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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For March 5th, 2009

Pink Panther 2: Ash silly as she can be…

March 5, 2009 · by sudhishkamath

Genre: Comedy
Director: Harald Zwart
Cast: Steve Martin, Jean Reno, Emily Mortimer, Andy Garcia, Aishwarya Rai Bachchan
Storyline: Inspector Clouseau heads a Dream Team formed to nab a thief who steals historical artifacts
Bottomline: More silly than funny, certainly not for purists/fans of the original.

I am a fan of the silly comedy genre. I think Austin Powers kicks it more than James Bond and also believe that Steve Martin’s stupid French accent alone is funny enough to merit a franchise.

But the best inside joke of the film comes from Aishwarya Rai Bachchan when she introduces herself, a good 25 minutes into the film: “Sorry, I am late. The flight was delayed by two hours. You must be Pink Panther, the famous detective. I will not be of much use here.”

Ha ha ha ha!

Classic Rai, if you have attended any press conference of hers. Walks in two hours late and blames the flight but surprisingly here, the lady has the cheek to laugh at herself, candid enough to admit she would be of no use in an ensemble like this one.

Bad make-up aside, she does come across a stunner at least for a couple of scenes – especially, the bit when she sits cross-legged with a short formal skirt with a slit, opposite Inspector Clouseau inside the flight with make-up glittering off her bust.

But that’s about all the nice things we can say about her. She imports the Bollywood brand of facial contortions and looks constipated for most part of the film and later we find out why.

Now, if you’ve read interviews speculating the length of her role, you probably already know the ending. Since I already did, I had no choice but to sit back and redeem whatever few laughs I could from Steve Martin and Jean Reno. And there’s Andy Garcia thrown in for a bonus.

Yes, French accent still makes you laugh, he’s adorable as the bumbling Inspector and even has a couple of scenes that require him to be moist-eyed. The master comedian milks the part to the last drop, relishing the role and revels playing everybody’s favourite goofball. Watch him fight the karate kids, hang out at the Pope’s (literally!) or snoop around the high-surveillance building and you know there are very few actors left who can make these things funny enough to warrant a watch.

The film is all that you expect from the Pink Panther franchise – structured as a series of familiar gags that will first humiliate the legendary Inspector, then take him to the depths of despair and until he finally redeems his reputation with an uncanny flair for investigation and solving cases.

Emily Mortimer plays the perfect foil for the unlikely hero and she’s bound to walk away with more fans than Ms.Rai at the end of it all.

Go for it only if you are in the mood for good old silly slapstick.

Pride and Glory: The CopFather with a little dishum dishum

March 5, 2009 · by sudhishkamath

Genre: Drama
Director: Gavin O Connor
Cast: Edward Norton, Colin Farrell, Jon Voight, Noah Emmerich
Storyline: When four cops are found dead and an honest cop is called upon to investigate, he realises he would be stirring up a hornet’s nest – a corrupt NYPD.
Bottomline: A cop action drama closer to We Own The Night than The Departed

And, The Godfather continues to inspire family-based crime dramas.

Only that here, the patriarch is a retired police officer (and hence, much weaker), his sons are police-men too (here they have personal issues to deal with) and the man married to his daughter seems to be the trouble-maker (the proverbial rotten apple).

Now, imagine Jon Voight (as an alcoholic father losing control of his family), Edward Norton (as the younger son on the brink of divorce after standing up for his family) and Noah Emmerich (as the older son who heads the Precinct) and Colin Farrell as the corrupt cop who will stop at nothing.

Explosive material indeed but the filmmaker Gavin O Connor does not want this to be a mere action film, he wants the poignancy of a family drama too and it’s a tough balancing act.

So there are spurts of intense action and graphic violence (an iron box held to an infant’s face), punctuated by the sentimental, emotional scenes of the characters dealing with their family issues and to the director’s credit, he ensures that the tension is always brewing as the honest cop gets closer and closer to the killer, only to realise that the enemy is closer home.

Gavin O Connor (he’s collaborated with writer Joe Carnahan on the script) employs the boat-house-with-a-leak metaphor for the situation. We learn that the father had put a carpet over the hole on the boat his younger son is living in after having had to separate from his wife, we are shown that the honest son is unable to sleep because he wants to plug the leak first.

Just to make sure you get the metaphor, towards the end of the film, Jon Voight spells it out for you: “We got a hole that needs to be plugged up before it takes down half the department.”

The central characters have support systems that also happen to personify the ill-health of their morals (the elder son’s wife is dying of an incurable disease, the younger son’s wife does not want to talk to him because he covered up for the sake of loyalty to his family and the sister is happily married with kids and they are doing well because her husband is a corrupt cop).

Well, not too classy as far as storytelling goes now, is it?

But it’s still immensely watchable for the performances – Norton looks effectively scarred and sincere, Voight is a picture of helplessness while Emmerich portrays a steely cop with resolve on the outside when he’s actually quite vulnerable and Colin Farrell turns in a powerhouse performance as the tough-as-nails corrupt cop.

There’s plenty of unwarranted swearing in the film and we can blame that on Scorcese’s contribution to crime stories that continue to inspire a new breed of filmmakers to talk foul.

Pride and Glory is strictly for those who do not find anything wrong with two men settling it the good-old fashioned way – fisticuffs.

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