• SUDA MING’S CHANNEL
  • TALKING FILMS
  • Good Night | Good Morning
  • My Talk Show
  • PROFILE

MADRAS INK.

Menu

  • Archives
  • Columns
  • Diary
  • Interviews
  • My Films
  • Reviews
  • Good Night | Good Morning

  • Word thru the bird

    Tweets by SudhishKamath
  • Connect with GNGM

    Connect with GNGM
  • About GNGM

    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

  • Browse: Categories

  • April 2009
    M T W T F S S
     12345
    6789101112
    13141516171819
    20212223242526
    27282930  
    « Mar   May »
  • Recent Posts

    • Simmba: A departure from the formula
    • Zero: The hero who wasn’t
    • Protected: AndhaDhun: What did that end mean?
    • Love and other cliches
    • October: Where is Dan?

Archive For April 3rd, 2009

Aa Dekhen Zara: Nothing you can’t see coming

April 3, 2009 · by sudhishkamath

Genre: Thriller
Director: Jehangir Suri
Cast: Neil Nitin Mukesh, Bipasha Basu, Rahul Dev
Storyline: A photographer turns gambler when he gets a camera that clicks photographs of the future and soon realises he just has one week to live.
Bottomline: You won’t need the special camera to find out what will happen next in this film. But then, you won’t need brains either.

When life gives you lemons… Okay, here’s another one.

What do you do when your producer gives you Neil Nitin Mukesh?

A fairly good-looking chap, acting may not his biggest strength but he has those sinister smiles. With a face that’s vulnerable yet deceiving, Neil seems to be the kind who would go to any extent to make a little money, a persona he owes to Johnny Gaddar, his debut film. And boy, he can run. He reminds you of Hrithik Roshan, he may not be as talented but hey, he ain’t half bad as that Baweja boy.

Aa Dekhen Zara is the best you can squeeze out of Neil Nitin Mukesh – who may soon be singled out for this genre of dumbed-down crime-thrillers with guitar intros, quirky camerawork, slick cuts, surreal lighting, gun-fights and stylish clothes. The kind of cinema that will eventually give Johnny Gaddar a bad name.

It’s a fairly safe narrative structure, a formula that has been tried and tested over the years: first, a glimpse of something terrible that will happen in the future and then, a series of adventures as the protagonists try to stop that from happening, only to find that they are only inching closer to the inevitable. The TV show Heroes has formed a cult following with his formula.

So the story goes that Ray (Neil), a photographer down on luck, inherits a camera from his eccentric inventor uncle after his death. This antique piece of camera was probably invented after his uncle watched the ‘Back To The Future’ films back to back. And Johnny boy (yes, his name is Ray here but the first half of the film is like watching Johnny Gaddar in a parallel universe) puts the camera to good use by taking pictures of his hot neighbour (Bipasha) only to find a gun pointed at her.

Thanks to the camera, he saves the girl, makes a fortune at the lottery, the share market and the horse-races before the bad guys catch up on his secret. And to make things worse, the camera tells Ray that he’s headed into darkness.

The rest of the film is about Ray on the run with Bipasha to give him good company. Bipasha looks spunky, with a badass tattoo and attitude to boot and it’s only when she has to get her eyes moist that we have the time to discuss the glaring plot-holes in the script. Like why doesn’t he ever take a picture setting the date to the day after the D-day… Just to be sure, you know.

The stone-faced Rahul Dev playing a trigger-happy shooter called Captain makes things a little exciting with his cat and mouse game but this is clearly a Neil Nitin Mukesh showcase. Johnny is still a little raw on dialogue delivery, strong on subtleties and a fish out of water with heavy-duty drama. And, he can’t sing to save his life.

His self-conscious take on the Kishore Kumar song lacks the energy of the original and is smartly left relegated to the end credits, especially since it gives you a choice to walk out.

Like most horror films, Aa Dekhen Zara ends pointing towards a futuristic sequel that seems like a cross between Krissh and Love Story 2050.

Hurman Baweja, you may not be alone after all.

  • Create a free website or blog at WordPress.com.
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Subscribe Subscribed
    • MADRAS INK.
    • Join 483 other subscribers
    • Already have a WordPress.com account? Log in now.
    • MADRAS INK.
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar