to exploring these issues.

Shankar Ehsaan Loy’s music is the backbone of this film. The songs work ‘Magik’ when you watch them within the film, grow on you and may just convince you pick up a CD. It’s raw, fresh and full of life. And once you’ve seen the movie, it will also trigger memories of the film.

There is so much to rave about Farhan Akhtar’s performance. He’s emerged out to be one of India’s finest actors in the film, brooding with aggressive intensity, employing his voice modulation to bring out the anguish, compared to a superbly restrained Arjun Rampal who lets his eyes do all the talking with his mellowed down angst-ridden countenance. Purab Kohli is delightfully charming and fun and is almost solely responsible for the laughs in the film while Luke Kenny underplays the level-headed, strong-minded introvert with great panache. The women in the film Prachi Desai, Koel Puri and especially Sahana Goswami are solid in their support roles.

Even the most predictable scenes are delivered with utmost sincerity and the sync sound breathes so much life into even the most used plot devices.

Unfortunately though this multiplex film has limited urban appeal and one can only wish that it stays long enough to get the audience it deserves.

Book your ticket now and Rock On.

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