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    Reviews

    “A cerebral joyride”
    Karan Johar, filmmaker on REDIFF

    “Among the most charming and creative Indian independent films”
    J Hurtado, TWITCH

    ★★★★✩
    “You don’t really need a big star cast… you don’t even need a big budget to get the techniques of filmmaking bang on…”
    Allen O Brien, TIMES OF INDIA

    ★★★★✩
    “An outstanding experience that doesn’t come by too often out of Indian cinema!”
    Shakti Salgaokar, DNA

    ★★★
    “This film can reach out the young, urban, upwardly mobile, but lonely, disconnected souls living anywhere in the world, not just India.”
    Namrata Joshi, OUTLOOK

    “I was blown away!”
    Aseem Chhabra, MUMBAI MIRROR

    “Good Night Good Morning is brilliant!”
    Rohit Vats, IBN-LIVE

    ★★★✩✩
    “Watch it because it’s a smart film.”
    Shubha Shetty Saha, MIDDAY

    ★★★✩✩
    “A small gem of a movie.”
    Sonia Chopra, SIFY

    ★★★✩✩
    “A charming flirtation to watch.”
    Shalini Langer, INDIAN EXPRESS

    “Interesting, intelligent & innovative”
    Pragya Tiwari, TEHELKA

    “Beyond good. Original, engrossing and entertaining”
    Roshni Mulchandani, BOLLYSPICE

    * * * * *
    Synopsis

    ‘Good Night Good Morning’ is a black and white, split-screen, conversation film about two strangers sharing an all-night phone call on New Year's night.

    Writer-Director Sudhish Kamath attempts to discover good old-fashioned romance in a technology-driven mobile world as the boy Turiya, driving from New York to Philadelphia with buddies, calls the enigmatic girl staying alone in her hotel room, after a brief encounter at the bar earlier in the night.

    The boy has his baggage of an eight-year-old failed relationship and the girl has her own demons to fight. Scarred by unpleasant memories, she prefers to travel on New Year's Eve.

    Anonymity could be comforting and such a situation could lead to an almost romance as two strangers go through the eight stages of a relationship – The Icebreaker, The Honeymoon, The Reality Check, The Break-up, The Patch-up, The Confiding, The Great Friendship, The Killing Confusion - all over one phone conversation.

    As they get closer to each other over the phone, they find themselves miles apart geographically when the film ends and it is time for her to board her flight. Will they just let it be a night they would cherish for the rest of their lives or do they want more?

    Good Night | Good Morning, starring Manu Narayan (Bombay Dreams, The Love Guru, Quarter Life Crisis) and Seema Rahmani (Loins of Punjab, Sins and Missed Call) also features New York based theatre actor Vasanth Santosham (Bhopal: A Prayer for Rain), screenwriter and film critic Raja Sen and adman Abhishek D Shah.

    Shot in black and white as a tribute to the era of talkies of the fifties, the film set to a jazzy score by musicians from UK (Jazz composer Ray Guntrip and singer Tina May collaborated for the song ‘Out of the Blue), the US (Manu Narayan and his creative partner Radovan scored two songs for the film – All That’s Beautiful Must Die and Fire while Gregory Generet provided his versions of two popular jazz standards – Once You’ve Been In Love and Moon Dance) and India (Sudeep and Jerry came up with a new live version of Strangers in the Night) was met with rave reviews from leading film critics.

    The film was released under the PVR Director’s Rare banner on January 20, 2012.

    Festivals & Screenings

    Mumbai Film Festival (MAMI), Mumbai 2010 World Premiere
    South Asian Intl Film Festival, New York, 2010 Intl Premiere
    Goa Film Alliance-IFFI, Goa, 2010 Spl Screening
    Chennai Intl Film Festival, Chennai, 2010 Official Selection
    Habitat Film Festival, New Delhi, 2011 Official Selection
    Transilvania Intl Film Festival, Cluj, 2011 Official Selection, 3.97/5 Audience Barometer
    International Film Festival, Delhi, 2011 Official Selection
    Noordelijk Film Festival, Netherlands, 2011 Official Selection, 7.11/10 Audience Barometer
    Mumbai Film Mart, Mumbai 2011, Market Screening
    Film Bazaar, IFFI-Goa, 2011, Market Screening
    Saarang Film Festival, IIT-Madras, 2012, Official Selection, 7.7/10 Audience Barometer

    Theatrical Release, January 20, 2012 through PVR

    Mumbai
    Delhi
    Gurgaon
    Ahmedabad
    Bangalore
    Chennai
    Hyderabad (January 27)

    * * * * *

    More information: IMDB | Facebook | Youtube | Wikipedia | Website

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Archive For February 16th, 2011

How To: Make a no-budget film

February 16, 2011 · by sudhishkamath

1. Rent a DVD of a film about making a film… Like Bowfinger or Be Kind Rewind. Make elaborate notes on things you can do to cut costs and cheat your neighbourhood as a backdrop for your film.

2. Search the internet for free royalty-free stock footage. Make sure they are at least high definition quality and do not come with watermarks. Sort out similar footage and save the shots folder-wise. Sample: New York road traffic, street traffic, highway traffic, aerial shots etc.

3. Now, find a conflict (For example: Boy needs to go all around town to find a rare book to woo the girl he loves) that requires all these shots and things you can use from your neighbourhood (as learnt from Bowfinger/Be Kind Rewind). Films are just not about conflict (story) but how the conflict plays out (storytelling). So convert this story you’ve written into scenes, each scene broken down into one line. Sample: 1. Boy lives in this neighbourhood. 2. Girl lives next door. 3. Boy bumps into girl. Once you’ve written down the story, tighten to see what all can be established in one line or one moment. Sample: 1. Boy rushes out of home in a tearing hurry and runs into the girl carrying books and accidentally knocks a book down into the gutter.  Each line should be one scene. And each scene is a moment captured at a specific time and space. Ideally, don’t write scenes longer than a minute.

4. Now that you have a script, write down the dialogues or let the actors you’ve cast for the role work on them and rehearse together as you sort out a schedule to shoot scenes set in the same location the same day or consecutive days. Borrow a camera that can shoot Hi Definition and make sure have a cinematographer who knows to exploit natural light and find ways to keep the camera microphone as close to the people speaking dialogue and without the mic being caught on camera.

5. Each scene is divided into shots depending on the drama you want to extract out of the moment. Keep your frame wide to establish, medium to document and close to get into the intimate detail. Make an assistant log each take (make sure you have multiple takes of each shot) and let your assistant know which of the takes is Good so that your editor using iMovie or any editing software can just assemble all the Good takes in the order of your script and fine-cut it depending on the merit of all that you’ve shot. Use royalty-free music from the internet for your background score or get your neighbourhood band to give you music they’ve done.

(The author is an independent filmmaker who is yet to make money from no-budget films. This column originally appeared here.)

Croma Anna Nagar sold me a used demo piece!

February 16, 2011 · by sudhishkamath

Croma Anna Nagar is a disgrace to the Tatas.

On December 29, 2010, I go to check out the New Year’s deals at the store. The salesman Adaikal Raj tells me he can give me a Samsung 3D LED TV 40 inch (MRP Rs.1,19,990) + Samsung 3D player (MRP Rs.29,990) + 3 Blu Ray Glasses + 3 Blu Ray Titles + HDMI cable + Wifi LAN Adapter AND a 22 inch Sansui LCD TV – all for Rs. 1,10,000.

It was a great deal no doubt. After checking with other stores (Sony had a similar offer for 1.2 lakhs minus the free 22 inch Sansui TV but they were giving 10 Blu Ray titles free and how I regret I didn’t take that offer!), I went ahead with Croma because it was closer home and I could always head there if there was any problem with my purchase. My parents were moving away and I wanted to give this to them as a gift for the new house. Which is part of the reason I wanted the best TV in the market.

Finally on January 2, 2011, I paid for it – 1.1 lakh rupees. Swiped my card for half the amount and took a loan on the rest and Raj promises delivery by January 14 because the product is out of stock. Had he told me earlier, I wouldn’t have waited till the evening of January 2 when New year’s deals end in most stores in the city. I would’ve just bought it from another store. I was visiting the store the third time now (my first visit was enquiry, second was to confirm the deal and the third was to make the payment), so I just went for it.

