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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For April, 2010

Hands Up: April Fool Special

April 5, 2010 · by sudhishkamath

Episode 6,  Part 1

Episode 6, Part 2

Episode 6, Part 3

April Fool!

April 1, 2010 · by sudhishkamath

That’s the big promo for tomorrow’s Hands Up. The version you saw earlier in the day was fake. 🙂 Don’t miss the last 15 seconds.

Ok, so here’s how we got ourselves some super cheap publicity. Because April Fool is not to celebrate the classy and the intellectual. It’s to celebrate the juvenile and let the mischief out. And since none of us involved here have ever claimed to be mature or serious, we decided to have a little fun only because some of you started taking a rather innocuous comment made by Amudhan rather seriously.

His original reaction to Venkat Prabhu mocking Chennai 28 was: “AM OFFENDED. I AM HURT. I have lost all respect for Venkat Prabhu, Premji, Sudish Kamath & NDTV. To ridicule me is one thing, but to disrespect a defining, epic movie like Tamil Padam is unacceptable. To poke fun of Shiva’s Barathanatyam is simply blasphemous.”

“While I thoroughly enjoyed the whole caper, especially planning these things with Venkat Prabhu and Sudhish, the one thing that was really hard for me to do was to call Tamizh Padam an epic defining movie. I felt dirty after writing that one,” says Amudhan.

The last line clearly indicated that he was joking about the whole response. He only gave his trademark satirical response and he made it rather obvious with his following comment that he was only giving a “typically industry “response (based on a comment made by a certain star who had watched Tamizh Padam). “The one thing i can’t stand is people making fun of other’s work. Don’t u understand that it hurts feelings. It reflects very poorly on your upbringing. I did not expect this from you or venkat sir and premji sir.” (Again, the Sir giving away the tongue in his cheek.)

And to that, Venkat Prabhu responded with: “Mr amudhan… Please kindly take things easy… Like our movies… When u took it on chennai 28 we were cool about it… So chill brother… Next time work on ur story screenplay and direction… U will get much better results… Just as a friendly suggestion…”

Now this is where the game changes because it reads very serious. And I text Venkat asking him if he’s sure he does not want to hint it is a joke. And Venkat texts back saying: “Let’s go with this. Amudhan and me are happy and cool with this.”

Looking at the response it was generating, I decided to add drama to make the tension believable with the Public apology.

And Amudhan suggested we delete his earlier comment lest the smarter ones among you figure out he was kidding. So the reference to Shiva’s Barathanatyam is deleted and I quote him selectively on my blog.
This is where it gets fun (for me). I get about 250 hits on my blog on a Sunday and about 450 hits on a weekday. But four hours after my apology went up on my blog at 8.30 p.m on Sunday, I got a thousand more hits.

On Monday, I got 4300 plus hits. On Tuesday, 4800 hits. And just to make it believable (because people get suspicious around March 31), we stopped posting updates and pretended that the issue was already “sorted out” and insisted that the media leaves the name of the channel out of it. Subversion worked because this is exactly when Behindwoods reported it, followed by Zimbio, IndiaGlitz and some movie buffs who bitch about cinema on Orkut on the Tamil cinema community went overboard with 120 plus responses to What’s the problem of (sic!) C.S. Amudhan? I got another hundred responses over Twitter and Facebook and all this was wholly believable because Venkat Prabhu and Amudhan had a pact to take light digs at each other’s movies in the Tamil press.

Since it was closer to April 1, both of them stepped up the offensive and it got to a place where the entire film industry started talking about it, picking sides, bitching about the other…

So Shiva, Charan, the common costume designer of both crews Vasuki (who also happens to be Venkat’s sister), Vaibhav and other friends of the filmmakers responded and swung into action to patch things up or to advice to stay away from the other. We are pretty sure some of them are going to be pretty uncomfortable facing each other after April 1. 😀

Meanwhile on Tuesday, Venkat Prabhu and Amudhan came down to NDTV HINDU for the fake PUBLIC DEBATE episode (which we hope you know by now is the new episode of Hands Up) and I put up tweets saying that Hands Up will return next week, revamped as a clean, fun, family show.

Gotcha guys there again. Almost all of you fell for that one. I am touched that you guys insisted that it shouldn’t change.

A special word about those who thought they guessed it was a prank… Most of them changed their minds because of our responses ranging from aggressive to blocking them off the FB list and blog comments etc while some just assumed it was a prank only because they didn’t know the detail of how far Amudhan and Venkat had gone to make it look real. They had even taken ads in the papers abusing each other’s films and we were not going to let smart asses play spoilsport. So all you people who believe I yelled at you, Gotcha too suckers! 🙂 Will unblock you soon.

But yes, we admit that it is not possible to fool everyone and some of you smart people did get it and mail us privately in the right spirit of the All Fool’s Day tradition.

Also, our apologies to Shakti Girish, Editor of Galatta magazine who went on record to say that the Tamil film industry did not have a sense of humour and director Gautham Menon who responded to our request to the fake Public Debate byte. A big shoutout to my producer Suriya Narayanan who sat all night to edit the teaser promo and the final one today and ran around to get all the quotes needed for tomorrow’s episode.

To see how all these responses have been used and why and to watch directors prove that they could make very good actors, watch (or you are welcome to skip it if you are mad at us) Hands Up at Friday 9.30 p.m and the repeat at 1.30 p.m and 11.30 p.m. on Saturday and 8.30 a.m. on Sunday with one last repeat on Wednesday 6.30 p.m.

Thank you all for taking us to No.4 of the most watched videos on the NDTV HINDU channel on Youtube that has about 1900 videos.

“Yes, it was all for cheap publicity,” as Amudhan says.

You can’t expect anything more or less from us.

Hands Up will continue to be politically incorrect, juvenile and borderline offensive. If you want something else, watch something else.

Have a great All Fools Day. ☺

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