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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For September 29th, 2008

One helluva trip!

September 29, 2008 · by sudhishkamath

I really don’t know where to start.

This post is just for all of you who have been asking me to blog about the trip. With seven travel stories planned, I don’t want to type the whole thing here. But it’s a trip I will cherish for a lifetime for the following reasons:

1. Did Chennai-Frankfurt-Los Angeles (Read: Sunset Blvd, Hollywood, ABC Studios – the home of Lost, Disneyland, Kodak Theatre)-New York (Did two Broadway musicals including Lion King back to back, thanks to Disney)-Pittsburgh (visiting my best friend Murugan)-New York (again for sightseeing, pub-hopping, thanks to Gita and Sheetal)-Frankfurt-Ibiza (Yes, to see the best sunrise in the world)-Paris (should I even say more?)-Amsterdam (Heard of The Flying Pig?)-cut to one missed train to Frankfurt and back to Chennai – all in 19 days! The first leg of the tour was official, on invitation from the Disney Group to get a taste of the Disney Difference first hand and everything from Pittsburgh was part of my personal holiday.

2. Got a Dharma Initiative tattoo done in Pittsburgh. Of course, it hurt like hell but thanks to Murugan and Roshni for having cameras around so that I couldn’t chicken out or show any signs of pain… 🙂 All my fellow Lost fans will be proud of me. I surprised myself because I never thought I would be the kind to pay to get my skin scalded. I guess I was super kicked after meeting Barry Jossen who was nominated for an Emmy for the Lost mobisodes along with the creators Lindeloff and Cuse. And also extra thanks to Murugan and Roshni for taking me for Burn After Reading on the day of the release. Too bad it was a little disappointing though Brad Pitt turned in an awesome extended cameo and Clooney rocked. But come on guys, this is a film the Coens couldve written in their sleep… An assembly-line Coen Brothers film that smacks of Deja Vu every other scene.

3. Sat on the monster rollercoaster California Screamin. Twice (since I held on to railing the first time thinking it is mandatory for security reasons… the second time around was great fun cuz it felt like a free fall) And did every single ride meant for grown ups at Disneyland including the Pirates ride, the Indiana Jones ride, the Finding Nemo submarine ride, the Maliboomer rocket ride that takes you up 1000 ft and drops down half the distance, the Space Mountain ride, the Jungle Cruise and the some kiddy rides too.

4. Smoked half a joint of hash in Amsterdam. Hated it!! Left a bad taste in my mouth and a hole in my pocket. Not literally. Just shopped for some 250 euros in the next half hour buying clothes with no clue about sizes… Instead of me having to choose the clothes… if I buy enough, friends can always choose what they want right? Had to buy a suitcase to put it in and then missed my train because the train left 40 minutes earlier than the time on my ticket because the Germans suck at building reservation systems. Took five trains in the middle of the night to get to Frankfurt to catch my flight back to India.

5. Saw one of the greatest sunsets in the world in Ibiza with 5000 to 10,000 other people (floating population) along the coast standing by Cafe Del Mar (no place to stand, let alone sit). People actually applauded after the sunset. I could see why it is the world’s biggest party island but I hated drunk Brits pissing in the middle of the street like they owned the place. Also, got conned by Torres Hostal on arrival around midnight (Famous words: “Yes you have a reservation with us. But we don’t have a room for you”) and found decent and much better accomodation next street in Cervantes.

6. Walked all around Paris by day and did the pub crawl at night, partied till 2.30 a.m and had a tough time getting a taxi back to the hostel. Mark Benzer, if you’re reading this… This is your wingman wishing you all the best for the rest of your tour! That was fun, brother!

7. Found out why New York City is everybody’s favourite city in the world. I had a blast there. Did the hop on hop off tour along with the cruise by Statue of Liberty, walked the Brooklyn Bridge and got a great view of the skyline and got a taste of the night life there, thanks to Gita. Times Square was all electric energy and when over a hundred Harley Davidson bikers rode on for a promotional rally, I just loved the city a little more. NYC was great except for an Indian cabbie who decided to give our race a bad name. When I asked him why he didn’t put the meter, he earnestly tells me (as the Vacant sign flashes at me): “They’ve introduced a new system, you just have to key in the zip code and it tells you the fare.” Manjeet Singh, shame on you for swiping my card and helping yourself to an unauthorised 25 per cent tip. Yes, I was conned by a Sardar! Okay, no more Sardar jokes from me!

