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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For January, 2011

Saarang 2011: Better than before

January 18, 2011 · by sudhishkamath

Every year, IITians swear how the new edition of Saarang, January 25-29, is bigger than before.

“This year, it will be not just bigger but also better than before,” as Shreyas Rangan, from the Sponsorship, PR and Media Core team pitches it. “With a span of four days, the number of Likes on Facebook for Saarang has gone up to 20,000.”

This, two minutes into a meeting with the Core team. “There are about 24 of them in all waiting for you,” says Shakti, who is co-ordinating the interview.
All of them “Core”? He nods.

“The numbers targeted are bigger than ever,” says Arjun AK, Sponsorships. “We approached about 900 companies for sponsorship.”

“This year it’s called: IIT Madras and Nokia present Saarang 2011 in association with Derby,” Sruthi Chandrasekhar adds. “SBI and Nokia have been supporting us for the fourth year in a row.”

The hospitality team has sent out invites to over 600 colleges. “We are providing accommodation for about 1500 students,” says Rahul K, Hospitality. “This year, we are also going to announce a helpline number given the number of participants expected.”

The publicity and ticket sales have their task cut out – to bring in 50,000 footfalls. “We’ve sent out invites to colleges in 11 different states and made presentations in 150 colleges,” as Praneet, explains. Rajendra, adds that the strategy this year was to cover more regions in North. “Most colleges in South already know.”

When you are juggling funds of about Rs. 1 crore, you need a separate team to keep the monies in check. Ravi Kesav, Finance, says, “Our job is to maintain a balance between the inflows and the outflows and make sure it’s all under control.”

As Yahiya, Finance, adds: “For every expense over Rs.20,000, we make it a point to get three quotations from vendors before finalising.”

As Prashanth Pinnamaneni (Bait), Facilities and Requirements, spells out the scale: “Fifteen venues, 139 events happening in four days, 30 co-ordinators and 17 lakhs to get everything done.”

“I have 200 students lined up for the security arrangements,” says Lathy, Security. “Especially, when we have personalities like Shriya Saran and Shashi Tharoor walking in, we need to make sure the students maintain decorum. Last time, when we had a lecture by Kamal Haasan, they broke the door.”

The IITians are gunning for the ISO 9001-2008 certification.

Nishant, Cultural Secretary (Arts), tells us what’s new. “We have diverse acts from Israel, France and America as a part of the World Culture Show. We’ve identified what Saarang was lacking and brought in the Classical Arts Utsav and from this year. We are getting professionals to do all the judging for greater transparency.” Ravi Teja Kanneganti, Cultural Secretary (Literary) adds: “Our efficiency levels have improved. We have a quality management system in place.”

Jagadish, Quality Management Systems, elaborates, “We have 250 different types of feedback being collected this time. Since we are growing in size, we need to get an organisational system in place that will be useful for the future.”

Phani Kishan, Proshows, adds: “The idea is to present on a single platform a confluence of cultures. We don’t forget people who have participated here. We are considering bands who have won here to open acts.”

“The ticket sales for the Proshows started on Thursday night. We need to generate Rs. 48 lakhs through 20,000 tickets. Every year, we give about Rs. 7-8 lakhs to charity,” says Sarur, Proshows.

“Fans can pick up exclusive fan passes that gives them access to the pit closer to the stage from Kyazoonga.com,” says Anirudh, Proshows (See Box).

Highlights

Vaaruni Eashwar, Events, gives an overview: “We have about 65 events to suit every interest put together by 112 student co-ordinators. This year, we have a Hip Hop Battle called Streets and an Adventure Zone with Paintball and Zorbing going on throughout.”

Rinju Rajan gives us the list of guests: “We have pre-Saarang lectures – Shashi Tharoor on Wednesday (January 19) and Nagesh Kukunoor (January 25). During Saarang, we have lectures by Malavika Sarukkai, Bombay Jayashree, Dhananjayan, Vishaka Hari, Alarmel Valli, PC Sreeram, Shriya Saran, Shaji Karun and Hari Menon.”
There will be workshops on caricature, calligraphy, magic and a Tree walk, organised by Nizhal.

