• SUDA MING’S CHANNEL
  • TALKING FILMS
  • Good Night | Good Morning
  • My Talk Show
  • PROFILE

MADRAS INK.

Menu

  • Archives
  • Columns
  • Diary
  • Interviews
  • My Films
  • Reviews
  • Good Night | Good Morning

  • Word thru the bird

    Tweets by SudhishKamath
  • Connect with GNGM

    Connect with GNGM
  • About GNGM

    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

  • Browse: Categories

  • November 2009
    M T W T F S S
     1
    2345678
    9101112131415
    16171819202122
    23242526272829
    30  
    « Oct   Dec »
  • Recent Posts

    • Simmba: A departure from the formula
    • Zero: The hero who wasn’t
    • Protected: AndhaDhun: What did that end mean?
    • Love and other cliches
    • October: Where is Dan?

Archive For November 27th, 2009

A day in the life of Metro Plus: All play, all work

November 27, 2009 · by sudhishkamath

“Ready to get trounced?”
“Oh! you can’t beat a midget playing TT.”
“I’ll make you eat mud!”
“I can stick the bat up my socks and still beat you.”

Over-confidence takes its toll and the loser gracefully admits in a
part-Kung-Fu-Panda-part-Balls-of-Fury Chinese accent: “Your master
Shifu taught you well, Gweilo!”

Since it hasn’t been clearly proven who is a better player (Ahem!
Also, because this is my story), we won’t get into the specifics.

Let’s just say there’s just one regular winner – Prince Frederick,
affectionately referred to as Master Shifu – who can beat even Boss
when he really sets his mind to it. And you can tell when that
happens. Prince becomes a picture of concentration, becomes
extra-competitive, a far cry from the saintly Master who throws away
matches just to encourage us.

Shonali learnt TT in school but still, even if occasionally, loses to
those of us whom she claims to have taught.

Divya “Why-do-people-think-I-am-a-boy-reading-my-byline?” Kumar who
picked up the game around the same time as me too manages to beat me
most of the time.

Hence, my favourite whipping target is Priyadarshini Paitandy, the
youngest of the lot, who until a few weeks ago hadn’t beaten any of
us. But these days, even if rarely, she manages to do to us Goliaths
what little David did. Damn! I need to go to office more often to
practice.

“Shows how much TT you guys have been playing,” as Boss observes,
after losing that rare match to Prince.

One hour ago.

The weekly Saturday Metro Plus meeting is on.

Kritika Reddy, who runs the Metro Plus Chennai Desk, has a printout
that lists out the stories we filed the previous week. It’s like that
report card Shonali would have liked to hide back in school when she
flunked yet again. (What? She never flunked? Too bad. This is my
story.)

Quiet Prince always tops the class, having filed the most number of
stories given his weekly commitments (the columns: Man and Machine,
Things People Keep, Mush Register) apart from his regular set of
stories on birds and eccentric people. Always missing from all our
social outings, this workaholic has a standard mock excuse: “A married
man has many problems”.

Understandably, Boss is always pleased with Prince, especially since
he takes on the burden of that Memories of Madras column that requires
us younglings to be familiar with achievers over the age of 65.

Divya too cheerily chips in for that column makes some of us want to
rename the supplement as Retro Plus on Wednesdays. Any event on art,
music or books, you can be pretty much sure it’s geek-loving Divya
who’s covering it. When she’s not writing, she sways randomly, sighs,
pokes people around and remains indecisive about any party plans the
girls make with her.

Shonali has her plate full with food for her weekly column The
Reluctant Gourmet, apart from the regular restaurant, book reviews and
theatre features. Let’s just say it may not be a good idea to
accompany her to over half the hangouts in the city if you don’t like
spit in your food. Notorious for her ‘fowl’ mouth, she hates birds and
believes that the only way to enjoy nature is to, well, eat it.

Paitandy giggles full-time when she’s not colour-coordinating her
wardrobe before every assignment and prepares to shop for sun-screen,
lip glosses and Fendi umbrellas even if she’s just been asked to check
whether it’s raining or not. When Miss ‘Parrys’ Hilton is not too busy
with her desk-work and learning profanity from friendly auto-drivers,
she also does trend stories and celebrity interviews, standing in for
Kritika who has been covering fashion for over a decade.

During the meetings, Shiv Kumar, who co-ordinates stories for Metro
Weekend, brainstorms for city-bred personalities we can feature on the
cover. Everyone gives a list of stories planned for the week, along
with intended deadlines and not all stories suggested make the cut
because Boss is a tough-to-please connoisseur of high art (and Fine
Wine… ok, that’s a shameless plug for his fortnightly column on
Metro Weekend).

And every morning, the desk waits for the promised stories to arrive.

Now, this editing team takes on the responsibility to clean up, assign
captions and headlines to stories hurriedly sent in at the last
minute, often leading to some tense moments that ultimately require
the Boss to intervene, make peace or pull up the defaulter.

By one p.m, the page is laid out and sent for printing. The stories
are also simultaneously sent to the Internet Desk with photo options.
While the writers then breathe easy, the desk begins every post-lunch
session planning the page for the next day, laying out those few
stories that have miraculously arrived on time.

Okay, why does this seem to lack the detail associated with our
regular A Day in the Life Of… column?

The truth is, the author rarely gets to work before the team packs up
for the day. So he wouldn’t, for the love of God, know how things
work.

It’s Saturday again. Another meeting, another brainstorming session.
And I have been asked to write this since everyone else has serious
work to do.

One hour later.

“I am gonna introduce you to a world of pain… You are going down!”
“Oh yeah? Bring it on”
“Eat this, Joker. The Bat-man’s in the house.”
eom

  • Create a free website or blog at WordPress.com.
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Subscribe Subscribed
    • MADRAS INK.
    • Join 483 other subscribers
    • Already have a WordPress.com account? Log in now.
    • MADRAS INK.
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar