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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For October 24th, 2008

Karzzz: He, He He, Himesh… Ha Ha Ha Ha

October 24, 2008 · by sudhishkamath

Genre: Comedy
Director: Satish Kaushik
Cast: Himesbhai, Indra Kumar’s not so lucky production – Beti – Shweta who ought to take up toothpaste modelling, Urmila Matondkar, Danny Danzongpa and Gulshan Grover looking every bit like Feroze Khan’s duplicate as Sir Judah.
Storyline: Many years ago, there was a siren, there was a moron… She killed him. To scare her to death, he’s re-born… ugly as hell.
Bottomline: Watch Om Shanti Om on DVD if you want a Karz tribute, for a spoof watch this one.

“Tum subah jab breakfast nahin karti ho, toh tumhe acidity ho jaati hai,” (When you don’t do breakfast, you get acidity in the stomach) says Monty (Himesbhai) trying to convince Princess Kamini (please note the smarty pants pun – Kameeni, also means very bad woman) that he knows her from last birth.

When the Princess dismisses this bit of trivia saying it’s part of general knowledge, Monty comes up with the sucker punch: “Jab tum kiss karti ho Kamini, toh tum aankhen bandh kar leti ho.” (I know that when you kiss, you close your eyes, Kamini) Now, Kamini is stumped and shell-shocked. How did he know? How did he know this unique quirky little habit of hers when the rest of the world usually plays dandiya on the occasion.

Besides when your boyfriend is Himesbhai, keeping your eyes closed all the time sounds like a good idea too. But actually, what Himesbhai is also trying to tell you is that he used to look once look like Dino Morea – he didn’t always look like Emraan Hashmi’s chubby twin with a wig, with a nasal voice, flabby cleavage and twiggy arms, you know.

If you walked in to watch the new Karzzzz, you have only yourself to blame. For starters, the smarty pants producers have expressly titled it Karz with the extra zees. They have put up Himesbhai’s ‘fotu’ on the poster to caution you further that vengeance is back (you made fun of him when he hid behind a cap in Aap Kaa Surroor: The Moviee – The Real Luv Story, look who’s back now – without it!) and for the benefit of those who aren’t wearing their smarty pants to the theatre, 15 minutes into the film, Himesbhai himself tells you, singing “Hurry Home Hurry, ” the anthem that replaces “Om Shanti Om” from the original.

I have to be honest though, I’m now a fan of Himesbhai and I am not ashamed of it. I have never cared much for his songs or his style of singing because I knew there was a good enough reason for him to hide his face. But to expose yourself like this, you need to be made of steel and concrete. And his facial expressions prove what he’s made of.

But, when he screams ‘Nahiiiiiin,’ it’s pure movie magic. My to-do list has a new entry right on top: To buy the Karzzzz DVD and cut a montage of Himesbhai’s screams. Some day, it will be useful to stop kids from crying.

Him apart, there are a few other reasons why Karzzz will be recommended as part of laughter therapy. The goon who wears lavender-pink satin tights as an underwear, the producer-beti heroine whose smile is so big that her mouth seems to begin from her ear, the villain who types out musical notes with his metallic arm which are then decoded and relayed across almost instantly and not to forget Dino Morea’s coming of age as an actor. Finally here’s a movie that will have critics writing: Dino Morea was the saving grace of the film. But the grace doesn’t last too long.

Like Sharon Stone did Basic Instinct 2, Urmila must do a Rangeela 2 (Smarty pants suggestion for sequel: Geela – Urmila wetter than before). But seriously, the best actress of the year has to go to Urmila Matondkar. Who else could’ve pulled off that surprise expression when Himesbhai tells her what she usually does during a kiss?

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