Children coming from an orphanage, Bhoomi, will attend all the lectures and IITians are putting up a ‘Make a wish’ stall so that anyone walking in to Saarang will get a chance to make any child’s wish come true.

Rohit R, Events, says that Saarang will conduct the regional rounds of the Indian Sudoku Championship on January 29 (9 a.m). “If you get through, you can participate in the national championship in Mumbai in May and if you win there, you get to represent India in the world championship in Hungary.

“We also have a Model United Nations session organised in association with the UN office for India and Bhutan. The theme is Youth and Peace Keeping,” says Hariharan Mohanraj, Events.

Tech-enabled Saarang

The saarang.org website is run by the Web Operations and Design team. “We have a Saarang app with the map of IIT, you can register for events with it and even vote for your favourite team using Bluetooth for Choreo Nite, Tarang and Decibels,” says Jaichander of Web Operations.

Prince, his fellow Core, adds: “We host blogs about Saarang by volunteers and maintain the Youtube Channel, Facebook and Twitter presence.”
Anirudh, Design, says that his team, apart from designing the website, posters and brochures, have also made a couple of videos. “It’s a sneak peek, a teaser to check out what to expect.”

The design team is further split into three departments, adds Pramod. “Photography and videography, Graphic design and Ambience. This year during the Pro shows, the lights will react to the music. Since we are a tech institute, we thought we will incorporate technology wherever we can to make it look artsy.”

Box:
January 25: Classical Nite – Darpana led by Mallika Sarabhai and Keys & Classics, ensemble by Anil Srinivasan, B.S. Purushothaman, Navin Iyer, Sikkil Gurucharan and Vedant Bharadwaj

January 26: Popular Nite – the KK concert.

January 27: Choreo Nite

January 28: Finals of Light Music (Tarang) and Western (Decibels)

January 29: Rock show. The Pain of Salvation concert with opening acts by Nerverek and Bicycle Days

How To: Be an internet troll

January 15, 2011 · by sudhishkamath

1. In other words, how to lose friends and irritate people on the internet. Depending on your social aspirations and how desperate you are for attention, you can either be anonymous or adopt a nickname that would be associated with your notoriety. The most foolish trolls usually use their own name/blog for heckling, thus becoming victims of trolling themselves.

2. A troll is like the scum of the internet. The purpose of his existence is to challenge the hero and play pest/spoilsport/critic/villain/supervillain by constantly attempting to discredit, rubbish, criticise all of the hero’s attempts. To be a troll, you need not have any argument or merit, just a string of abuses targeted towards your object of obsession does the trick and gets you noticed. All a troll needs is attention. And you should get it no matter what it takes.

3. Employ social media. On Twitter, refer to all your targets with their handles. On Facebook, send friend requests to every other popular person you find and once they add you, attack them directly on their Wall, offering unsolicited criticism about their work/behaviour/profile/photos. Also threaten to remove them from your list if they can’t take criticism.

4. Once blocked, identify common friends with your target and post your inflammatory content on their Walls. If anyone objects, swear by your freedom of speech and expression. Never mind that Facebook is a network of friends, pretend and insist it is a public forum. When blocked, add the common friend to your hate list.

5. Remember that what you do could get you arrested. Only the stupidest of trolls harass women. Remember, your IP is always traceable by the police and the Cyber Crime department does have the authority to make social networks, blogs and even email service providers share details of your usage once you’ve crossed the line and done anything illegal.

(The author is an expert troll and deals with many on a daily basis. This column originally appeared here.)

Can we stop the pity-party?

January 7, 2011 · by sudhishkamath

Often, films employing characters with disabilities are met with polarized opinions. There’s a huge section of our population that loves some of these films for their ability to make you cry at the suffering and the struggle of the disabled to survive in a cruel world. And there are a few like me who scream: “Stop that blatant emotional manipulation. Disability is not something you use to milk the audience for sympathy.”
Yet, nothing’s changed if we are to go by recent releases – Sanjay Leela Bhansali’s ‘Guzaarish’ or Mysskin’s tribute to Takeshi Kitano, ‘Nandalala’. These are both films I hated.
In Guzaarish, the protagonist is a quadriplegic who now pleads with the judge to be allowed to die, because even if the court is willing to come home for the hearing, his support system literally needs to carry his wheelchair down the stairs.
It’s easy to see why THAT fictional character wants to die – because the person who wrote him for screen did not bequeath him or anyone who is part of his world the basic intelligence of installing a disability ramp in his lavish two-floored mansion for 14 years or considered the possibility of him shifting to a smaller home closer to a hospital.
Worse, the character’s only and biggest argument to be allowed to die is to compare such existence with being locked in a box. As metaphoric as it may be, that’s a dangerous thought to put into any quadriplegic’s head, especially when there are so many options available today to improve the quality of life. Any filmmaker who suggests that death is the only way out, just to make you shed a tear for a stupid uni-dimensional character he has written, needs therapy.
Nandalala is far worse. It pretends to celebrate disability but reinforces every stereotype associated with the mentally ill. To understand how twisted Nandalala is, one has to watch the original – Takeshi Kitano’s Kikujiro.
Kikujiro is the story about a boy who goes in search of his mother and he’s accompanied by an eccentric gambler played by Kitano himself.
During their road trip, the child and the child at heart encounter many colourful characters who make their journey memorable, despite the setbacks they face in their quest. It’s a bitter-sweet film that suggests that life sends you angels in different forms when you need them.
Mysskin retains almost the same storyline in his tribute film but replaces the eccentric gambler with a mentally-ill film stereotype, the kind that indulges in exaggerated violent behaviour. If Kikujiro sublimely hints that there’s insanity in all of us, Nandalala suggests that the insane are human too. Oh really?
Mysskin’s Kikujiro escapes from an institution, gets violent and beats a driver bloody when called “Mental.” He later breaks beer bottles on the head of a rash driver for the sake of infusing comedy into the narrative. And if such manipulation of stereotypes wasn’t enough, Mysskin makes every other character the duo meet on their way disabled and struggling in one way or the other, choosing to dwell on their sorry state instead of their spirit.
For instance, there’s a guide who turns out to have a walking disability and the man hops around using a piece of wood as his crutch. Just when you are about to salute Mysskin for finally showing us a man with spirit, the filmmaker makes sure he collapses of exhaustion and cries. If that does not get you moist-eyed, how about getting some bad guys to attack him with a sickle, break his stick and cut his real leg? Yes!
Mysskin, unfortunately, picks all the wrong ingredients from the success of his action film ‘Anjathey’ to manipulate the audience into feeling sorry for the disabled.
In Anjathey, a character called Kuruvi, is actually played by an actor with disability of the limb. His one arm is significantly shorter than the other. We are made to feel sorry for this character all through and towards the end, Kuruvi is made to sport a T-shirt with a dove on it. The accompanying text on the tee says Peace. Poor Kuruvi gets shot. Cue in the tears. Close-up of Kuruvi’s little arm flapping like a wing. Cue in a sad background score. And, death!
While many in the hall were moved to tears, I am horrified at such gross, callous manipulation of disability.
What Bhansali or Mysskin or even Bala (in Sethu or Naan Kadavul) do not seem to understand is that it is high time disability is treated with dignity and sensitivity. It is time to shift characters from institutions that alienate the disabled further and move them into homes of a more inclusive society. That’s the first step to alleviate suffering.
“We are only depicting reality” is no excuse to reinforce stereotypes. And even if you choose to show only the truly suffering, please do not press that trigger for tears by firing from their shoulders. If you are capable, how about doing that without involving those who are suffering because of their disabilities. They do not want your pity and don’t you dare go around collecting tears as alms on their behalf.
The disabled deserve dignity of life and, at least, once in a while, a film like Nagesh Kukunoor’s ‘Iqbal’ or Radha Mohan’s ‘Mozhi’ that captures their spirit to live against the odds. The way we treat them, the way we look at them – in life and on film – is one of those odds we can help them fight.
Respect them and be respected. Unless you have a filmmaking-related disability.

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