8. Finally set foot into Hollywood as a journalist.  I could see the Kodak Theatre from my studio suite in Renaissance. Yes, Disney took really good care of us, flying us business class and putting us up in some really cool boutique hotels – First The Grafton on Sunset (on Sunset Boulevard of course) and then at the Disney Grand Californian inside Disneyland, Anaheim, Renaissance and Hudson in Manhattan, New York! We met with Disney’s top bosses in Motion Pictures business, ABC (we were at the sets of the Brothers and Sisters TV show), Products, Imagineers at the theme park and even went backstage after the Lion King Broadway musical… Yes, I get paid to do things like this! Well, when work is this tough, what choice do you have but to lie back and enjoy it, huh? 😀

Watch out for my travel stories starting next week.

Post Script: Note to Kutti:

But it wasn’t complete, wasn’t nearly close to being in the same vicinity as complete because I couldn’t share it with you. I couldn’t hear your voice or laugh about it with you. I missed my – I missed my girl…

I love you. You… complete me.

😀

Do critics set out to rip films apart?

September 29, 2008 · by sudhishkamath

It’s been a week that I have been back after my longest holiday in the last few years.

And probably my biggest yet!

Before I post an update on that, I would like to thank my Superbro Raja Sen, one of my two favourite Indian film critics (well, by now I guess most of you regulars here know the other favourite is good old Baddy to friends, Baradwaj Rangan to fans and I know him more as Baradwaj Rangan than Baddy)… Yes, so… Thank you, Raja for endorsing this blog and I hope sincerely that your last column has added a lot more weight to your reputation of being “the most hated Indian online”…

😀

Recently at a film audio launch party, a popular producer-actor told me that he loves the way I “rip” films apart. Now, that’s exactly what the lady who issued me the Schengen visa said when I went for the interview at the German Consulate a month ago. But Umm… Er… I am not sure if that’s any compliment.

I am pretty sure Raja does not enjoy people hating him or writes reviews to be hated or writes reviews simply because he hates the makers.

I certainly do not “rip apart” films or at least haven’t started writing a review because people love/hate to read negative reviews.

It’s just a job that I do to the best of my ability, based on deadlines, prevailing mood at the time of watching and writing, availability of the backgrounders (this also involves watching all films related to the film – originals in case of remakes, rip-offs or tributes, prequels apart from reading interviews, synopsis and production notes… When Revenge of the Sith released, I had a blast watching all the five Star Wars films back to back in one night and when Clone Wars releases, I will have no choice but to watch all six at one go… Yes, I actually get paid for this) And I also write keeping in mind the crowd response and the context of what the filmmaker has tried to do and sometimes with the sole intention of balancing out skewed positive or negative reviews in other mainstream media (so as to say: Come on, it’s not that bad or Hey, it isn’t that good as they tell you)… And there’s the word limit factor that further affects the review – the desk may just deem it fit to remove any explanation of an argument and sometimes may want to play it safe when anything remotely sexual or any kind of slang is mentioned. [Recently, I had referred to Bipasha as Her Hotness in a recent review and found that it had been changed it to “Miss Hot” (sic!)]

With so many things to worry about including memory in case of forgettable films, I clearly do not have the talent to also manufacture negativity and humour along with all that mandatory analysis that’s required in a review.

It is foolish to even try to make every review a funny one or a negative one when your word limit is packed with the bare essentials – which consists of why the film works or why it doesn’t, along with instances, singling out departments or individuals that stood out for whatever reasons, a basic storyline avoiding spoilers, an overview of what the film, the cast and the crew achieves and a summary or suggestion of what the reader is supposed to do after reading the review.

Let me clarify – I am not even hinting that all this is difficult. I just mean to say that a reviewer cannot afford to stick to or be bound by one additional parameter when he has so many of these other things to do. Which is why I don’t try to make every review of mine funny or negative. Just like how every film is unique, it deserves a review that it truly deserves – a review that does justice to all the effort gone into making the film or in watching it.

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