• SUDA MING’S CHANNEL
  • TALKING FILMS
  • Good Night | Good Morning
  • My Talk Show
  • PROFILE

MADRAS INK.

Menu

  • Archives
  • Columns
  • Diary
  • Interviews
  • My Films
  • Reviews
  • Good Night | Good Morning

  • Word thru the bird

    Tweets by SudhishKamath
  • Connect with GNGM

    Connect with GNGM
  • About GNGM

    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

  • Browse: Categories

  • April 2010
    M T W T F S S
     1234
    567891011
    12131415161718
    19202122232425
    2627282930  
    « Mar   May »
  • Recent Posts

    • Simmba: A departure from the formula
    • Zero: The hero who wasn’t
    • Protected: AndhaDhun: What did that end mean?
    • Love and other cliches
    • October: Where is Dan?

Archive For April 16th, 2010

Jaane Kahaan Se Aayi Hai: It’s all about loving a heavenly body

April 16, 2010 · by sudhishkamath

Genre: Romance

Director: Milap Milan Zaveri

Cast: Riteish Deshmukh, Jacqueline Fernandez, Vishal Malhotra, Ruslaan Mumtaz, Sonal Sehgal

Storyline: Boy meets alien girl. Boy loves alien girl. Boy gets alien girl

Bottomline: Supremely juvenile, extremely predictable and a cheesy romantic comedy with a totally unwarranted soppy climax

When you know it’s a film from the writer of Masti, Jhankaar Beats and Hey Baby, you know what to expect, don’t you?

Jaane Kahaan Se Aayi Hai has every bit of the writer’s stamp – wordplay as pun-ishment, cheap jokes, juvenile humour, male bonding, sexual innuendo and an unhealthy porn obsession that makes you wonder if Milap wrote this film way back when he was 17. But, at least, it earnestly captures the frustrations of the phase of life when girls just wanted to be “just friends”… except with the hottest guy around.

It’s these portions that give Jaane Kahaan Se Aayi Hai a promising start.

To get things started, Milap liberally borrows from Farah Khan’s cinema, not just in spirit and theme but also literally. He casts Farah as a director, recreates Om’s pining for the starlet in Om Shanti Om (cross that, it’s the star’s sister in this case) and lines up self-deprecatory star cameos that will make you smile. These are the most entertaining portions of the film which, otherwise, would have resembled Aladin with Riteish playing a Loser all over again, greatly in need of divine intervention/genie/girl from outer space to change his life.

Often reminding you of Shahid Kapoor’s debut film Ishq Vishq Pyaar Vyaar, (especially with Vishal Malhotra reprising his role as the hero’s sex-starved porn-addict best friend and Satish Shah as the salacious Dad yet again) Milap Milan Zaveri nurses greater ambitions of being the poor man’s Karan Johar (as Farah Khan reacts to the hero’s cheesy lines on love) and this is exactly what jars in an otherwise delightfully juvenile film.

Yet, the first half of the film is a breeze. The film coasts along with the easy-on-the-eye Jacqueline Fernandez playing the alien girl who falls into the boy’s arms at the lowest point in his life. Vishal Malhotra as Riteish’s best buddy Kaushal keeps the laughs coming with his obsession with pornstar Pink Pussycat and his attempts to make Tara (the alien girl) copy her moves.

Jacqueline is no doubt pretty, she does have an other-worldly ethereal smile, luscious long legs and a generous heart (Kaushal knows what I am talking about) to carry off this role and Riteish wears the lovelorn puppy-dog expression long enough to have you rooting for him. Together, the Riteish-Jacqueline-Vishal trio is dynamite as Milap’s writing sparkles with single-boy angst. “What’s a virgin,” asks alien girl. “Virgin is a very ill-fated human,” says the boy.

Where the film falters is towards the second half as Milap tries to get you all sentimental, stretching the climax portions to ridiculous levels with hardly any any real conflict to sustain the drama.

Barring the plot of boy falling for alien girl, there’s hardly anything even remotely original about this film. It plays out exactly as you predict it will, with nothing more than a few laughs and the crackling chemistry between the trio to keep it afloat.

Watch it only if you are 17 till you die. And if you remember what it was to be a single male who made girls’ heads turn… away.

Prince: No Brain-er

April 16, 2010 · by sudhishkamath

Genre: Action

Director: Kookie Gulati

Cast: Vivek Oberoi, Aruna Shields, Nandana Sen, Sanjay Kapoor, Dalip Tahil

Storyline: A thief who loses his memory has six days to live and figure out why three women and many other men want him

Bottomline: Prince wakes up and finds nothing in his brain. True story. His Royal Highness is only for those who are adequately high

Prince offers some textbook definitions for those interested in the different aspects of Hollywood inspired Bollywood.

Casting: The art of employing a human with a constant “What the Hell is happening, What should my expression be, What is this acting thing” as a person who has lost his memory. Example: Vivek Oberoi in and as Prince or Keanu Reeves (in any film)

Writing: The formality of putting pen to paper, irrespective of detail or length, solely depending on hype and action to draw the crowds in. In Bollywood, this is also synonymous with the accounting term “Writing off”. Example: The 40 crores Tips wrote off to not so charitable causes, also known as Prince

Directing: The audacity of a storyteller to believe that the words “It’s showtime” go best with an expression that actually says: “I’m a jackass”. This arrogance also extends to the confidence with which a storyteller peppers his narrative with other gems like: “I am in. It’s time to win” or “I had scanned the virus of greed in her eyes” (Maine Uske Ankhon Mein Laalach Ka Virus Scan Kiya Tha).

Action: Everything that happens between the leading man, the three women claiming to be his girlfriend and the stuntmen in this movie can loosely be classified as action. In a film like Prince, all action is part of the acting. Sample: What Vivek Oberoi and Aruna Shields do before everyone and everything around them gets blown to bits. Girls + Guns + Gangs = Action

Hero: A guy who can do all stunts from The Matrix to Die Hard to Mission Impossible to Dhoom with the absolute conviction that they are being done for the very first time. The Hero, who is some parts James Bond, some parts Ethan Hunt and some parts Austin Powers and Johnny English, always has women behind him and gets even the ones who want to kill him.

Heroine: Girl in leather who loves the Hero who can be identified from a group of similar women from the moderation of cleavage. Not to be judged on the basis of films done in the past. For example, Aruna Shields (in Prince, not in Private Moments)

Vamp: Girl in leather who loves the Hero who can be identified from a group of similar women from the unrestricted nature of cleavage. For example, Nandana Sen (in Prince)

Plot: An excuse for the Hero to get the heroine, the vamp and all the associated action involved. In Prince, it’s the case of him losing his memory that gives him the license to do it all without any moral repercussions. Wipe your moral slate clean, erase your memory, suspend disbelief and let the makers take you on a ride.

Warning: Nausea Alert. This faulty rollercoaster has a few screws missing. Buckle up at your own risk.

Protected: Lost Series Finale: The numbers will take you to this post

April 16, 2010 · by sudhishkamath

This content is password-protected. To view it, please enter the password below.

  • Blog at WordPress.com.
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Subscribe Subscribed
    • MADRAS INK.
    • Join 483 other subscribers
    • Already have a WordPress.com account? Log in now.
    • MADRAS INK.
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar