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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For January 16th, 2009

Tanvi: A Dose of Vitamin T

January 16, 2009 · by sudhishkamath

After Slumdog Millionaire won four at the Who’s Going Home With The Golden Globes, we make Tanvi, who sang two songs including the much-acclaimed ‘Jai Ho’ for Danny Boyle’s masterpiece, take the hotseat and shoot a few questions of our own.

“Why are you talking to me,” she shoots back. “Talk to Rahman. It’s his time,” she adds, quite flummoxed by the fact that her phone hasn’t stopped ringing since. She wonders why. “Life has changed. Suddenly, people are calling me. But, I’m glad my hard work is paying off.”

She had no idea that she was driving towards a life-changing twist, on her way to Rahman’s studio to sing some backing vocals for a song that she thought was meant for Subhash Ghai’s ‘Yuvraaj.’

“I went in a heard Sukhi’s voice and I was in awe of the notes he hit. And Rahman said: Go in and try something different. Think out of the box. Throw your voice out loud like no one’s around to listen. I couldn’t believe he wanted me to sing and the challenge was that I had to match up to Sukhi.”

Tanvi also wrote the Spanish bits for the song, given her knack of adapting to demands of songs that require foreign sounds. In the past five years of singing for Rahman since she did backing vocals for Fana in Yuva (“It was on May 13, 2003,” she remembers), she had been to the studio for all kinds of singing.

“I love doing backing vocals for him because every time I go in, I come out learning something new,” says the singer who also officially trained under Augustine Paul.

Apart from ‘Jai Ho,’ she joined BlaaZe for Gangsta Blues for Slumdog. “Rahman’s brief was simple. He said: Go wild.”

After that initial burst of easy questions, we shift to the million dollar ones: Having followed and worked with Rahman for the last five years, does she truly believe that Slumdog Millionaire is his best work till date?

“My favourite is Rang De Basanti and Bose – The Forgotten Hero. This particular score is good no doubt but I’ve heard better from him. But that’s because from an Indian audience point of view, we’ve heard so much. I don’t think Hollywood has heard his music. Take Bombay, Thiruda Thiruda, Iruvar, Guru or Bose and the scores he has given for those films… If you listen to Azaadi or Jaage, you will get goose bumps. Or Swades and Lagaan. You put all these songs on one side and then you put Slumdog and what do you think? Recently, we worked on this movie called Ada. That movie, you must listen to the choir. It was a super duper difficult piece. I’ve noticed in the last couple of years, he wants to push himself trying out new sounds. He would say: I want a Bulgarian voice, I want a screaming voice, I want to hear Andalucian mountain women, I want a high pitched voice, I want a whisper that breaks into a full-throated voice and then go nasal.”

That’s where singers like Tanvi come in to play.

“I can give Soprano, Tenor, Base and Alto all by myself. There are times when I’ve done that but there’s an amazing chemistry when we sing in a choir. Jai Ho was done in a couple of hours,” she recollects.

Tanvi only realised that the song was going to be used for Slumdog much later.

“I went in for some recording and I asked him out of curiosity if he had retained my voice in Jai Ho?” And he’s like “Of course. Gangsta Blues also. I was like “Thank you, Thank you, Thank You. I was so happy. After five or six years, you get to sing for a Hollywood movie, would I be excited? Hell, yeah. Now that the film has won four Golden Globes, I feel elated, I feel happy and I’m glad that I’m at least .25 per cent of it.”

Tanvi also sings for Yuvan, Premgi, Srikant Deva, GV Prakash. “I’ve done quite a bit of work with Yuvan,” says the singer who can sing in 14-15 different languages.

“Whatever I am today, it is because of Rahman. Four things I learnt from him: Dedication, Determination, Patience and to be humble. Without these, you can never grow.”

And yes, like most of India, she’s yet to watch Slumdog Millionaire herself. “I’ll watch on the 23rd when it releases.”

 The Business Woman

“I have my own business. I have been doing interior design for the last one and a half years. And my jewellery line is out. It’s called Exotic Store. I wanted to give a funky name like Vitamin T. Someday, I am going to do a song and Vitamin T is going to come out.

If I keep singing, you tend to lose it. You need a distraction. I am lucky to have two professions. I just put my heart and soul in whatever I do because I realised life is too short. If I don’t do it now, when the hell would I do it?”

Flashback – Life before singing

“I did Masters in Ceramics and I didn’t like it much there in the US as a graphic designer in the World Bank. I came back in 2003. Life in the US is monotonous. You are working Monday to Friday like a dog. And you only get to meet up with friends on Saturdays. They drink and wake up with a hangover on Sunday. Someday, you have to do your groceries, laundry… You are not saving any money. All your money goes off on credit card, shopping, parking. When I was there, I would just sit by Georgetown (in Washington DC) and keep sketching because I was an art student.”

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