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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For May 23rd, 2009

99: An inspired second innings

May 23, 2009 · by sudhishkamath

Genre: Comedy
Directors: Raj Nidimoru-Krishna DK
Cast: Kunal Khemu, Cyrus Broacha, Soha Ali Khan, Boman Irani, Mahesh Manjrekar, Vinod Khanna
Storyline: Two conmen who owe money to a Mumbai-gangster are sent to recover money from a compulsive gambler in Delhi, only to lose it and try to find ways to replace it.
Bottomline: 99 per cent original but finally, it’s the ‘Snatch’ of inspired Ritchie-ness that makes the director-duo’s gamble pay off.

Well, there are 99 reasons to watch this film:
1. It’s by the guys who gave us that wonderful little film called Flavors

2. Crime+Comedy+Ensemble=Always Interesting

3. Boman Irani makes even a compulsive gambler adorably human

4. Cyrus Broacha’s improvisation show. He keeps complaining he never gets to do anything because he’s always in the loo… Or are they all out-takes?

5. Refreshingly laid-back, light-hearted storytelling

6. The smart conceal; twists towards the end. Predictable but fun

7. A dash of romantic comedy. Especially, the scene in the lift

8. The Ocean’s Eleven Master Plan vibe

9. Guy Ritchie’s interconnected motley-crew of characters

10. Tarantino-ish random conversations

11. Coen Brothers-signature of believable larger than life characters

12. Cyrus Broacha makes even running into a pole funny

13. The huge henchman called Dimple

14. It’s a period film set in 1999

15. Isn’t it funny to look back and see how we first took to mobile phones?

16. The Delhi-Mumbai divide, not milked enough for humour, but works

17. Amit Mistry’s broken English as Kuber

18. The moral of mobile phones being injurious to health played for laughs

19. Soha, a tad over-enthusiastic and deglamourised, is not so-hawt but delivers Pooja

20. The opening lines of the film

21. Mahesh Manjrekar does another variation of playing don, at his comic best

22. A wicked Vinod Khanna makes a rare appearance

23. Kunal Khemu arrives as an actor

24. Experiments with non-linearity

25. Tongue in cheek razor sharp lines – the bargain scene with Boman in the climax

26. The funky opening credits

27. Pretty Simone Singh is endearing

28. Cyrus Broacha’s makes even fat-people jokes funny

29. Delhi plays a fine supporting role

30. Catchy songs that make you forgive the Rang De Basanti hangover in picturisation

31. Etching of support characters and extras – the supercop, the bald superstar, the Bengali Foreign Exchange customer, the taxi driver, the bootlegger, et cetera

32. Clever digs at cricket and cinema

33. Audacity to mix fact, fiction and controversy

34 – 99: Has any film ever given you 33 reasons to watch it? Also, since you don’t have any other choice of Hindi films in the cinema halls, isn’t each reason is as good as three?

The one reason to not watch it:

The DVD should be out in a few weeks.
Yes, despite the reasons, 99 is an inspired fanboy tribute to crime comedies the filmmakers seem to have grown up on. Also, some of the emotional scenes overstay their welcome, slow down the already laid-back narrative and stick out sore in a film whose sense of humour ranges from physical comedy and toilet-humour to the understated and cerebral.

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