On January 14, I visit the store for the fourth time to remind them about the delivery because nobody answers the Customer Care line. On January 15, they tell me they don’t have stock of the 3D Blu Ray player. So how will you give me a demo for my 3D TV without a player, I ask. They have no answer. So I insist them to bring a demo player along.

The three 3D titles I was promised turns out to be a 3-in-1 title full of documentaries. I get both the TV sets. The 3D Blu Ray player was out of stock and it turned out that the HDMI cable and Wifi Adapter were accessories that came with the player. So I got only half of what I was promised.

Raj over the phone promises to deliver a Blu Ray player on January 17 (Monday). I wait for a full week before putting pressure on him because my parents tell me they may just pass on a faulty demo piece they have. I visit the Anna Nagar store again on January 23 (my fifth visit) to check on the status and Raj tells me that he’s expecting stock in four days.

On January 30th, I visit the store again for the sixth time because Raj does not answer my calls. I’m told he’s on leave and speak with Venkatesh from Customer Care who is visibly amused by this problem. He stifles a laugh on hearing that Raj hasn’t called or returned calls. He assures that I will get my player in a week. Not too convinced by Venkatesh and his body language, I ask for the Department Head, someone who will take responsibility.

Shahul Hameed, who identifies himself as department head, volunteers and assures me that I will get my player in a week. I had billed on January 2 and it was going to be a month. Give me a voucher for the MRP, I ask. He guarantees it. If it does not come in week – by February 7 – I will give you a voucher for the MRP, Shahul Hameed promises. Why just a week, I will wait ten days – till February 10 – and if I don’t get a player by then, give me a voucher, I say. He agrees.

On February 5, I get a call from Croma saying they got stock but they don’t have anyone to deliver the product. The gall! First, they don’t deliver on time and then they want me to come and pick it up. So I visit Croma on Feb 6 (for the seventh time) to collect my Blu Ray player. I find the packaging suspect and tell Venkatesh about it. He assures me it’s a brand new piece and tells me I can call him if it isn’t. I get home and take pictures of the packaging because I have a hunch they have given me a used piece.

Package sealed by Cello-tape!?

Package carries someone else's name and address - Used box!

I open it to find the Blu Ray player with the packaging – WITH THE DISPLAY FEATURE CARD GLUED TO IT, with scratches, with the base of the player discoloured, indicating it has been used before.

There it is, the Point of Sale Display Feature Card, NOT sticker, glued to it. Plus scratches!

I call Venkatesh and tell him about this. No response for half hour. Then, I send a text telling him I would complain if I don’t hear from them. In the text, I identify myself as a journalist which is probably the only reason Shahul Hameed called back. I tell him I have studied mass communication and know the difference between a sticker and a display card. Shahul Hameed tells me he’s sending Raj home to attend to the complaint. He asks me to mail him pictures of the player and I do that.

Raj comes home, apologises for not taking calls, tries to convince me it is not a display piece until I show him all the scratches and the discolouration of the base. He apologises again, promises to report back on it and tells him he would give us a fresh piece when it arrives in a couple of days. I tell him I had visited the showroom seven times and I didn’t intend doing more and I expected him to follow up and keep me updated on this.

I wait till February 10 before I go to meet Shahul Hameed at the store (visiting it for the eighth time) at around 8.30 p.m. since I have not heard from anyone from Croma since Raj’s visit. I’m told Shahul Hameed isn’t there. Nor is Venkatesh. Nor is Raj. And the salesman promises me that stock will arrive in 3-4 days. I text Shahul Hameed and ask him to respond. I wait for an update till February 15. No response.

45 Days after billing, I finally lodge a complaint online on the Croma site. My complaint number is 163/150211/Led/150255.

But for the call on February 5 and the call in response to my text on February 6, no one from Croma has never even called me in these 45 days to update me on the status. And I have visited them eight times already!

A 3D TV is of absolutely no use without a 3D player. You can imagine how angry I am.

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