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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For March 20th, 2009

RocknRolla: The Guy is back n rocking!

March 20, 2009 · by sudhishkamath

Genre: Action
Director: Guy Ritchie
Cast: Gerard Butler, Thandie Newton, Tom Wilkinson
Storyline: A bunch of crooks steal from each other till they all get what they deserve
Bottomline: Guy returns to his tried and tested formula

How does Guy Ritchie make films?

He gets an ensemble of gangsters and druggies.

Makes some of them stupid, some of them dangerous, some of them drip cool and all of them dishonest.

Has them cheat or steal something off each other until it all blows up into one big climax with all guns blazing.

Sticks to film noir but keeps the mood fun, lights it up in style, edits it slick, puts in a funky cool score and spares the good guys.

After two disappointing Madonna-inspired turkeys at the box office ‘Swept Away’ and ‘Revolver’ (that probably got jammed trying to pack in Kabbalah with crime), the maverick filmmaker’s back to his form and formula from the ‘Lock, Stock and Two Smoking Barrels’ and ‘Snatch’ days.

And since he has realised that this is what he does best, with RocknRolla (certainly his third best), the Guy’s decided to turn it into an official franchise so that at least the fans know what to expect and turn up at the cinemas.

Right from the very first frame, RocknRolla oozes style and attitude, the British accent only making it sound all the more cool. The camera whizzes from frame to frame and introduces us to a motley crew of characters who are inexplicably linked to each other. Here, the world of real estate business forms the backdrop for the series of unfortunate events to unfold.

You just can’t tell where cinematography ends and editing begins and Guy keeps the narrative seamless for the first half of the film, and has you guessing even within the predictable structure.

You know things will ultimately come a full circle and that the pieces will all fall into place, you know the twists are all around the corner but Guy plays his cards at his own pace, reasonably in control of all the characters he’s unleashed and their destinies.

With over two dozen characters fighting for screen time, with their own arcs and agendas, it is no mean feat to keep the humour alive. Watch that bit where Guy breaks linearity to tell us all about one hell of a chase – a getaway sequence featuring Gerard Butler on the run, being chased by near immortal Russians.

Gerard Butler is the Brit Clooney, a picture of cool even in the most stressed out situations, Tom Wilkinson completely wicked and Thandie Newton still very, very hot. Mark Strong really stands out among the rest of the bunch and ends up as the strongest of the lot.

In any case, the actors are just incidental. This is a signature Guy Ritchie film. And that makes it a safe bet not just for him but also for those of us who have missed the substance from one of the most stylish filmmakers of our times.

RocknRolla is a potent combination of style and substance. Get stoned, this slick flick is a trip.

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