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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For June 13th, 2009

Detective Naani: Granny Smarty Pants

June 13, 2009 · by sudhishkamath

Genre: Thriller
Director: Romilla Mukherjee
Cast: Ava Mukherjee, Master Zain Khan, Ankur Nayyar, Simran Singh, Shweta Gulati
Storyline: A granny, a cheerfully divorced daughter, her two brats, a dog and a young couple are the freaky neighbourhood’s Secret Seven.
Bottomline: Elementary, my dear Watson. This one’s made for TV.

Some mysteries can’t be solved. We can only hazard a guess.
1. What’s common to Sherlock Holmes and Detective Naani?
Holmes is a product of Baker Street. Naani is a half-baked product.

2. Why does the film feature a 70-something heroine?
Blame it on the pace. Apparently Ava Mukherjee was seven years old when she sat for a narration. By the time, the makers finished telling her the story, she was seventy-something.

3. What’s the best kept secret in Granny Smarty Pants a.k.a. Detective Naani?
As per the original ending, the camera actually zooms out of the apartment set as it morphs into an old haunted building. The camera does a slow reveal… It’s Nurse Ratched straight out of One Flew Over the Cuckoo’s Nest giving Naani her medication. No kids, no cheery divorced daughter, no dog eating biscuits she’s been tossing, no corpses, no men in hoods getting killed while trying to tip her off. It was all in A Beautiful Mind of a schizophrenic retired librarian who had an overdose of the detective novels in the kids section. This scene was deleted on grounds that Indian Cinema wasn’t ready for Awesomeness.

4. So, is this film for kids?
That’s part of the mystery. There are kids in the film. But, there are also at least three corpses. There’s also mention of drug use. And Viagra. One minute, there’s an animated song sequence with a girl post-make-over dancing in a mini in the middle of a “You’ve Got Yahoo” subplot and the next, you have an eerie Piano-based background score associated with B-grade Hollywood thrillers. It tries to be light like a comic book, it tries to be dark and moody like a thriller and realises it has to be cute because it has kids and realistic because it has a Granny and scary because it has bad guys.

5. What’s a good time to watch this?
To be fair to the sincerity of effort and the core idea behind the film, maybe it’s best seen on TV on a lazy afternoon. But if you don’t care much for cutesy detective stories or kids and dogs, you could still catch it on TV with drunk friends.

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